Le soldat Luc Deveraux et son sergent sadique, Andrew Scott, ont été tués au Vietnam. L'armée se sert de leurs corps pour un projet secret - réanimer les soldats morts sous forme de cyborgs ... Tout lireLe soldat Luc Deveraux et son sergent sadique, Andrew Scott, ont été tués au Vietnam. L'armée se sert de leurs corps pour un projet secret - réanimer les soldats morts sous forme de cyborgs obéissants. Sauf qu'ils n'ont pas tout oublié.Le soldat Luc Deveraux et son sergent sadique, Andrew Scott, ont été tués au Vietnam. L'armée se sert de leurs corps pour un projet secret - réanimer les soldats morts sous forme de cyborgs obéissants. Sauf qu'ils n'ont pas tout oublié.
- Réalisation
- Scénario
- Casting principal
Ralf Moeller
- GR76
- (as Ralph Moeller)
Tom Lister Jr.
- GR55
- (as 'Tiny' Lister Jr.)
Avis à la une
Okay, okay: it's as macho as hell, questionably acted, pretty brutal and not particularly imaginative. But it has faith in itself. Please don't think I mean to give this B-movie any real grandeur, but it does know how to get the blood pumping. If the action sequences are nothing new (cribbed from Arnie and Mad Max flicks), it pushes them home with a relentless logic, and the production values are fine.
There is an element of self-parody, thanks largely to Lundgren's engagingly OTT psychotic turn (he's the best of the bunch) and the film-makers have enough nouse to make JVCD rely on his ability to kick the life out of everyone.
Plot means nothing, the film is nasty, the semi-moral/sentimental tone that descends towards the end is pretty offensive and it's derivative.
But admit it - you enjoyed it. Hell, I thought it was a laugh.
There is an element of self-parody, thanks largely to Lundgren's engagingly OTT psychotic turn (he's the best of the bunch) and the film-makers have enough nouse to make JVCD rely on his ability to kick the life out of everyone.
Plot means nothing, the film is nasty, the semi-moral/sentimental tone that descends towards the end is pretty offensive and it's derivative.
But admit it - you enjoyed it. Hell, I thought it was a laugh.
Universal Soldier might be dumb and derivative but I couldn't care less, it is also one of the most entertaining action films to be released in the 1990s and provided signature roles for two of my favourite trash icons, Jean-Claude Van Damme and Dolph Lundgren. The film also serves as a testament to the last good movie made by Roland Emmerich before selling his soul to the Hollywood machine.
This film has long been a favourite with genre fans. Universal Soldier was a theatrical box office hit but really developed its cult following on video. I watch this film every couple of years and I'm always struck by the quality of the writing, directing and yes, even the acting. This is simply a well crafted movie and an excellent example of a film that is so much more than the sum of its admittedly tawdry parts.
Universal Soldier owes a hell of a lot to "The Terminator". It lifts a whole raft of ideas from Cameron's action classic, including the basic concept of a good guy with superhuman strength protecting a woman from a bad guy with superhuman strength. Actually, it even borrows minor details like the eye-cam, the nude walk and an act of self-mutilation. Nevertheless, the film never feels like a blatant rip off. Roland Emmerich, while never a particularly original mind, injects sufficient change and innovation into the film to ensure it has a distinct energy of its own.
The film recycles old ideas with great skill due to the excellent screenplay. The action comes thick and fast, and the dialogue is first rate for an action film. Furthermore, it provides several memorable characters and successfully introduces an element of black humour without detracting from the action. No matter how well written it is, an action film is only as good its action sequences and Mr Emmerich does not disappoint. The film contains several fantastic set pieces, from the grandeur of the hostage rescue to the phenomenal truck chase through the desert, which even manages to find time for a mid-chase game of "catch" with live grenades and a string of memorably corny one-liners. Emmerich is in his element, filming explosions and stunts from every imaginable angle. Universal Soldier is also far gorier than his later films and is all the better for it.
The film would not be half as enjoyable without its leading men. Jean-Claude and Dolph both give great performances. And no, I'm not being sarcastic. Jean-Claude was at his physical peak and excels during the action scenes. He performs several signature flying kicks in a great fight with Dolph, which is mercifully filmed in a long shot - I wish the John Woo wannabes from the "cut and paste" school of directing who directed Jean-Claude's later films had taken note. Dolph is great fun as the villain, making crazy eyes for all he is worth and relishing every trashy one-liner. They both are more than adequate in their non-action scenes, which probably has a lot to do with the fact that they are essentially playing refined zombies who walk around naked a lot. The supporting cast is also great. Ally Walker showed a lot of promise as the female lead and has gone on to have a good career in television. Jerry Orbach and Tico Wells, also TV regulars, give memorable performances in minor roles.
