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South Central

  • 1992
  • R
  • 1h 38min
NOTE IMDb
6,8/10
7,2 k
MA NOTE
South Central (1992)
Trailer for South Central
Lire trailer2:30
1 Video
12 photos
CriminalitéDrame

Ajouter une intrigue dans votre langueA former gangster fresh out of prison wants to change his life for the better and must save his 10 year old son who has already chosen a gang life.A former gangster fresh out of prison wants to change his life for the better and must save his 10 year old son who has already chosen a gang life.A former gangster fresh out of prison wants to change his life for the better and must save his 10 year old son who has already chosen a gang life.

  • Réalisation
    • Stephen Milburn Anderson
  • Scénario
    • Stephen Milburn Anderson
    • Donald Bakeer
  • Casting principal
    • Glenn Plummer
    • Byron Minns
    • Lexie Bigham
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    7,2 k
    MA NOTE
    • Réalisation
      • Stephen Milburn Anderson
    • Scénario
      • Stephen Milburn Anderson
      • Donald Bakeer
    • Casting principal
      • Glenn Plummer
      • Byron Minns
      • Lexie Bigham
    • 21avis d'utilisateurs
    • 10avis des critiques
    • 64Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 nominations au total

    Vidéos1

    South Central
    Trailer 2:30
    South Central

    Photos12

    Voir l'affiche
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    Voir l'affiche
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    + 5
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    Rôles principaux37

    Modifier
    Glenn Plummer
    Glenn Plummer
    • Bobby
    Byron Minns
    • Ray Ray
    Lexie Bigham
    Lexie Bigham
    • Bear
    • (as Lexie D. Bigham)
    Vincent Craig Dupree
    Vincent Craig Dupree
    • Loco
    LaRita Shelby
    LaRita Shelby
    • Carole
    Kevin Best
    Kevin Best
    • Genie Lamp
    Big Daddy Wayne
    • Henchman
    • (as 'Big Daddy' Wayne)
    Allan Hatcher
    • Baby Jimmie
    Alvin Hatcher
    • Baby Jimmie
    Baldwin C. Sykes
    • Ken Dog
    Rana Kirkland
    Rana Kirkland
    • Girl in Club
    • (as Rana Mack)
    Diane Manzo
    • Undercover Cop
    Sal Landi
    Sal Landi
    • Detective
    Christian Coleman
    • Jimmie
    Leonard Boyles
    • Termite
    Terrence Williams
    • Boody
    Reginald T. Dorsey
    Reginald T. Dorsey
    • Bastille
    Tim DeZarn
    Tim DeZarn
    • Buddha
    • Réalisation
      • Stephen Milburn Anderson
    • Scénario
      • Stephen Milburn Anderson
      • Donald Bakeer
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs21

    6,87.1K
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    10

    Avis à la une

    8Jim-249

    The film is "serious" and well intentioned, telling a heart-breaking story with a valid message.

    Though the film is "serious" and well intentioned, telling a heart-breaking story with a valid message, its impact is considerably weakened by a naïve story-line and a undistinguished screen-play. I hunted around to see if this was "based on a true story", like "The Birdman of Alcatraz", but I found no evidence; that might have excused some of the awkwardness. There are some movingly warm scenes, though I was never groping for a kleenex. It reminded me of one of those Worthy Westerns I watched as a kid, where the bad guy meets a good guy/woman who changes his life: it had too many predictable and not totally credible steps. When, at the end, the hoodlum about to shoot him says, "Prison sure turned you stoopid!", I was inclined to agree. He talked his way out of the jam, but only because the narrative demanded it: his speech would never have convinced me, any more than Eli's words in the prison cell would have made me turn over a new leaf. These key "speeches" lacked any eloquence, and I frequently found myself predicting the dialogue. Nevertheless its best moments, especially the confrontations, are really gripping - until the end, that is, when it's too easy to foresee that no harm will come to anyone and Good will prevail. It's unfashionable and courageous to give such a story a happy ending (cf. "La Haine", where the vicious circle of hate is NOT broken and a bleak future is foreseen), and perhaps its optimism speaks more deeply to audiences in the States.
    10lilmiss39581

    great movie

    This is a very good movie and a realistic view of south central at the time. I lived there and this is one of the few movies that showed a realistic view of life. Glenn Plummer should get more props for his acting. Some parts of this movie touched a lot of us on the streets, the acting is great. This movie laid the foundation for other popular hood movies like boyz n da hood and others, but it is much more than a hood movie it takes you through the struggles of life on the streets and how sometimes you can't help the situation that you're in. It tells of a man who had a messed up childhood, and who had to get his life together to save his son from the same hardships that he had growing up without a dad.It ends up being a true love story.. the love between a real father and his son.
    8kevin_robbins

