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Singles

  • 1992
  • Tous publics
  • 1h 39min
NOTE IMDb
6,7/10
34 k
MA NOTE
POPULARITÉ
4 769
460
Matt Dillon and Bridget Fonda in Singles (1992)
Regarder Official Trailer
Lire trailer1:58
1 Video
99+ photos
Comédie romantiqueComédieDrameMusiqueRomance

Une bande d'amis, jeunes adultes vivant pour la plupart dans le même complexe d'appartements, recherche l'amour et le succès dans le Seattle de l'époque grunge.Une bande d'amis, jeunes adultes vivant pour la plupart dans le même complexe d'appartements, recherche l'amour et le succès dans le Seattle de l'époque grunge.Une bande d'amis, jeunes adultes vivant pour la plupart dans le même complexe d'appartements, recherche l'amour et le succès dans le Seattle de l'époque grunge.

  • Réalisation
    • Cameron Crowe
  • Scénario
    • Cameron Crowe
  • Casting principal
    • Bridget Fonda
    • Campbell Scott
    • Kyra Sedgwick
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    34 k
    MA NOTE
    POPULARITÉ
    4 769
    460
    • Réalisation
      • Cameron Crowe
    • Scénario
      • Cameron Crowe
    • Casting principal
      • Bridget Fonda
      • Campbell Scott
      • Kyra Sedgwick
    • 110avis d'utilisateurs
    • 41avis des critiques
    • 71Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 3 nominations au total

    Vidéos1

    Official Trailer
    Trailer 1:58
    Official Trailer

    Photos109

    Voir l'affiche
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    + 101
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    Rôles principaux76

    Modifier
    Bridget Fonda
    Bridget Fonda
    • Janet Livermore
    Campbell Scott
    Campbell Scott
    • Steve Dunne
    Kyra Sedgwick
    Kyra Sedgwick
    • Linda Powell
    Sheila Kelley
    Sheila Kelley
    • Debbie Hunt
    Jim True-Frost
    Jim True-Frost
    • David Bailey
    • (as Jim True)
    Matt Dillon
    Matt Dillon
    • Cliff Poncier
    Bill Pullman
    Bill Pullman
    • Dr. Jeffrey Jamison
    James Le Gros
    James Le Gros
    • Andy
    • (as James LeGros)
    Devon Raymond
    • Ruth
    Camilo Gallardo
    • Luiz
    Ally Walker
    Ally Walker
    • Pam
    Eric Stoltz
    Eric Stoltz
    • The Mime
    Jeremy Piven
    Jeremy Piven
    • Doug Hughley
    Tom Skerritt
    Tom Skerritt
    • Mayor Weber
    Peter Horton
    Peter Horton
    • Jamie
    Bill Smillie
    Bill Smillie
    • Boston Doctor
    Chuck McQuary
    • Garage Opener Clerk
    Christopher Masterson
    Christopher Masterson
    • Steve at 10
    • (as Christopher Kennedy Masterson)
    • Réalisation
      • Cameron Crowe
    • Scénario
      • Cameron Crowe
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs110

    6,734.4K
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    Avis à la une

    7dwpollar

    Cute, funny and sincere...

    1st watched 11/14/2004 - 7 out of 10(Dir-Cameron Crowe): Cute, funny and sincere attempt to chronicle a singles life in the 90's in Seattle. What I liked about this movie is that all the single people know that they need "someone", which is the constant struggle that goes on in their lives, but finding that "someone" isn't as easy as we think it would be. This movie does a good job of showing this. It is well-written, funny, played out well by the stars and has a nice soundtrack to fill in the voids.

    It's about "people" and it has a style like a chronicled life where the characters every once in a while talk to the camera as if their lives are being documented. Excellent effort by Crowe and his crew to bring this segment of society into view for all of us.
    7DICK STEEL

    A Nutshell Review: Singles (1992)

    Love. Sex. Friendship. Companionship. These are the themes obviously explored in Cameron Crowe's early movie Singles, which revolve around the love lives of singles (naturally) living in a common apartment. We follow each of the protagonist Steve (Campbell Scott), Janet (Bridget Fonda), Cliff (Matt Dillon) and Linda (Kyra Sedgwick) through their ups and downs in dealing with the weird little emotion called Love.

    Well, not quite. As we know early in the film, each have problems and their own peculiar viewpoints on the dating scene. We see Linda meeting and breaking up with a Spanish student she was so into, after seeing through his lies and sweet talk. It hurts, and she doesn't want to be hurt again. Steve too have had a bad experience, and (I can identify with this) swears off relationships for the next few years, deciding instead to focus on career. As Fate would have had it, these two will meet at the unlikeliest places and get into a relationship.