Universal Soldier is relentless, the film starts with a bang and never lets up. It might be trashy, but it is never less than completely entertaining. In my opinion, this is one of the seminal action films of the 90s. The sequels, however, are only recommended for experienced crap connoisseurs.
This film has long been a favourite with genre fans. Universal Soldier was a theatrical box office hit but really developed its cult following on video. I watch this film every couple of years and I'm always struck by the quality of the writing, directing and yes, even the acting. This is simply a well crafted movie and an excellent example of a film that is so much more than the sum of its admittedly tawdry parts.
Universal Soldier owes a hell of a lot to "The Terminator". It lifts a whole raft of ideas from Cameron's action classic, including the basic concept of a good guy with superhuman strength protecting a woman from a bad guy with superhuman strength. Actually, it even borrows minor details like the eye-cam, the nude walk and an act of self-mutilation. Nevertheless, the film never feels like a blatant rip off. Roland Emmerich, while never a particularly original mind, injects sufficient change and innovation into the film to ensure it has a distinct energy of its own.
The film recycles old ideas with great skill due to the excellent screenplay. The action comes thick and fast, and the dialogue is first rate for an action film. Furthermore, it provides several memorable characters and successfully introduces an element of black humour without detracting from the action. No matter how well written it is, an action film is only as good its action sequences and Mr Emmerich does not disappoint. The film contains several fantastic set pieces, from the grandeur of the hostage rescue to the phenomenal truck chase through the desert, which even manages to find time for a mid-chase game of "catch" with live grenades and a string of memorably corny one-liners. Emmerich is in his element, filming explosions and stunts from every imaginable angle. Universal Soldier is also far gorier than his later films and is all the better for it.
The film would not be half as enjoyable without its leading men. Jean-Claude and Dolph both give great performances. And no, I'm not being sarcastic. Jean-Claude was at his physical peak and excels during the action scenes. He performs several signature flying kicks in a great fight with Dolph, which is mercifully filmed in a long shot - I wish the John Woo wannabes from the "cut and paste" school of directing who directed Jean-Claude's later films had taken note. Dolph is great fun as the villain, making crazy eyes for all he is worth and relishing every trashy one-liner. They both are more than adequate in their non-action scenes, which probably has a lot to do with the fact that they are essentially playing refined zombies who walk around naked a lot. The supporting cast is also great. Ally Walker showed a lot of promise as the female lead and has gone on to have a good career in television. Jerry Orbach and Tico Wells, also TV regulars, give memorable performances in minor roles.
Universal Soldier is relentless, the film starts with a bang and never lets up. It might be trashy, but it is never less than completely entertaining. In my opinion, this is one of the seminal action films of the 90s. The sequels, however, are only recommended for experienced crap connoisseurs.
I remember first watching 'Universal Soldier' on TV when I was about 8 or 9 years old. After that, whenever I saw it it didn't have sound, or I was rather inebriated, or both, or had other circumstances prevent me from appreciating the awesomeness of Van Damme v. Lundgren, until it was on TV again recently, and I got to revel in the glory of 'Universal Soldier'.
Van Damme plays Luc Deveraux, a soldier serving in Vietnam, under the command of Sergeant Andrew Scott (Dolph Lundgren). Deveraux has an attack of conscience when Scott seems to lose his altogether. In fact, Scott seems to be somewhere between insane and plain evil. After Deveraux refuses - on Scott's orders - to kill innocent villagers, the two soldiers kill each other. Listed as Missing-in-Action, the bodies of the two soldiers are used in the Universal Soldier program, and the two are re-activated some time later as GR-44 (Van Damme) and GR-13 (Lundgren), supposedly with no memories of their past.
When reporter Veronica Roberts (Ally Walker) stumbles onto some things she shouldn't have seen (seriously, if you want to keep your project secret, you don't drive around in an armoured bus, leaving unlocked crates lying around outside), her cameraman is murdered by one of the UniSols. GR-44 has flashes of his past, and takes Veronica on the run, with the slightly (very?) unstable GR-13 in hot-pursuit.
Action abounds for the rest of the movie, and while there isn't anything truly special, it is way cool, or even Awesome. We have car chases, heavy vehicle chases, Van Damme beating people up, and Lundgren being one of the awesomest bad guys ever. What is there to complain about? Nothing, that's what. I must say that Dolph Lundgren is at his best playing villains, and I'd even argue that his role in 'Universal Soldier' has been some of his best work to date. Van Damme also gets to credit 'Univeral Soldier' as being one his best movies.
