Les mambo kings

Excellent "mambo" music and colorful characters made me rate this a "9" after the first viewing. After several looks, the novelty - how many mambo movies are there? - wore off and it settled in as an "8 stars" film but I don't regret seeing this several times. It's fun to watch.

Armand Assante was particularly good in here and I was intrigued with Maruschka Detmers, a new face which at times looked striking. Since she resides in France and hasn't made many, if any, English-speaking films, we here in North America haven't really seen her since this film. Assante and Antonio Bandaras are the two leads, however, sharing the spotlight with the music. Both actors are excellent, maybe the best roles of their careers.

The story moves best the first 40 minutes with a lot of that "hot" music but then gets a little melodramatic afterward. However, I found it interesting all the way through with a nice tale of brotherly love and devotion.

For all you "Ricky Ricardo" fans of "I Love Lucy" television: if you want a real feel of Latin Americans-in America during the 1950s, check this film out.

First, I am a professional drummer whose interest in this film was only ignited by with the knowledge that the genius Tito Puente makes an appearance, and even better, shares a solo with the star. That aside, the rest of the movie is a favorite of mine, especially the fantastic, contagious personality of Cesar, superbly played by Assante...you grow to love this rogue of a man almost instantly. His constant laughter is just a hint of how rascally a businessman/band leader and devoted brother he is. The music is no less contagious, and I find myself interested in Salsa and Mambo music all the more because of this entertaining film. My one complaint is that the above-mentioned solo between Puente and Assante is interrupted by gangland violence, just at the moment when everyone is getting into the spirit! Other than that, it was brilliantly casted and acted. A great look at the way of the entertainment business in the early 1950's, especially for hopeful immigrants like the Castillo Brothers. Excellent!

I didn't expect to like this film, but I thought it was quite good. Latin music really isn't my cup of tea, but it was good here, set the tone just right. Armand Assante was great as Cesar Castillo. I haven't seen too much of his work, but I was very impressed. Antonio Banderas was pretty good here, not great. However, if it's really true that he couldn't speak English then, and learned his lines phonetically, then you'd have to compliment him on that. You really couldn't tell. Maruschka Detmers was also very good in a low-key role. I've been a fan of hers since "Hanna's War" Check that out if you haven't seen it. The ending was just a little off, but overall this movie was very entertaining.

Regarding the recent death of Latin superstar Celia Cruz, I was surprised by the lack of mention of her role in this film in the various obituaries and tributes I read. I don't know if she made movies in Cuba, but she was not only a powerful positive musical presence in "The Mambo Kings" but her character acting was outstanding and very charming. If you don't know anything about her and want to get an idea of who Celia Cruz was, see this movie.

And that is far from the only reason to do so. This is one of my favorite romantic films for adults, as opposed to the juvenile and/or formulaic fare that passes for romance in American cinema. Armand Assante should have been at least nominated for best actor that year, he is so strong and yet vulnerable and lovable as the big brother with a powerful code of honor to his art and his family. The other kid, who has gone on to bigger and not necessarily better things, is also fine, considering his well-publicized effort to deliver his lines phonetically, since he did not speak English at the time. (No, I'm not forgetting his earlier fine contributions to several Almodovar films.)

OK, Roscoe Lee Browne and Cathy Moriarty were a bit miscast, but what about the stroke of genius to have Desi Arnaz Jr play his father? The whole "I Love Lucy" segment of the film, while somewhat contrived in its importance to the story, is funny, well-done, and helps to bring the whole Cuban-American experience in New York into sharper focus, with the portrayal of Arnaz as both a superstar idol and a man very close to his roots.

The music is fabulous, both the use of classic Cuban tracks and new music recorded for the film. Among the latter, "Sweet Maria of my Soul," the theme song performed by both Antonio Banderas in the film and Los Lobos over the end credits, was nominated for Best Song but was beat out by some plastic Disney tune. It is so organic, so romantic and soulful, it should be a classic movie song for the ages. Well, it will be for me...

Cuban brothers arrive in America with a suitcase full of songs, hearts filled with passion and a desire to make it big in the promised land. One is a bit more passionate than the other, who likes the simple life a little more and continues to miss the girl who stayed back home, not realising that his brother was forced to leave with him in order to save his life.

This tragic drama is one of the 90's most underrated gems. Full of energy and tragedy, good performances and great songs. Armand Assante gives the performance of his career and Antonio Banderas makes a solid American acting debut.

At times the movie feels a bit rushed, it simply might have been even longer, giving more character development to the supporting actors, who are very good, Cathy Moriarty in particular. The era feels authentic enough and the recreation of the "I love Lucy show" is a real winner.

An utterly charming film. Highly recommended.