Mon cousin Vinny

This was the best way for Joe Pesci to follow up GOODFELLAS and JFK. Those two were ultra-serious roles for him and to forray into comedy was perfect. It was a perfect role, perfect timing and a perfect opportunity to show people that he could play something other than the heavy or the bad guy. MY COUSIN VINNY is really just a distant cousin of his character in Goodfellas anyway. Just imagine one of the guys in Goodfellas that didn't want to follow in the footsteps of the rest of the gangsters and this is him. Vinny is a foul mouthed, sometime violent, insecure but smart man. He went to law school but took six attempts before he passed the bar. They are definitely similar characters. The difference is that Goodfellas was a serious film with a funny side and My Cousin Vinny is an absolutely hilarious film with a somewhat serious side.

What makes the film work as well as it does, is many things. First of all you have the fish out of water scenario with Vinny and his fiancee Lisa, wearing leather jackets and cowboy boots down in the south where it seems everyone is wearing overalls and they hang out in establishments where their best selling feature is chicken and pool.

You also have a great supporting cast that features Lane Smith as a very animated D.A. that has to hammer home every point to his jury like they were morons. He says the word "truth" is a word that comes down from England where all of our ancestors come, and looking at him incredulously is some of the black jury members. Fred Gwynne supplies some of the best comedy for the film with his constant badgering of Vinny. Everything from his suit, to his enunciation of words like "youts", to his court room impropriety to his just plain dislike of him. Gwynne and Pesci are so opposite as people. Gwynne being a giant of a man with a southern drawl and a long, virile face while Pesci is a short man with a distinct New Yawk slur and a pudgy, baby looking face. They are complete opposites and much of the hilarity comes from their inability to see eye to eye on many things.

It also has to said that Marisa Tomei is brilliant in this film. There are people out there that try to demean her Oscar triumph that year because the favourite did not win like anticipated. But her performance here is nothing short of Oscar worthy. She is a gifted actress and her comedic timing in this film is bang on, or as she would say, " dead on balls accurate. "

This is one of the funnier films to come out in the 90's and it is well worth seeing again.

9 out of 10

Underrated. I won't belabor relating and describing the plot, because that's been recited nicely by numerous others. I'll simply return to my one word point. Underrated. Even though Marisa Tomei broke through and won Best Supporting Actress at the Academy Awards for her performance, an award she earned and much deserved, I still say underrated. This film really never got on the public's radar the way it should have, probably because there are no big-name actors featured as box office draw. Joe Pesci was as good as it gets that way. In 1991 he was the hottest name in the cast. But has Joes Pesci ever established himself as a leading man who could carry a movie by himself? I ask that in open-ended wonderment, and certainly not disparagingly. Just asking, is it fair, has it ever been fair, to expect Joe Pesci to carry a film?

Regardless of Joe Pesci's latent starpower, this cast of players as assembled possessed remarkable chemistry in the performances they gave, not only in their interactions with one another, but also in the creation of a final product that excels way beyond the sum of its parts, beyond any of their individual levels of genius, certainly beyond anything that could ever have been reasonably expected of them. Competent though they may have been, these were not thespian heavyweights or comedic savants. You ever wonder why this singular performance 15+ years ago and counting remains Marisa Tomei's magnum opus? That might be one big reason why. The Germans have a word for this. It's called gestalt.

My inclination is to give most of the credit for this winning final product to director Jonathan Lynn. It seems obviously to be his creation. Who else singularly deserves it? Along the way it would have been such a cheap trick and easy thing to surrender to the obvious, but Lynn didn't do it. This is a story built around stereotypes. New Yorkers. Ethnic Italian New Yorkers. Southerners. Small town southerners. Southern justice. Southern small town justice with New York Italians in the dock. It would have been so easy to traffic in those stereotypes, to over-the-top cash in on them, to submerge the movie in them and to exploit them for all they were worth. These people could have been made into cardboard cartoons of themselves. Surely the Englishman Lynn was thusly tempted, but it was a temptation he mainly resisted. Oh, almost obligatorily, he dances us over to that edge and gives us a big whiff of all that, but instead of jumping in and wallowing in the stereotypes, he deftly pulls it back and carries it all off and away in a new and different direction, indeed in an uplifting direction. Just as there are no cheap tricks in this movie, there are no cheap shots either. People are not ridiculed for who they are or where they are from. It rises above that. Lynn raises it above that. Yes, the regional differences that exist are juxtaposed. And yes, we get the fact that cultural differences divide these characters. But the beauty of it is that no one is treated unfairly. In fact, the viewer comes away with the feeling that these are all good people.

Joe Pesci and Marisa Tomei are given a broad canvas to create great humorous art, bouncing one, two, three liners or more off of each other, at the other's expense. It's the game they play with each other, the nature of their characters' relationship, and it's fun to watch. And this must be said: not only does Marisa give an exquisite performance, she is an utterly delightful feminine creature to watch here. As for the southerners, in not taking the bait to exploit the southerners as dumb hicks, Lynne actually captures part of the true but rarely portrayed essence of the south: polite gentility. Lane Smith embodies that essence. And Fred Gwynne? He practically steals the show, and would have were it not for Marisa Tomei.

