Tito et Moi

The film "Tito and Me" was made during one of the most difficult periods in the history of Eastern Europe. Its quirky humor has marked the beginning of the end for the country it celebrates and unmercifully criticizes at the same time.

Making a child the central point of the film is essential for its vision. A child is able to see everything in a way as yet unclouded by the veils that adults often put on truth. And yet, the nation this film depicts often behaves like a big child (in ways that lead to self-ruin instead to self-preservation), and that gives another justification for such a choice of the main star.

The film goes even further to deal with certain philosophical and moral issues that were accepted without question for a great number of years in most countries of Eastern Europe. It puts them to test, a test of an honest and pure spectator of human foibles and peculiarities, and shows us the terrifying results made by an unbiased viewer.

The humor of the film, often bordering on absurd, only serves to heighten the sense of malaise and impending doom that eventually becomes a reality.

The child Zoran (wonderfully played by Dimitrije Vojnov, who is now one of Serbia's leading film critics and film connoisseurs)is taken along the paths of maturity, his thoughts become more and more grown-up in the process, and accordingly, his illusions are shattered one by one.

This film is comic, warm and honest, but also cruel and terrifying in its refusal to compromise. It is a story of a misguided nation and a warning for others who may share the same destiny, but are as yet not aware of it. As such it should be seen.

"Tito i ja" is one of the best Yugoslavian movie creations ever. A tale of a boy growing up in a world divided between communists and the "other" ones, gives a great representation of Yugoslavian socialism. Unfortunately, many parts of this movie are not easy to understand unless a viewer is very familiar with the life of Josip Broz Tito, Yugoslavia, etc.

Goran Markovic, known more for his dramatic work, achieved something that's eluded many great filmmakers - both smart and funny comedy. Based loosely on his own life as a kid growing up in Tito's communist Yugoslavia in the 1950s, the movie centers around 10-year-old Zoran whose inspired poem about Tito written on a spur-of-the-moment-basis as an in-class assignment, earns him a trip with other deserving pupils retracing Tito's "revolutionary trails" in Tito's hometown of Kumrovec.

One gets the feeling that this film was 25 years in the making and that Markovic had this idea all throughout his career but was just waiting for the right political atmosphere to finally make it.

Movie is very heartwarming even though it hints at many unpleasant aspects of the communist regime in Yugoslavia. It doesn't give into the temptation of using this setting to get cheap and obvious laughs or to sprinkle in personal political statements together with the humour. Instead, it deals with everything in a light but intelligent manner, takes time to set up the supporting characters and delivers fabulous entertainment.

Great stuff.

When this film was made in 1992 Yugoslavia entered its bloody wars of disintegration.

Author wanted to show to the public that love of the Marshal Tito by his peoples at the same time carried seeds of the wars which were conducted between 1992 and 1995.

Just as any Communist leader he created cult of the personality around himself and a very dangerous clique of the inner circle and even more dangerous Yugoslav National Army (JNA) which in the end decided to shoot at its own peoples.

Just as we all found out that it was all a farce in the end, so does the principle character finds out that he was an idiot by writing about Tito that he loves him more then his own parents. How in the Earth a Serb kid could write something like that about a Croat?

If you are interested in the former Yugoslavia this is a must see.

Brilliant Plot, Acting is once in a lifetime. The Historical reference's are on the money. Politcally correct for that time period, and the spirit of the people is dead on.Character development leaves you with the feeling you have meet them before. Lighting, costume, script are to die for.The children are complete and believable as 1954 Yugoslavia. I was almost waiting for Italian subtitles. Every actor carried their own weight on the story. The dream sequence's are original, full of Historical footage and well edited in to the theme and story development. Close quarters living is the thread that ties the plot and development together.