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Hollywood Mistress

Titre original : Mistress
  • 1992
  • R
  • 1h 50min
NOTE IMDb
5,4/10
2,5 k
MA NOTE
Robert De Niro, Danny Aiello, and Martin Landau in Hollywood Mistress (1992)
Struggling filmmaker Marvin gets a surprise phone call from an ex-Hollywood executive who wants to turn one of Marvin's screenplays into a movie. Marvin thinks his life's ambition is about to become a reality, until he meets the film's financial backers. Each investor has a young girlfriend whom they force Marvin to offer a role to, and then they also re-write the script until it's unrecognizable.
Lire trailer1:39
3 Videos
55 photos
ComédieDrameComédie noireSatire

Ajouter une intrigue dans votre langueThis self-effacing comedy about film industry blues stars Robert Wuhl and Martin Landau as a writer/producer duo who must deal with the increasingly fickle demands of their film's financiers... Tout lireThis self-effacing comedy about film industry blues stars Robert Wuhl and Martin Landau as a writer/producer duo who must deal with the increasingly fickle demands of their film's financiers (Danny Aiello, Robert De Niro and Eli Wallach).This self-effacing comedy about film industry blues stars Robert Wuhl and Martin Landau as a writer/producer duo who must deal with the increasingly fickle demands of their film's financiers (Danny Aiello, Robert De Niro and Eli Wallach).

  • Réalisation
    • Barry Primus
  • Scénario
    • Barry Primus
    • J.F. Lawton
  • Casting principal
    • Robert Wuhl
    • Martin Landau
    • Vasek Simek
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,4/10
    2,5 k
    MA NOTE
    • Réalisation
      • Barry Primus
    • Scénario
      • Barry Primus
      • J.F. Lawton
    • Casting principal
      • Robert Wuhl
      • Martin Landau
      • Vasek Simek
    • 16avis d'utilisateurs
    • 9avis des critiques
    • 63Métascore
  • Voir les informations de production sur IMDbPro
  • Vidéos3

    Trailer
    Trailer 1:39
    Trailer
    Mistress
    Clip 0:31
    Mistress
    Mistress
    Clip 0:31
    Mistress
    Mistress
    Clip 0:31
    Mistress

    Photos55

    Voir l'affiche
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    + 49
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    Rôles principaux38

    Modifier
    Robert Wuhl
    Robert Wuhl
    • Marvin Landisman
    Martin Landau
    Martin Landau
    • Jack Roth
    Vasek Simek
    • Hans
    • (as Vasek C. Simek)
    Thomas R. Voth
    • Stagehand
    Jace Alexander
    Jace Alexander
    • Stuart Stratland
    Mary Mercier
    • Shelby's Waitress
    Tuesday Knight
    Tuesday Knight
    • Peggy Pauline
    Eli Wallach
    Eli Wallach
    • George Lieberhoff
    Danny Aiello
    Danny Aiello
    • Carmine Rasso
    Jean Smart
    Jean Smart
    • Patricia Riley
    Robert De Niro
    Robert De Niro
    • Evan M. Wright
    Bill Rotko
    Bill Rotko
    • Valet
    Dimitri Dimitrov
    • Maitre'D
    Sheryl Lee Ralph
    Sheryl Lee Ralph
    • Beverly Dumont
    Chuck Low
    Chuck Low
    • Bernie
    • (as Chuck Lowe)
    Ernest Borgnine
    Ernest Borgnine
    • Ernest Borgnine
    Laurie Metcalf
    Laurie Metcalf
    • Rachel Landisman
    Fríða Aradóttir
    • Mrs. Evan M. Wright
    • (as Frida S. Aradóttir)
    • Réalisation
      • Barry Primus
    • Scénario
      • Barry Primus
      • J.F. Lawton
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs16

    5,42.4K
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    Avis à la une

    george.schmidt

    The anti - "Player"

    MISTRESS (1992) *** Robert Wuhl, Robert De Niro, Martin Landau, Sheryl Lee Ralph, Danny Aiello, Eli Wallach, Jean Smart, Ernest Brognine (cameo). Bitingly funny satire about a struggling filmmaker wanting to make his dream script facing obstacles by each financial backer wanting their mistress in the film. Christopher Walken and Laurie Metcalf have small roles.
    10mikemoto1

    Very Underrated Gem

    This is one of those movies that I fervently hope gets rediscovered one day. The performances are top notch, especially Landau as the extremely obseqious producer and Ralph as DeNiro's actress girlfriend. What makes this movie so great is that it understands the need of subtlety in satire, something that is often lacking. This film also says a lot about Hollywood and financing that REALLY hits the mark, maybe a little to close to home for some in the industry.
    Christel-1

    slow, but great casting!

    could be better, could also be worse.. nothing to see if you´re not a fan of Robert de Niro or Martin Landau. I don´t really think Robert Wuhl is such a great actor. He dissapears during the scenes with de Niro and Landau. One reason to see the film is the fabolus scene where Christopher Walken commits suicide after delivering a chilling line. Epic!! well, it was not very bad, but it was nothing new. I prefer "Ed Wood" with Johnny Depp if I wanna see a movie about moviemaking.