    Cliff, an aspiring rocker, seemed to have taken his girlfriend Janet, for granted. And I think this is something that most people can identify with. When efforts go unappreciated, or when things go mundane, the question is, do you want to bail out? And when you do, what next? Would you give the ex another chance? If you do, how would you approach it? It's fun watching a movie that was made 13 years ago, and you wonder about how the initiating and sustaining of a relationship back then happened without technology which we are so used to these days. Back then, a mobile phone was a cordless one, and there is no such thing as an instant message, but an answering machine. Where Speed Dating was unheard of, but Video Dating was the rage (check out the funny Tim Burton cameo).

    You wonder too about the career of the leads. Campbell Scott was noticed by many after his pairing with Julia Roberts in the movie Dying Young, but after this, seemed to have vanished into obscurity. And so has Kyra Sedgwick. Only Matt Dillon and Bridget Fonda are still around, somewhere.

    Oh, the music. Peppered throughout the movie is the wonderful musical tracks that always seem to punctuate a particular moment succinctly. I like Tarantino and Crowe movies because music plays an integral part of the entire experience, and Singles too had excellent ballads blended with grunge rock, say, Pearl Jam (before they made it huge), which also made an appearance.

    It's a beautiful, quirky little movie with excellent identifiable dialogue, music, humour, and a younger cast of stars whom we know today, thrown into situations that everyone in love would have experienced.
    jcasetnl

    Not to be confused with other 'gen-x' films

    SINGLES is a charming, romantic movie and one of Cameron Crowe's best.

    An oft-heard criticism of this film is that it's not an authentic portrayal of the Gen-X culture of the early 90's, but I've yet to see that done well in any film.

    More importantly, the film never claims to be a Gen-X film. It's set in Seattle during the height of Seattle Sound but the cast is made up of driven professionals and slackers alike. It's more of a cross-section of 20-somethings, not a focus on Gen-X or Grunge. The characters, settings and themes are all to a certain degree idealized, which is a staple of Crowe's style.

    Where this film's charm really lies is in capturing the spirit of the early-90's and the anti-classist sentiment embraced by teens and young professionals in opposition to the "status is everything" 1980s. It's nice to remember a time when being socially and environmentally conscious was actually fashionable for a time.

    Sadly we all got sucked into the dot-com thing and realized we can be just as bad as our parents.
    msawyer-2

    Apartment Complex Life

    Having lived in Seattle during the years of my life most of the characters are in this movie, I was able to relate to this movie. Anyone who has lived in an apartment complex where people have dated and known a bit too much about each other can appreciate this film. The cameo appearances of members of pearl jam and xavier mcdaniel were a great touch.

    The viewer is left with what I could call a warm feeling much like watching the sun set on a day towards the end of summer. Contemplation of all the good and bad that may have occurred in the last few months..

    Maybe that's a bit too abstract, but if this movie gets you there then fine.

    And yes, the sun does shine sometimes in Seattle!
    9rooprect

    Hilarious rockin romcom & the last of the great American growing-up comedies

    In the 80s, three directors perfectly captured the comedy of young American growing pains. These directors are John Hughes ("Sixteen Candles", "Breakfast Club", "Ferris Buehler"), Savage Steve Holland ("Better Off Dead") and Cameron Crowe ("Say Anything"). All of these films are characterized by witty, tongue-in-cheek dialogue (satirical but not sarcastic) and surreal, music-video-like gags such as, I dunno, a pigburger patty grabbing a guitar and rocking out to Van Halen's "Everybody Wants Some".

    When the 80s ended, apparently so did their unique and idiosyncratic brand of humour. John Hughes stopped directing in 91, and Savage Steve's last feature film was also in 91. Cameron Crowe evolved into a different style with his hugely successful 30-something comedy "Jerry Maguire". Here, folks, in 1992 I believe we have the last (and possibly best) of the great 80s growing-up films. If you've seen the others I mentioned, don't consider your life complete until you see "Singles".

    Even with Crowe's 1989 "Say Anything", focusing on high school graduation, Crowe was the most mature of the bunch yet every bit as quirky and hilarious. "Singles" covers the next age, 23-to-27, establishing careers and facing grown up problems but still as wild and emotionally reckless as high school kids. I suppose some of us carry that same crazy recklessness late into life which is what makes this movie great for oddballs of all ages.