Plot-wise? Again, little - if no - originality, and a pretty thin plot. However, as I always say "Less plot = More action = Awesome", and everyone is happy, and if you don't agree, then you really should not be watching 'Universal Soldier'.
I love 'Universal Soldier'. It stands close to the pinnacle of action B-movies, a genre everybody loves! It is a shame that I can the official and un-official sequels on DVD, but I can't get the original in all its awesome glory on DVD here in Australia. 'Universal Soldier' is a must-see for action fans everywhere - 8/10
Van Damme plays Luc Deveraux, a soldier serving in Vietnam, under the command of Sergeant Andrew Scott (Dolph Lundgren). Deveraux has an attack of conscience when Scott seems to lose his altogether. In fact, Scott seems to be somewhere between insane and plain evil. After Deveraux refuses - on Scott's orders - to kill innocent villagers, the two soldiers kill each other. Listed as Missing-in-Action, the bodies of the two soldiers are used in the Universal Soldier program, and the two are re-activated some time later as GR-44 (Van Damme) and GR-13 (Lundgren), supposedly with no memories of their past.
When reporter Veronica Roberts (Ally Walker) stumbles onto some things she shouldn't have seen (seriously, if you want to keep your project secret, you don't drive around in an armoured bus, leaving unlocked crates lying around outside), her cameraman is murdered by one of the UniSols. GR-44 has flashes of his past, and takes Veronica on the run, with the slightly (very?) unstable GR-13 in hot-pursuit.
Action abounds for the rest of the movie, and while there isn't anything truly special, it is way cool, or even Awesome. We have car chases, heavy vehicle chases, Van Damme beating people up, and Lundgren being one of the awesomest bad guys ever. What is there to complain about? Nothing, that's what. I must say that Dolph Lundgren is at his best playing villains, and I'd even argue that his role in 'Universal Soldier' has been some of his best work to date. Van Damme also gets to credit 'Univeral Soldier' as being one his best movies.
Plot-wise? Again, little - if no - originality, and a pretty thin plot. However, as I always say "Less plot = More action = Awesome", and everyone is happy, and if you don't agree, then you really should not be watching 'Universal Soldier'.
I love 'Universal Soldier'. It stands close to the pinnacle of action B-movies, a genre everybody loves! It is a shame that I can the official and un-official sequels on DVD, but I can't get the original in all its awesome glory on DVD here in Australia. 'Universal Soldier' is a must-see for action fans everywhere - 8/10
What's not to like? Van Damme and Dolph star as soldiers who kill each other in Vietnam and are than reanimated as Uni Sols but when Dolph remembers his sadistic ways the trouble starts.
Universal Soldier is Van Damme and Lundgren's best movie ever made.It has some strong action scenes and decent acting from the cast. The climax is one of the greatest in a long time. And if anybody tells you this movie sucked. Feel free to knock them upside their heads. (JK)
Overall Universal Soldier is a great movie that shouldn't be missed.
**** (Out of four)
Universal Soldier is Van Damme and Lundgren's best movie ever made.It has some strong action scenes and decent acting from the cast. The climax is one of the greatest in a long time. And if anybody tells you this movie sucked. Feel free to knock them upside their heads. (JK)
Overall Universal Soldier is a great movie that shouldn't be missed.
**** (Out of four)
Big, dumb, loud, and fun. Four words that could aptly summarise the appeal of this blockbuster movie which proved a hit with audiences back in '92 and spawned three inferior sequels. UNIVERSAL SOLDIER is probably Van Damme's most successful mainstream movie to date and his pairing with Lundgren as the enemy is a good one; Lundgren's height alone gives him the imposing edge over the smaller, tougher Van Damme and their final one-on-one battle is one to remember. Packed with lots of hard-edged violence and some unwanted comic relief from a highly annoying female support (Ally Walker), UNIVERSAL SOLDIER is a movie that gets better as it goes along.
At first, the sheer woodenness of Van Damme and Lundgren is inexcusable. I know that they're supposed to be playing emotionless dead robots, but even after they first rebel they seem wooden and unable to even say their lines convincingly. Thankfully this wears off as time goes on and the pair settle down into their roles. In fact Lundgren goes a 360-degree turnaround at the end and actually becomes quite good as the psychotic soldier who believes that he's surrounded by the enemy. Van Damme? Well, here he plays a more sympathetic character than usual which will no doubt endear him to female fans, while still providing the high-kicking action that the fans expect. Ally Walker is terrible, though, as the intensely annoying female lead, and although it's good to see Ed O'Ross make an appearance as a colonel, he's underused and killed off quickly.
