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Et au milieu coule une rivière

Titre original : A River Runs Through It
  • 1992
  • Tous publics
  • 2h 3min
NOTE IMDb
7,2/10
68 k
MA NOTE
POPULARITÉ
2 699
65
Et au milieu coule une rivière (1992)
Home Video Trailer from Columbia Tristar
Lire trailer2:36
2 Videos
76 photos
Coming-of-AgeDocudramaPeriod DramaTragedyDrama

"L'histoire de deux fils d'un ministre sévère - l'un réservé, l'autre rebelle - qui ont grandi dans la campagne du Montana, les deux dévoués à la pêche à la mouche.""L'histoire de deux fils d'un ministre sévère - l'un réservé, l'autre rebelle - qui ont grandi dans la campagne du Montana, les deux dévoués à la pêche à la mouche.""L'histoire de deux fils d'un ministre sévère - l'un réservé, l'autre rebelle - qui ont grandi dans la campagne du Montana, les deux dévoués à la pêche à la mouche."

  • Réalisation
    • Robert Redford
  • Scénario
    • Norman Maclean
    • Richard Friedenberg
  • Casting principal
    • Craig Sheffer
    • Brad Pitt
    • Tom Skerritt
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    68 k
    MA NOTE
    POPULARITÉ
    2 699
    65
    • Réalisation
      • Robert Redford
    • Scénario
      • Norman Maclean
      • Richard Friedenberg
    • Casting principal
      • Craig Sheffer
      • Brad Pitt
      • Tom Skerritt
    • 188avis d'utilisateurs
    • 39avis des critiques
    • 68Métascore
  • Voir les informations de production sur IMDbPro
    • Récompensé par 1 Oscar
      • 4 victoires et 11 nominations au total

    Vidéos2

    A River Runs Through It
    Trailer 2:36
    A River Runs Through It
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    Clip 5:10
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    Clip 5:10
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona

    Photos76

    Voir l'affiche
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    + 70
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    Rôles principaux48

    Modifier
    Craig Sheffer
    Craig Sheffer
    • Norman Maclean
    Brad Pitt
    Brad Pitt
    • Paul Maclean
    Tom Skerritt
    Tom Skerritt
    • Rev. Maclean
    Brenda Blethyn
    Brenda Blethyn
    • Mrs. Maclean
    Emily Lloyd
    Emily Lloyd
    • Jessie Burns
    Edie McClurg
    Edie McClurg
    • Mrs. Burns
    Stephen Shellen
    Stephen Shellen
    • Neal Burns
    Vann Gravage
    • Young Paul
    Nicole Burdette
    • Mabel
    Susan Traylor
    Susan Traylor
    • Rawhide
    Michael Cudlitz
    Michael Cudlitz
    • Chub
    Rob Cox
    Rob Cox
    • Conroy
    Buck Simmonds
    • Humph
    Fred Oakland
    • Mr. Burns
    David Creamer
    • Ken Burns
    Madonna Reubens
    • Aunt Sally
    John Reubens
    • Uncle Jimmy
    Arnold Richardson
    • Old Norman
    • Réalisation
      • Robert Redford
    • Scénario
      • Norman Maclean
      • Richard Friedenberg
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs188

    7,268.2K
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    10

    Avis à la une

    briansp

    A Nearly Perfect Film

    When I saw previews for this film, I thought "Its a movie about fishing, why would I want to see that?" This is as much of a fishing movie as Hoosiers is about basketball, or Field of Dreams is about baseball.

    The story is elegant, the narrative beautiful, the characters deftly drawn. The relationship between the father and two sons is really interesting, and I love the interplay between them. There is great sadness, and also great humour. While nostalgic, I don't think the film ever becomes maudlin, and by the time the film draws to its inevitable close, I feel the same sense of loss and regret every time.

    This movie does what films are supposed to do - touch one's heart and mind.

    The closing lines, taken from a short story by McLean, are as haunting as they are beautiful:

    "But when I am alone in the half light of the canyon all existence seems to fade to a being with my soul and memories. And the sounds of the Big Black Foot River and a four count rhythm and the hope that a fish will rise. Eventually, all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs. I am haunted by waters."
    8rbverhoef

    A good movie

    In a little town in Montana two brothers grow up. One of them is Norman (Craig Sheffer), the other is Paul (Brad Pitt). Their father is Reverend Maclean and they grow up with his lessons that has to do with religion, and the lessons of fly-fishing. In this movie fly-fishing represents life, a little.

