La Loi de la nuit

The only reason I saw this movie was its filming locale, Boxers on West 4th Street in NYC. (Ironically, the bar had nothing to do with "Boxers" as in pugilists). Its not Boxers that I will remember, its the predecessor on this corner, Boxers decor was the same as the lamented JIMMY DAYS that graced this corner from about 1970 until 1989 or 1990. When Jimmy was forced out by escalating rents, Boxers moved in, keeping the exposed brick ceiling decor the same. Soon, this movie may be the only permanent record of a great NY neighborhood bar known as JIMMY DAYS. There is a Margot Kidder independent movie from the 1970s that was filmed here when it was Jimmy Days, called Willie and Phil.

Night and the City (1992)

** 1/2 (out of 4)

Remake of the 1950 Richard Widmark noir has Robert DeNiro playing Harry Fabian, a real loser who works as an attorney chasing ambulances and various other lowlifes. He finally grows tired of being one of the small guys so he tries raising enough money to start a boxing match but soon he's butting heads with mobsters. If you're looking for a direct remake then you can pretty much forget about it as this Richard Price scripted film is more comedy than anything else. Well, I can't say it's a comedy because I'm not quite certain what it is. Apparently Martin Scorsese was going to direct this but ended up backing out only six years later the picture got started up again by Winkler, who by this time decided to direct the thing himself. Big problem. Winkler's direction is all over the place and it really hurts the film as there's never any real indication that the man behind the camera knows what he's trying to do. Sometimes the overall mood is comical but at other times it turns rather dark (only to be watered down). I'm really not sure what they were going for but you certainly shouldn't expect any of the darkness of the original movie. This baby is pretty much it's own thing and even though the direction is bad there's still enough going on here to make it worth viewing. It seems DeNiro is either love or hate here but I found his performance to be rather refreshing and I found him to be very entertaining in the role. Again, he isn't as dark or as menacing of Widmark as he plays the character more happy-go-lucky and there's constantly a smile on his face as he goes from one bad situation to the next. I found these happy approach to be rather fun to see as we don't often get to see DeNiro in this type of role. It's not a complete masterpiece but if you're a fan I think you'll enjoy seeing it. Jessica Lange plays his love interest and manages to turn in a fine performance even though the screenplay doesn't offer her too much. I thought her and DeNiro, their third film together, did a nice job and I wish their scenes had been written a little better. We do get a nice supporting cast including Jack Warden as a former boxer with a bad heart who is constantly cussing or wanting to fight. He adds a lot of charm to the film each time he's in a scene. Eli Wallach has a brief role and it's always nice to see him. Cliff Gorman nearly steals the film as Lange's husband who doesn't know everything that's going on. We even get a cameo by Regis Philbin who plays himself in a scene that will remind many of the one in THE KING OF COMEDY when DeNiro busts in on Jerry Lewis. Needless to say, it's the performances that make this film worth viewing and we also get a pretty good music score as well as some nice covers of some classic tunes. If a remake should try and be completely different from the original then this movie does just that. This isn't a classic like the original film but there are enough interesting things to make it worth viewing but I'm sure most will agree when it's over that the thing should have been much, much better.

In his career Robert DeNiro has done four remakes of classic films of which Night And The City is one of them. The other three are We're No Angels, Cape Fear, and Frankenstein. In redoing parts made immortal by Humphrey Bogart, Robert Mitchum, Boris Karloff, and in this case Richard Widmark, DeNiro has wisely chosen not to imitate any of these people, instead whatever you think of the final product, he's certainly put out his own interpretation on these roles.

From the shadow world of the London underworld scene where American expatriate Richard Widmark operated to the streets of New York in the Nineties, the plot of Night And The City has essentially remained the same except, and this is critical for the ending. DeNiro must have loved the fact that his Tribeca Productions got to film in and around New York, especially in Tribeca.

Widmark is a small time hood, DeNiro is a cheap shyster lawyer, the kind that lawyer jokes are made about. He hears them and he's oblivious to them. What he's not oblivious to is the success he sees around him. It's personified by Cliff Gorman who runs a successful bar where DeNiro tells his war stories. It's also even more personified by Alan King who is a boxing promoter with some underworld connections. He's risen to the top in a very tough racket.

DeNiro tries to enter King's world and buys King's reluctant acceptance with using King's older brother Jack Warden who is a retired fighter living in an old age home. If you remember what happens in the original Night And The City, you pretty much know what is going to happen here and for the most part it does.

The legal profession doesn't necessarily attract guys like DeNiro, he's no Louis Brandeis, he's not about to publish articles in Harvard Law Review. But with him lying and conning is second nature, he does it like he breathes. Even Jessica Lange who is Gorman's wife and who DeNiro is carrying on with, he lies to her and worse because he needs money. He'd do all this if he wasn't a lawyer.

The cast is an incredibly select and good one of New Yorkers themselves who can play these parts like second nature. Even Jessica Lange who is a native of Minnesota is New York enough for her part. One role I have to call attention to is that of Margo Winkler. She has one scene as a judge with lawyer DeNiro whom obviously she's dealt with before. She throws him and his put up accident case out of court in a really terrific way.

The film would rate a lot higher with me had the original ending from Jules Dassin's classic version been kept. It wasn't and it really cheapens the impact of the film. Other than that this version of Night And The City is a good film with a great cast of players to perform it.

There is some good acting in Night and the City, but the movie overall is unremarkable.

I picked this movie up at the video store last week, only because Robert De Niro is in it. I have to admit, even though I see a lot of movies, I don't think I had heard of this movie until I picked it up that evening, even though I had probably skimmed across the cover on the box while browsing at the video store.

I found this movie pretty hard to watch, mainly because De Niro's character Harry Fabian is not very likeable and I tried very hard to like or respect this character, but I only felt sorry for the guy and I found this depressing. However, De Niro and some of the supporting actors are quite good from an acting perspective in some scenes.

I gave this movie a 6 out of 10. I'd only recommend this movie to De Niro fans.

The picture deals an ambitious, fast-talking lawyer named Harry Fabian(Robert De Niro, Richard Widmark role) in N.Y.C., he's a hustler with several money-making schemes . Harry concocts a plot as boxing's small-time promoter . But he makes erroneous friends, the old boxer's brother(Alan King), a tough gangster. Harry is the role who fills completely the movie , he survives as person who reports false crime in the trials. Harry becoming involved with mobsters and an affair with his barman's spouse(Jessica Lange). But his plans go awry and he's on the run for his life. The story terminates with a persecution excellently filmed with all its rawness .

This noir urban/drama packs good performances though Robert De Niro is overacting. Nice interpretation by Jessica Lange , the only character who shows a bit of kindness on Harry. Supporting casting is frankly well, as Cliff Gorman, Eli Wallach, Jack Warden, Barry Primus, Michael Badalucco, among others , furthermore cameo role by Richard Price, screenplay's author. Dark cinematography by Tak Fujimoto and atmospheric and effective musical score by James Newton Howard. This version about Harry downfall lacks punch and dramatic weight, it results to be much better the classic adaptation (1955), a real masterpiece, set in London with Richard Widmark, Gene Tierney and Herbert Lom. This inferior new version is dedicated to Jules Dassin, the magnificent director of the original picture and adapted from the novel by Gerard Kersh. The motion picture is regularly directed by Irwin Winkler, usual producer of Robert De Niro films and occasionally filmmaker.