The flimsy plot strings together a scene of big-budget action sequences (no surprise, as most of Roland Emmerich's films are thus styled, e.g. INDEPENDENCE DAY) which are pretty impressive. From the opening hostage stakeout at the Hoover Dam to the shoot-up at a motel, to the climatic truck chase and the final battle with Van Damme and Lundgren, things just keep getting better and better. The high body count sees lots of people getting shot or killed in nasty ways, and of course there's the usual quota of bullet-shedding and big explosions.
Lundgren's method of death at the end of the movie (like you couldn't guess) is highly graphic and unexpected. The loud score is sufficiently adrenaline-pumping to work and the film tries so hard to please that the feeling rubs off on the audience. Although it may be dumb entertainment, UNIVERSAL SOLDIER "delivers the groceries" so to speak and is quite watchable in a forgettable way, in that it passes the time and engages the attention but doesn't leave much impact afterwards. It may be a popcorn movie but it's undoubtedly a well-made one.
At first, the sheer woodenness of Van Damme and Lundgren is inexcusable. I know that they're supposed to be playing emotionless dead robots, but even after they first rebel they seem wooden and unable to even say their lines convincingly. Thankfully this wears off as time goes on and the pair settle down into their roles. In fact Lundgren goes a 360-degree turnaround at the end and actually becomes quite good as the psychotic soldier who believes that he's surrounded by the enemy. Van Damme? Well, here he plays a more sympathetic character than usual which will no doubt endear him to female fans, while still providing the high-kicking action that the fans expect. Ally Walker is terrible, though, as the intensely annoying female lead, and although it's good to see Ed O'Ross make an appearance as a colonel, he's underused and killed off quickly.
The flimsy plot strings together a scene of big-budget action sequences (no surprise, as most of Roland Emmerich's films are thus styled, e.g. INDEPENDENCE DAY) which are pretty impressive. From the opening hostage stakeout at the Hoover Dam to the shoot-up at a motel, to the climatic truck chase and the final battle with Van Damme and Lundgren, things just keep getting better and better. The high body count sees lots of people getting shot or killed in nasty ways, and of course there's the usual quota of bullet-shedding and big explosions.
Lundgren's method of death at the end of the movie (like you couldn't guess) is highly graphic and unexpected. The loud score is sufficiently adrenaline-pumping to work and the film tries so hard to please that the feeling rubs off on the audience. Although it may be dumb entertainment, UNIVERSAL SOLDIER "delivers the groceries" so to speak and is quite watchable in a forgettable way, in that it passes the time and engages the attention but doesn't leave much impact afterwards. It may be a popcorn movie but it's undoubtedly a well-made one.
Le saviez-vous
- AnecdotesBoth Jean-Claude Van Damme and Dolph Lundgren attended the 1992 Cannes Film Festival in order to promote this film. Just outside the festival hall, Van Damme and Lundgren were shown having an argument, and then pushing and threatening each other before security guards intervened and stopped them. This brawl between the two became a talking point for the media and was reported on many news channels. However, years later, Lundgren revealed in an interview that it was all staged to garner publicity for this movie. Van Damme also confirmed this on a 2018 podcast.
- Gaffes(at around 24 mins) Luc and Scott are sent to apprehend Veronica, the problem is that moments before they were sent to get her, they were naked and having their memory clearance injections. By the time they got kitted up to go get her, she would have already left and they'd have no hope of catching her.
- Versions alternativesThe Australian theatrical release of the film was heavily cut by 3 minutes to receive an M rating.
- Head-shots to Vietnamese villagers.
- Scott getting the knife in the gut by Luc.
- The dinner fight was heavily trimmed.
- A scientist getting impaled on a needle.
- The supermarket shootout and Dolph's demise on the farm machinery.
- ConnexionsEdited into Universal Soldier: Le making of (1992)
- Bandes originalesBody Count's In The House
Written by Ice-T and Ernie C
Performed by Body Count
Courtesy of Sire Records
by Arrangement with Warner Special Products
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- How long is Universal Soldier?Alimenté par Alexa
Détails
Box-office
- Budget
- 23 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 36 299 898 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 057 084 $US
- 12 juil. 1992
- Montant brut mondial
- 36 299 898 $US
- Durée1 heure 42 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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