Schtonk!

Dietl´s movie is based on real events, in 1983 a forger called Konrad Kujau made millions of dollars by writing the bogus diaries of Adolf Hitler. Although the movie has a poor start it developes into a

pretty good comedy, The most amusing parts are the wordgames, and the performances of Uwe Oschenknecht as the slick antique salesman/forger and Götz Georg as equally

slick journalist.

I real life the Stern magazine which bought the diaries had a proper lesson when they received a letter written (in Hitler´s handwriting!) by an anonymous German humorist:

"I hereby confirm that my diaries are real"

Signed: A.Hitler

I was a kid when this incident happened. I still know the turmoils when the Stern magazine reported about the Hitler diaries, which were faked by the forger Konrad Kujau (in the movie: Fritz Knobel). The Stern Magazine payed 9,3 million Deutsche Mark for the faked diaries and made a big repotage, which short after turned out to be a canard, careless enquiered. The journalist who pushed the story was to fixated to his career to better check the authenticity of the diaries. So this is a movie about a real incident that happened nearly like the movie describes it. (1983 we didn't have the Euro as currency; 1 Euro was 1,95 Deutsche Mark).

'Schtonk!' shows how the incident happened, but also shows it a little overdrawn in a naive and sober way of storytelling. On the other hand the acting is very good, the production used some of the best German actors. I like the red line that goes through the storry, which is easy to follow. I like the increasing escallation of the story, step by step. It's a clear recommendation for people who want to know about that incident and also for people who like good press stories. This one is authentic.

This film is a must see for everybody who heard of the Hitler diary affair. Although the real affair is larger then life, and, according to many even more absurd that the movie, it is a must see.

The DVD is excellent, and I have watched it over and over again. Scenes are excellent, the way Christiane Hörbiger is addressed by Götz George, over and over again by the title of her late husband. His obsession for detail in restoring the ship he bought and finding Nazi `nick-nacks' It is all just too much to mention. One thing though, the better you know German, and Germany, the better you will understand the in-jokes. A lot of the humour is very subtle, and even in the comments here is misunderstood. Karl Schönböck for instance just claims to be an intimate friend of the Führer, he never was really, he is an fake, just like the diary's. He is brilliant at it. When Uwe Ochsenknecht is selling a painting of Eva Braun he just painted, as an original, Karl Schönböck claims he was there when Hitler painted it. The film just goes on and on like a rollercoaster and it is just unbelievable that Stern fell for this one. When something sounds to good to be true, it is, is a wisdom many people do not seem to have. However, like in House of Games, David Mamets brilliant movie on how scams work, you cannot cheat an honest man.

See this movie, buy the T Shirt, read the book, and never trust somebody who wants to make you rich.

How could someone fool so many people ... and make them believe he had Hitlers notes/diary? Actually thinking how people spread disinformation nowadays and how some (former) leaders are still doing it ... it may not be that far fetched.

And while the movie is fiction, it is based on a true story. Something that really happpened and went on to become one of the biggest scandals in journalistic history. Right now it is tough to find good journalism ... it also tough to get through to certain people who believe any conspiracy (lie) they read online ... someone wrote it, is must be true ... which I reckon was something that made the "words of Hitler" also believable to those who wanted to be fooled ... overall a really good movie/comedy, that heightens what happened to add a lot of comedy relief ... how else would someone be able to stomach this madness?

Almost 2 hours is a bit two long for its basic story material, hence a film that has wonderful moments and scenes and plenty of satire, but also moments of boredom in which nothing (new) happens. Certainly successful in portraying the circumstances in which a forger could produce the notorious Hitler Diaries (it happened in 1983 and not only German press but the press world wide walked into the trap), the film shows that the yellow press and its sensation-hungry reporters made use of the curious fascination of the public world wide with the Nazi past.; as Harald Juhnke's character says to his chief-editor: "(with Hitler) we never had such a famous writer writing in our magazine ever before!".

For Germany the most painful aspect of the film might be the support for the publication from former Nazis represented by a character played by Karl Schönbock (82 years old here!); as a former intimate friend of Hitler he knows that the diaries are forged but gives full support: the end justifies the means. One of the memorable scenes is the arrival of the guests at the rally of former Nazi's and supporters: a memorable image when the guests walk to the house in the rain under their umbrellas illuminated by torches.

The cast is very good, with Götz George and Uwe Ochsenknecht outstanding. Both have scenes that are side splitting funny: George when he for the first time reads from the diaries and Ochsenknecht when he begins to think, talk and look like Hitler.

But as said, the film is too long for its own good. There are more memorable scenes than the those I have mentioned already, but for instance does the viewer really need to see all 60 diaries made? The use of the old song "La Paloma" in the scene on the boat is a nice idea, but it also takes too long. And what to think of the first scene (before and during the credits); it does not add anything to the things to come and is not funny either.

The for this film composed music itself is mediocre, but the use of recordings of Zarah Leander and that of a small yodel-theme are very clever. All in all: unbalanced, at moments very amusing and certainly worth a view.