Simple Men

It's like somebody took a piece of classic cinema and emphasized just how ridiculous and surreal every cliché and stereotype really is. Hal Hartley does a masterful job of giving a classic film narrative a fresh perspective with a hilariously sharp, convoluted, wild and gripping screenplay directed in a style that appears reminiscent of the French New Wave. Loaded with unabashedly random monologues, hysterically quotable moments and a beautifully chaotic plot, this film is certainly a classic in its own right.

This was the first Hal Hartley film I ever saw. I stumbled upon it at the video store really. Hartley is in many ways a completely original filmmaker. You've rarely seen a film like the ones he makes. His later films have lacked the humor of this one and the wonderful Trust.

Its the story of two weird brothers on a quest to find their whacked out father. A Hal Hartley film isn't really complete without Martin Donovan (Matthew) and Adrienne Shelly (Maria) but Hartley gets it half right by putting Martin in here in a small role. It woulda been a better film with Donovan in the lead. But still well worth watching...

Like Mr. Hartley's other movies, this film manages to balance humor, romance, drama, emotion, and action. It has a vaguely surreal air to it, wherein the events are plausible, but could only happen on those strange, unsettled days of the year when the sky can't decide whether to rain or not. There is also a bit of camp mixed in.

Also like his other films, Simple Men is quite idealistic, yet without being sappy or 'feel-good' in a cheap or simplistic way. This is a subtle movie, and I found I had to watch it a second and third time before I truly appreciated it. It's hard to compare it to anything else except Hartley's other movies, especially the excellent Henry Fool. I recommend it highly.

This movie is amazing. In a lot of ways it is an extremely painful movie to watch, watching people create their own destruction, watching the action play out a certain inevitability. But it's different also from a lot of stories, in that this kind of arc does not just continue on to its logical conclusion. The characters do not simply hurtle forth, but are always capable of thinking, changing. Really, really good.

What would Hal Hartley's movies be without the eccentric characters? Here is the ex-baseball player hiding in a boat quoting Proudhon to a religiously following Romanian epilectic girl less than half his age that definitely has her own way of dancing to Sonic Youth. Referencing here and there, many lost on me I guess, but the way everything is downplayed makes it so funny at times.

Hal Hartly is so good in casting. I think I liked every actor and actress he has chosen. Here, Elina Lövensohn shines, Karen Sillas is so natural and Robert John Burke is highly dramatic, like he was as the monster in 'No Such Thing'. The rest is seriously deadpan, which is a good thing.