What has been going through Joe Pesci's and Marisa Tomei's heads for the last 15 years? What is wrong with their agents? These two needed a sequel. If not a sequel, then more film(s) together. The dynamic between them was too good to just be abandoned. We should have been treated to much more of them together.

As a trial lawyer let me say that the portrayal of courtroom events, while certainly not perfect, is more than adequate and passable. One thing that is accurately captured is the fish-out-of-water experience of a city lawyer when subjected to trying a case in a far-flung rural county. This depicton conveys the essence of what that's like.

This movie deserves more recognition. It is clever, funny, and fun. I recommend it. If you haven't seen it, do yourself a favor and indulge yourself.

Before there were official "Red" and "Blue" Americas, there was this film that pretty much represents it all. Bill Gambini and Stanley Rothenstein are two NYU students who get scholarships at UCLA and decide to drive across America to get there. Bad idea. In Alabama they are picked up and arrested for murder and robbery. They are innocent, but there are witnesses who ID their car and ID them. And it is the word of two New Yorkers against the locals.

Not having any money, Bill calls his cousin Vinny (Joe Pesci), who is a lawyer but hasn't practiced yet. And here the culture clash begins. Into this sleepy little Alabama town arrive Vinny and his girlfriend, dressed in leather with rather flashy but faux jewelry. The judge (Fred Gwynne) in the case demands that since this is a capital case that Vinny have trial experience. He does not, but knowing he is his cousin's best shot, he lies and just hopes the judge can't find that out until the trial is over.

Well the Southerners don't get these New Yorkers ("Two Yutes? What's a Yute?"), and vice versa. Vinny and his girl are awakened by factory whistles at 5AM and don't understand why every meal has to include grits, to name a couple of the problems. And the judge is a stickler for decorum. The prosecutor invites Vinny to go deer hunting to discuss the case. As a longtime urban resident who thinks that meat comes from grocery stores not live animals, Marisa Tomei as Vinny's girlfriend is hilarious in her reaction.

This is just a very good comedy with lots of light moments, and yet you wonder, how is Vinny going to debunk these people, who have nothing against the defendants, claiming they are the perps. Watch and find out. This is a rare lead role for Joe Pesci, and he is marvelous. Putting Gwynne and Pesci together was unexpected comic genius, and you'd never guess that Gwynne, with that Southern accent he is sporting, was somewhat raised in New York City. Marisa Tomei absolutely earned her Oscar as Vinny's mechanic whiz girlfriend. And the best thing is that neither the Southerners nor the New Yorkers come off as cartoonish. This film was made when both sides got along pretty well. I'd highly recommend it.

I can watch this film over and over again. Joe Pesci plays Vincent LaGuardia Gambini, a Brooklyn lawyer who is asked to defend his cousin and friend from a murder charge in Alabama. Marisa Tomei as Mona Lisa Vito, Vinny's girlfriend, deserved the Academy Award for Best Supporting Actress, rare for a comedy to even be nominated for anything by AMPAS. I really liked Fred Gwynne as the no-nonsense Judge Chamberlain Haller, a great foil for Joe Pesci's laid back, easy going Brooklyn wise guy. Even his name, Chamberlain Haller, evokes seriousness. A lot of fun, especially the courtroom antics of Pesci. Highly recommended.

Two young men named "Bill Gambini" (Ralph Macchio) and "Stan Rothenstein" (Mitchell Whitfield) are driving on vacation from Brooklyn and happen to stop in Beecham County, Alabama for some groceries. Bill accidentally pockets a can of tuna into his jacket and forgets to pay the clerk at the counter. As he and Stan are driving down the road, Bill realizes his mistake and tells Stan. Although both of them are somewhat concerned, they continue driving down the road. They are then stopped by the police and taken to the local police station. Figuring that honesty is the best policy, Bill makes a blanket confession. What he doesn't realize is that he has inadvertently pleaded guilty to the murder of the store clerk. When he realizes his mistake he panics and turns to a lawyer in the family--his cousin "Vinny Gambini" (Joe Pesci) who is only too happy to drive down from Brooklyn with his fiancé "Mona Lisa Vito" (Marisa Tomei) to contest his very first trial. Ever. Anyway, rather than disclose the entire story, I will just say that this is a film that is one of the best comedies of the modern era. I really enjoyed the performances of Joe Pesci and Fred Gwynne ("Judge Chamberlain Haller") as both of them were hilarious. In addition to that, Marisa Tomei also put on quite a show and ended up winning an Academy Award for her performance. Now, having said all of that, I must warn viewers that some of the language may not be suitable for younger audiences. Be that as it may, if you are looking for a really good comedy--or if you're simply pondering the importance of physics--then you might want to check this film out.