    The movie is perfectly cast with Cambell Scott in the lead (think John Cusack but a sharper dresser), Kyra Sedgwick as a slightly flakey control freak (maybe an early version of Tina Fey in "30 Rock"), and a host of awesome supporting characters: Bridget Fonda as the slightly neurotic groupie who refuses to admit that she's a groupie, Sheila Kelley (remember the hot paralegal in LA Law?) who plays a goofy, insecure maneater, Eric Stoltz (Caprica, Pulp Fiction, The Prophecy) in the oddest role he's ever played: an obnoxious mime who won't shut up, and of course the show-stealer Matt Dillon as the not-so-bright artist/rockstar whose magnum opus is a song called "Touch Me, I'm Dick".

    Speaking of rock music, cameo appearances, as well as performances, include... are you paying attention, folks...?

    Eddie Vedder, Jeff Ament and Stone Gossard from Pearl Jam

    Chris Cornell and the gang from Soundgarden (watch for Chris in the scene where a car stereo installation goes horribly awry)

    Thomas Doyle singer for TAD (he's the guy who delivers the hilarious punchline "You got the wrong number, lady, but I'll be right over")

    Pat Nizzio singer for The Smithereens

    Everyone from Alice in Chains

    Jeremy Piven (Ari Gold in Entourage) as the funniest checkout clerk you've ever seen

    Bill Pullman (the President of the USA in "Independence Day", here playing a nerdy breast implant surgeon)

    Paul Giamatti in one of his first speaking roles ever (with the 1-word line: "What?!!")

    Cameron Crowe's mother

    and none other than director TIM BURTON as Bryan the next Martin Scorcese (pronounced "Score-seeez" haha)

    And if that's not enough to make you want to rush out and rent this movie, don't forget the killer soundtrack with tunes by the aforementioned bands plus Jane's Addiction, Smashing Pumpkins, Paul Westerberg (The Replacements) and others I'm probably forgetting.

    The story itself is fantastic, not only hilarious but probably the most insightful peek into romance disorder since "When Harry Met Sally". This comedy has it all. See it, see it again. Live it. And praise the gods of 80s comedy that we were given this final masterpiece of a bygone era.

    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Based on a script that Cameron Crowe originally wrote in 1984, which took place in Phoenix, Arizona. After Andrew Wood, the lead singer of Seattle bands Malfunkshun and Mother Love Bone, died of a drug overdose in March 1990, Crowe noticed the music community in Seattle coming together to process the loss. He rewrote his script with the incident in mind, changing its setting to Seattle, which had been the location of his previous movie, Un monde pour nous (1989), which featured a song from Mother Love Bone in the soundtrack, "Chloe Dancer/Crown of Thorns" - the same song is on the 'Singles' soundtrack.
    • Gaffes
      Debbie's frantic bike ride on her video date has her darting all over the city. She starts at the first restaurant at the end of lake union. To get to the second restaurant on first avenue downtown, she circles all the way around to Waterfront park on the Sound. After leaving the second restaurant, she crosses a draw bridge over the ship canal, only to suddenly end up back downtown near post alley and first avenue (where she just left the second restaurant). After getting a flat tire, she finally walks all the way home to the apartment on Capitol Hill (nearly 2 miles away).
    • Citations

      Steve Dunne: I just happened to be nowhere near your neighborhood.

    • Crédits fous
      Outtakes after credits on video version
    • Versions alternatives
      The Blu-ray has the 2003 Warner Bros. Pictures logo at the beginning of the movie. The YouTube version retains the plaster but also included its accompanying fanfare which in-turn cut the first few seconds of the song "Waiting for Somebody".
    • Connexions
      Featured in Paul Westerberg: Dyslexic Heart (1992)
    • Bandes originales
      Waiting for Somebody
      Written and Produced by Paul Westerberg

      Performed by Paul Westerberg

      Courtesy of Sire Records

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    FAQ22

    • How long is Singles?Alimenté par Alexa
    • Where is the apartment complex featured in the movie located in Seattle?
    • What song is playing when ____________?

    Détails

    Modifier
    • Date de sortie
      • 28 avril 1993 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Vida de solteros
    • Lieux de tournage
      • 1820 E. Thomas St, Seattle, Washington, États-Unis(The apartment building where Cliff, Janet, Steve, and Debbie live.)
    • Sociétés de production
      • Warner Bros.
      • Atkinson/Knickerbocker Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 18 471 850 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 4 184 875 $US
      • 20 sept. 1992
    • Montant brut mondial
      • 18 471 850 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 39min(99 min)
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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