    The story is good and keeps your attention although there are some moments you need a little action. Probably the movie has this moments because it is not really about the events that happen, but about the message. Some things do happen though. Norman goes to Dartmouth to study. After six years he returns and gets involved with a nice girl named Jessie (Emily Lloyd) and he is invited to teach in Chicago. Paul has become a reporter and is known as the "fishing reporter". He is famous and it seems he has a nice life, but he drinks a little too much and gambles too much.

    The movie is very well directed, it has a nice score and all of the actors are good. The most beautiful thing in this movie is the cinematography. The mountains, the woods and the river all look very beautiful. If the movie was only made for these things it was good enough to watch. Fortunately there is more.
    8whpratt1

    Very Deep Heart Searching Film

    Enjoyed this film produced by Robert Redford which deals with a Presbyterian Minister who has two sons, one is reserved and the other is a hell raiser. This film takes place in Montana and the beauty of their rivers and wonderful land and its beautiful mountains. Tom Skeritt, (Rev. MacLean) plays the role of a very loving parent of Norman MacLean, (Craig Sheffer) who is basically a very straight arrow and also his brother Paul MacLean, (Brad Pitt) who is a newspaper reporter and has a very wild way living especially with drinking and plenty of women. There is a sweet romance between Norman MacLean and Jessie Burns, (Emily Lloyd) who fall in love with each other and these two people try to guide Paul MacLean into a better way of living but he just cannot seem to settle down. Great film about what life is really about in many families. Enjoy
    10defdewd

    Pay attention to the themes that never go away

    Have you seen The Graduate? It was hailed as the movie of its generation. But A River Runs Through It is the story about all generations. Long before Dustin Hoffman's character got all wrapped up in the traps of modern suburbia, Norman Maclean and his brother Paul were facing the same crushing pressures of growing up as they tried to find their place in the world. But how could a place like post WW1 Montana be a showcase for the American family, at a time when the Wild West still was not completely gone? Just what has Maclean tapped into that strikes so deeply at who we all are and what we have to go through to find ourselves? As the movie opens, Norman is an old man, flyfishing beside a rushing river, trying to understand the course his own life has taken. The movie is literally a journey up through his own stream of consciousness, against time's current and back to when he was a boy. He and his younger brother Paul were the sons of a Presbyterian minister and devoted mother. The parents fit snugly into their roles. Mom takes care of house and home. Dad does the work of the Lord. The boys ponder what they will be when they grow up. Norm has it narrowed down to a boxer or a minister like his dad. Given the choice, little Paul would be the boxer, since he's told his first choice of pro flyfisherman doesn't even exist. The boys grow up and get into trouble with their pranks, fight to see who is tougher and do the things brothers do, all the while attending church and taking part in all other spiritual matters like flyfishing. They are at similar points in their lives before college. But when Norm returns from his six years at Dartmouth, things are very different. Paul is at the top of his game. Master flyfisherman. Grad of a nearby college and newspaper reporter who knows every cop on the beat and every judge on the bench. Norman is stunningly well educated for his day but has little idea what to do with his life, even as his father grills him about what he intends to do. You're left feeling that at least to Pops, God will call you to your life's work. But you have to stay open and ready to receive it -- all your life. Father has always taken his boys to reflect by the side of the river and contemplate God's eternal words. "Listen," their father urges. It's both Zen and Quakerly. Pretty radical for a stoic clergyman. But with all the beauty and contemplation, and even though the Macleans are truly a God-fearing, scripture-heeding household, how is it that Rev. Maclean's family is unraveling? Paul is true perfection as he fishes the river, but he's feeling the pull of gambling and boozing, while his family doesn't know how to keep him from winding up where he seems to be headed. Mom, Dad and Brother all seem to have the same quiet desperation of not knowing what they should be doing and why they can't seem to help. Pauly just waves it all off with a grin and his irresistible charm. But the junior brother is losing his grip. Norman starts getting his life on track, finding love and career, but Paul continues to slide. The family that loves him watches helplessly. Mother, Father, Brother flounder in their own ways trying to help, but none very effectively. How can a family that loves each other so much be so ill-equipped to handle this? How can someone be so artful and full of grace when out in God's nature, yet be somehow unfit or unwilling to fit into the constructs of society that God's peoples have made for themselves? These are all questions Norman will ponder his entire life. The eternal words beneath the smooth stones of the river forever haunt him, yet keep their secrets. The movie is beautiful to watch. This is certainly God's country, and filming it won an Oscar. Director Robert Redford plays with the story from the book and teases the narration a bit to follow the emotional pattern he's presenting, and it works well. But do go back and read the book, too. You'll see Norman made connections with his old man even deeper than the movie can suggest -- and you'll see the places where the storyteller's very words gurgle and sing right off the page with an exuberance of a river running through it, leading into the unknown.
    10macpherr

    This movie is very dear to my own Heart! Movies cannot get better than this!

