Ajouter une intrigue dans votre langueAlexandra Bergson inherits the family farm and struggles to carve a home and a fortune from the windswept prairie. Along the way, she forfeits her one chance for love, but never forgets the ... Tout lireAlexandra Bergson inherits the family farm and struggles to carve a home and a fortune from the windswept prairie. Along the way, she forfeits her one chance for love, but never forgets the teenager who stirred her heart. He returns 15 years later and rekindles within Alexandra a... Tout lireAlexandra Bergson inherits the family farm and struggles to carve a home and a fortune from the windswept prairie. Along the way, she forfeits her one chance for love, but never forgets the teenager who stirred her heart. He returns 15 years later and rekindles within Alexandra a long-buried dream and newfound desire. Willa Cather's famous novel comes stirringly to li... Tout lire
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Primetime Emmy
- 3 victoires et 2 nominations au total
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Whoever didn't like this film most likely was sorely out of touch with the culture at the time it was set, as well as that of the ethnic group. Jessica's character reminds me very much of someone in my own family, and her accomplishments, against often insurmountable odds, is nothing short of spectacular.
Sorry it's not exciting enough for some. The real world is not made up of alien invasions and ghetto trauma. It's a feel-good film of a culture that worked hard and succeeded. I, for one, appreciate it.
Jessica Lange is certainly the best thing here. The emotion and power with which she imbues her character is palpable. David Strathairn, who is one of my favorite actors, is given much less to work with. He tries his best, but the character is written too coldly to truly come to life. The absolute stand-out performance, however, is that of Tom Aldredge. His depiction of Ivar is amusing, alive, deep and absolutely human. Most of the other actors live up to standard, save for the aforementioned dialogue issues.
Glenn Jordan directs quite nicely, but it's less his sensibility than the eye of cinematographer Dick Bush that makes "O Pioneers!" so visually appealing. Bush captures a washed-out world of warm-pale greens, blues, and sepia tones that fill you with a sense of longing and overwhelming calm. This film has something in common both visually and thematically with Jordan's film of the previous year, "Sarah, Plain and Tall". That movie is ultimately more consistent and satisfying that this one. I couldn't say there's any reason for me to watch "O Pioneers!" a second time, but it was a meaningful experience in spite of the flaws. It has much to say about contentment and the search for home. You should gain something from it.
Le saviez-vous
- AnecdotesFilmed entirely in and around Johnstown, Nebraska.
- GaffesThe letter read in the opening scene refers to a "telephone pole." In 1883, telephones did not exist in rural Nebraska. They meant telegraph pole.
- ConnexionsEdited into Hallmark Hall of Fame (1951)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Hallmark Hall of Fame: O Pioneers! (#41.2)
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 39min(99 min)
- Couleur
- Rapport de forme
- 1.33 : 1