    ** out of *****
    8GeorgeC

    Worth seeing

    Bob Wuhl, never acclaimed because he has little range, actually turns in an excellent performance as a screenwriter who pulls out all the stops to get his script filmed. Martin Landau is his producer, and the money men they find, one of whom is Robert DeNiro in a wonderful role, all want him to cast their mistresses in the film. Although the film is slow at times, excellents performances all around make this worth seeing.
    10coffeengreens

    over looked gem

    This movie is another over looked gem made awares recently to my consumerized multiplex movie taste. Robert DeNiro acted in this movie for free (according to IFC Channel's little factoid footnotes). It has a low budget feel to it. I dislike Robert "Arliss" Wuhl as an actor. Nontheless I found myself intrigued and enjoying Mistress.

    The discussions about art, and how they are a reflection of real life: the question posed in My Dinner With Andre: Is the art a reflection of it's artist, or is the artist a reflection of his art ? The discussion and breaking down of some of the tedious aspects of screenwriting and what it means and how one goes about it in the movie industry. The compromises required in movie-making, and art in general, is an intriguing aspect to this movie, making it more than just a run of the mill "dish on Hollywood/Los Angeles" movie. Also, the comprises woman in the movies have to make, and blacks. I think this is a great movie for an aspiring (screen)writer/actor to watch by providing some of the clues to how one has to think or approach writing and also the realistic constraints that get applied by the way the industry is structured.

    (BTW, I feel as if I am the only one to notice that this seems alot like Woody Allen's Bullets Over Broadway ((which was released 2 years after this movie)); Woody Allen is the greatest, but the uncredited theft of this movie may be a travesty ((especially provided the knowledge, also courteasy of IFC's footnotes, that the Writer/Director Ron Powlus[sp] spent 7 years running around trying to get this movie made. Which is a sad fact because this is an excellent movie and the amount of work he must have put into it is reflected.))

    Now looking at this as well, this is sort of a movie about the making of a movie about the real life making of a movie; which in itself is stating something very profound about movie making.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Evan Wright's (Robert De Niro) opinions regarding the lack of sex in Marvin's (Robert Wuhl) script was inspired by real-life conversations that writer and director Barry Primus had with producers while attempting to find a backer for the film.
    • Gaffes
      The boom mike drops below the frame during the meeting with George and Peggy while Stuart mentions possible changes to the script.
    • Citations

      Marvin Landisman: That's it. I'm going back to the original script! I'm not making any changes. Any changes!

      Stuart Stratland Jr.: Marvin, what are you talking about? They won't make the film! Don't be self-destructive.

      Marvin Landisman: Help me, Stuart. I mean, you're a smart guy. There's a great story here. Just help me use these women to tell it. It's my fault. I never told you what this all came out of.

      Stuart Stratland Jr.: It's about that actor comitting suicide on your film.

      Marvin Landisman: No. It's about how I killed him.

      Stuart Stratland Jr.: What?

      Marvin Landisman: Believe it or not Stuart once I was pretty hot. From an old novel I wrote a script about a ruthless gambler who destroys someone he loves. Life changes for him and then isolated and desperate, he realizes who he is and he kills himself. Pretty grim stuff but I got Warren Zell. Warren was a very special actor. He was an original but he had been through a lot and he wasn't acting anymore. See, I had been his student. He trusted in my plan and I convinced him that I could give what he had been through meaning. Warren was amazing. The film suddenly had an incredible mystery to it. Actually it was too good. The producers loved the rushes and thought it might be a Christmas release. Oh, they had one small change. Take out the suicide. Instead have the character recite some speech like, "There's always another day." It was at four o'clock in the afternoon. I had a terrible headache. I can still hear the thud.

      Stuart Stratland Jr.: God, that's sick. He was crazy!

      Marvin Landisman: Of course he was or he wouldn't have jumped. But he was too weak to fight us any other way. He had to remain honest to himself and the suffering he represented. I was betraying him. Turning this into an insane farce. Don't you see, Stuart? This is what the film *needs* to be about. The fact that not everything is for sale. That some things just have to be left as they are. Help me, Stuart. I want his death to mean something.

      Stuart Stratland Jr.: Marvin, they're only making this to put their girlfriends in it.

      Marvin Landisman: Then take out the painter.

      Stuart Stratland Jr.: He's a photographer and we can't take him out. The whole thing revolves around him!

      Marvin Landisman: Okay, leave him in. But take out the suicide.

      Stuart Stratland Jr.: What are you, crazy? After all the trouble we went through to sell it? That's the only element everyone agrees on!

      Marvin Landisman: I can't bear him dying amidst all this crap! Let him get hit by a car. Let him leave town! Some shit!

      Stuart Stratland Jr.: It's a little late for that, Marvin. The suicide stays!

      Marvin Landisman: You take it out! I'm not gonna have him turned into a comic book. I'm not gonna murder him again!

    • Connexions
      Featured in Siskel & Ebert & the Movies: Unforgiven/Mistress/Death Becomes Her/Enchanted April/London Kills Me (1992)
    • Bandes originales
      Sex Goddess
      Written by Galt MacDermot, Gerome Ragni and James Rado

      Performed by Tuesday Knight (uncredited)

      [Peggy sings the song as her audition for Marvin]

    Meilleurs choix

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    FAQ

    • How long is Mistress?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 29 avril 1992 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Tchèque
    • Aussi connu sous le nom de
      • Mistress
    • Lieux de tournage
      • Los Angeles, Californie, États-Unis
    • Sociétés de production
      • Meir Teper
      • Mistress Productions
      • Tribeca Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 1 102 469 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 34 146 $US
      • 9 août 1992
    • Montant brut mondial
      • 1 102 469 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 50 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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    Robert De Niro, Danny Aiello, and Martin Landau in Hollywood Mistress (1992)
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