    I have read the short story by Norman Maclean, and the movie did justice to Norman Maclean's writing. My husband tends to reread it occasionally, and I myself have read it over and scenes of the movie keeps coming to mind. We have videos of many of Redford ‘s movies and we have watched "A River runs through it" many times. Redford is part of the "famdamily" as he is always around. We never get tired of Redford's perception of Norman Maclean writings, and the beauty of Montana. The script reminds me very much of my own upbringing as my father had the same calling as Mr. Maclean's father. According to "A River Runs Through It," "Methodists are Baptists who can read," a line which by the way is not in the short story, but I think that is a funny line! My husband and I are well-read Baptists!

    I have heard a movie critic state that the pace of this movie is too slow. I disagree. As one search for inner peace, this is the type of movie that will make you contemplate the beauty of nature in three/four rhythm of the metronome. The photography is outstanding! The acting is great. I love the scene where Norman and Paul as boys talked and wondered whether one could be a fly fisher or a boxer! Then as adult Paul played by Brad Pitt (Se7ven) is the "perfect guy" who needs help with his alcoholism but will not accept it. The same applies to Neal Burns, who uses worms as bait, he also needed help but would not accept the fact that he needed help. The scene where Paul refuses to eat oatmeal and the entire family has to wait an eternity to say grace! Finally after hours, they all kneel around the table to say: "Grace!" and they all leave. But the oatmeal stayed on the plate! That scene where the two love birds and their tattoos on their posteriors! That is funny! The sunburn! The drive back home where Jessie Burns (Emily Lloyd) decides to go via the train line! Beautiful dialogue when Norman proposes to Jessie because he wants her to come to Chicago with him!

    Redford himself does a superb job as a narrator. I could not stop myself from comparing Brad to the young Redford (Barefoot in the Park). The nominated Director, Producer, Actor, is a visionary who deserves to be praised for his advancement not only in the cinema in the US but around the world. I am glad to live in nineteen hundred because I have seen the beginning of the black and white television, the movies and all the technology and special effects, to be able to watch videos at home and to live in the same century as Redford because I have had the chance to see his works. Redford needs no special effects to show us the beauty of Montana in this masterpiece. The river to me means that line that separates life from death, memories and realities. Redford shows the hands of the Creator so magnificently and a river runs through it.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Brad Pitt trained himself to fly-fish for four weeks before shooting. Since he was not near any river in Los Angeles, he trained on top of a building.
    • Gaffes
      While on the library steps, Norman speaks of meeting boxer John L. Sullivan while at Dartmouth. Norman's departure for college was 1919, yet Sullivan died in 1918.
    • Citations

      Rev. Maclean: Each one of us here today will at one time in our lives look upon a loved one who is in need and ask the same question: We are willing help, Lord, but what, if anything, is needed? For it is true, we can seldom help those closest to us. Either we don't know what part of ourselves to give or, more often than not, the part we have to give is not wanted. And so it those we live with and should know who elude us. But we can still love them - we can love completely without complete understanding.

    • Crédits fous
      No fish were killed or injured during the making of A RIVER RUNS THROUGH IT. The producers would like to point out that, although the Macleans kept their catch as was common earlier in this century, enlightened fisherman today endorse a "catch and release" policy to assure that this priceless resource swims free to fight another day. Good fishing.
    • Versions alternatives
      The US DVD has different composer credits for the widescreen/pan & scan version. The widescreen version lists Elmer Bernstein (whose score was rejected) while the pan & scan version lists Mark Isham (who replaced Bernstein).
    • Connexions
      Featured in Siskel & Ebert & the Movies: The Public Eye/Candyman/Under Siege/A River Runs Through It/Night and the City (1992)
    • Bandes originales
      The Sheik of Araby'
      Written by Harry B. Smith, Ted Snyder, and Francis Wheeler

      Used by Permission of

      Mills Music Corp, Inc. / Jerry Vogel Music Co.

      Ted Snyder Music Co. / Bienstock Publishing Co., on behalf of Redwood Music Ltd.

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    FAQ

    • How long is A River Runs Through It?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 20 janvier 1993 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Nada es para siempre
    • Lieux de tournage
      • Granite Falls, Wyoming, États-Unis(row boating into waterfall)
    • Sociétés de production
      • Allied Filmmakers
      • Wildwood Enterprises
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 12 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 43 440 294 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 298 277 $US
      • 12 oct. 1992
    • Montant brut mondial
      • 43 440 294 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 3 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Stereo
    • Rapport de forme
      • 1.85 : 1

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