Coeur de métisse

This film reflects its international pedigree. Canadian films are wonderful when viewed in their "language" and film syntax, kind of a cross between French & English & Australian films in caprice, intelligence, plot development, and subjects.

American movie goers and film watchers (and Reviewers here) find something missing or too over-the-top in Canadian projects, wherever they're financed. "Snow Walker" was good but not "Hollywood." "Battle of the Brave" was good; not exactly Hollywood. "Map of the Human Heart;" very, very good in its own vernacular. Very good - and moving and thought-provoking, and so on ...

"Map..." has a love scene that could have come from the mind & imagination of Spielberg. Though not long or overly explicit, it may be one of the most unique and remarkable and perfectly contextual in all of film. Beautiful. Watch and see, near, or in, the 3rd Act.

Annie Galipeau is young here, and good, and presages her role in "Grey Owl" with Pierce Brosnan.

Thanks MIRAMAX for putting money into risky, off-the-worn-sprocket-hole projects.

I found this to be one of the most romantic movies I've ever seen. It tells the story of Avik, a young Eskimo boy who meets Walter Russell (Patrick Bergin) when Walter comes to map his village. Avik discovers he has Tuberculosis, and Walter takes the young boy to Montreal where he stays at a Catholic hospital. There he meets Albertine, a young girl of mixed French Canadian and Indian blood. They grow attached to each other, in spite of the meddling of one of the nuns, played by Jeanne Moreau. Eventually, Avik and Albertine are separated. Avik returns to his village, and becomes a man. He finds he is ostracized by his fellow tribe, because he has lived too long among the white people.

Avik as an adult is played by Jason Scott Lee. By this time, Canada is involved in World War II, and Avik joins the Air Force and flies on bombing raids. He is reunited with Albertine (Anne Parillaud) in London, who is also in the military. Unfortunately, so is Walter Russell. And it seems that he and Albertine have met and become romantically involved. Avik does not want to interfere in the relationship, because Walter saved his life.

This is a story of two people who are truly in love, but whom the fates keep apart. An old theme, but with a new twist. I found it heart breaking and romantic. I loved the period portrayed. And the love scene atop the blimp is quite something! This film isn't for everyone, but if you like a good romantic tear jerker, this is for you.

Did you ever feel you "discovered" something or somebody: a real gem that none of your friends knew about? Well, that's the way I feel about this film, a real sleeper than few people have ever heard about. When they see it - at least the friends I've shown it to - they enjoy it, too. This is an excellent romance story that's quite different, quite touching and quite haunting. This is one of the few movies that actually cost me some sleep after I first saw it one evening.

The two main characters are "half-breeds," Avik (or "Holy Boy") is an Eskimo- white man and "Albertine," an Indian-French female. Both are well-played as kids and as adults. The filmmakers did an amazing job finding two kids who really look like the two adults probably would have looked like when they were young and with the same voice inflections and accents.

As adults Jason Scott Lee and Anne Parillaud are memorable. So is the cinematography, particularly the Dresden bombing scene which is simply jaw- dropping.

Warning: the movie is heart-wrenching at times with not a happy ending, but I think that helps make this film so memorable, so haunting. Even the music is haunting.

This is a strange, mystical movie. Either it's going to mean very little to you or it's going to be something special you'll want to see a number of times.

This movie came highly recommended to me; but outstripped all expectations. Outstanding acting, especially from the little boy Eskimo, then from Jason, as the adult character/pilot for the RAF. Absolutely beautiful cinematography; a story that kicks the heart strings in many ways -- kicks and tickles, too, a few times. How about making love on top of a blimp/buzz-bomb decoy? Tastefully done, naturally; but gives you the idea of the style and flavor of this love/war/human condition gem. Lots of wild aerial stuff, all through, nicely woven throughout the tale. Might want to bring your parachute to the theatre... Oh, did I mention a vertiginous scene inside high up in the Albert Hall, a tryst? Snowmobiles and French beauties, etc. Formidable. Like the fire at the end of "Gone with the Wind?" Might want to see the flames in this one, too.

This is an engrossing love story and adventure, told in flashback. The film does not resort to lurid melodrama, to recycled storylines, but seems to grow organically and unpredictably. The imagery of the film resonates long afterwards. We experience the horrors of war and the exhilaration of reunited lovers, and the film's final scene is truly haunting and heartbreaking. A remarkable achievement.