    This is a powerful film that is really well done

    South Central (1992) is a movie I recently rewatched on HBOMax. The storyline follows a man that grew up thinking the gang life would be the life for him. Shortly after his son is born he is sent to jail for ten years where his gang affiliation protects him from other inmates. When he discovers his son has joined the gang he is part of and starts his own life of crime, the father reforms, drops out of the gang, and works to gain parole so he can get out of jail and hopefully save his son from the life he lived. This movie is directed by Stephen Milburn Anderson (Ca$h) and stars Glenn Plummer (City of Lies), Byron Minns (Black Dynamite), LaRita Shelby (Martin), Reginald T. Dorsey (Hill Street Blues) and Tim DeZarn (Fight Club). The storyline for this film is very well done and does a great job of developing the characters so that you genuinely care about what happens to them. The roots of the storyline and why people make decisions is well told. The prison dynamics are also well presented. I really enjoyed the messages and the scriptures used to mentally get the father where he needed to be. The film also does a great job of showing how the responsibilities of parenting changes your perspectives on life. The evolution of all the characters in this film over the ten years are a delight to see and this is a powerful film that is really well done. While not perfect, I still strongly recommend this gem and would score it an 8/10.
    7iam-1

    One of the better examples of the "Criminal makes good" genre.

    This movie makes you care about its characters. This should be said about all films, but this one accomplishes it where others do not. The story revolves around a young man in South Central Los Angeles who is involved in a gang that is slowly making itself successful by selling drugs. He goes to jail after being convicted of shooting another gang lord. While in prison, his son grows up and is drawn by the romance and easy money of his father's old gang, and becomes involved as well. The story is a little over-simplistic, and the dialogue is a bit thin at times. But the director and cast rise to the challenge and turn this into a film about relationships and philosophy, rather than going for the easy solution of shooting off as many guns as possible. The ending is one of the most sappy we've seen in a while (just a bit too much 'Mom and apple pie'), but given the situation you are willing to go with it. While it's not perfect, this film ultimately works -- which is better than 95% of this genre.
    8view_and_review

    Breaking the Cycle

    Years ago I saw Donald Bakeer speak to talk about his book, "Crips", and upcoming movie, "South Central," based upon his book. I saw the movie then but I lacked the maturity and life experience to truly understand the significance of the movie. It wasn't Godfather, nor Scarface, nor was it Boyz n the Hood--this was a story of reformation.

    Bobby Johnson (Glen Plummer) helped start the Deuce gang in L. A. (I remember Mr. Bakeer saying that the name "Crips" couldn't be used in the movie) with friend Ray Ray (Byron Keith Minns). Bobby earned his heart tattoo after killing a local drug dealer named Genie Lamp (Kevin Best). Bobby would serve time for that murder and reform while in prison. His sole goal became saving his son.

    I really appreciated this movie's message and direction. Reforming would be hard, changing one's attitude would be hard, and doing all of that in the same environment would be doubly hard, but someone has to break the cycle so why not let it be you.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Glenn Plummer stated in an interview that men have approached him and said that his speech at the end of the film caused them to get back into their own children's lives.
    • Gaffes
      When Bobby and the rest of his crew are arrested by the undercover officer posing as a prostitute there original charge was soliciting and possession so there is no way a detective should have been questioning him about a murder Vice and Homicide are two different units and if Bobby was a person of interest in a murder homicide detectives would have long brought him in for questioning and made an arrest..
    • Citations

      Bobby: Jimmie... son... if you hit a man in his face, in time, his wounds will heal. And later on, you can apologize to that man. If you steal his goods, later on, you can return those goods, or you can repay him equal value. But if you kill... there is no later on. There's no way to repair it with that man. There's no way to make it right with him or his family. His life is gone forever. You never come back from that. Ray Ray... that boy you're holding is my son. My son. I told a man in prison that I would save my son's life, even if it took my life. I'm willing to die here today, Ray... for my boy, because I love him that much. Do you love him? All I want is to give him something that you or I never had - a father. You said... out there... that you owed me. All I want is my boy.

      [Extends hand out to son]

      Bobby: . The court will give you back to me. Then we're going to start this whole thing all over again, and we're going to do it the right way. Okay with you?

      [Son nods head]

      Bobby: .

    • Connexions
      Featured in Siskel & Ebert & the Movies: School Ties/South Central/Sarafina!/Singles/Blade Runner (1992)
    • Bandes originales
      Bounce, Rock, Skate, Roll
      Written by Vaughan Mason

      Performed by Vaughan Mason

      Courtesy of Brunswick Records

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    FAQ19

    • How long is South Central?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 3 août 1994 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Al sur de Los Ángeles
    • Lieux de tournage
      • Los Angeles, Californie, États-Unis
    • Sociétés de production
      • Enchantment Films Inc.
      • Ixtlan
      • Monument Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 4 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 1 373 196 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 147 629 $US
      • 20 sept. 1992
    • Montant brut mondial
      • 1 373 196 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 38min(98 min)
    • Couleur
      • Color
    • Rapport de forme
      • 1.78 : 1

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