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6,4/10
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L'histoire de deux frères musiciens qui fuient leur pays natal, Cuba, et rencontrent le succès sur la scène musicale du New York des années 50.L'histoire de deux frères musiciens qui fuient leur pays natal, Cuba, et rencontrent le succès sur la scène musicale du New York des années 50.L'histoire de deux frères musiciens qui fuient leur pays natal, Cuba, et rencontrent le succès sur la scène musicale du New York des années 50.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 6 nominations au total
James Medina
- Manny - The Mambo Kings Band
- (as Jimmy Medina)
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10jimi99
Regarding the recent death of Latin superstar Celia Cruz, I was surprised by the lack of mention of her role in this film in the various obituaries and tributes I read. I don't know if she made movies in Cuba, but she was not only a powerful positive musical presence in "The Mambo Kings" but her character acting was outstanding and very charming. If you don't know anything about her and want to get an idea of who Celia Cruz was, see this movie.
And that is far from the only reason to do so. This is one of my favorite romantic films for adults, as opposed to the juvenile and/or formulaic fare that passes for romance in American cinema. Armand Assante should have been at least nominated for best actor that year, he is so strong and yet vulnerable and lovable as the big brother with a powerful code of honor to his art and his family. The other kid, who has gone on to bigger and not necessarily better things, is also fine, considering his well-publicized effort to deliver his lines phonetically, since he did not speak English at the time. (No, I'm not forgetting his earlier fine contributions to several Almodovar films.)
OK, Roscoe Lee Browne and Cathy Moriarty were a bit miscast, but what about the stroke of genius to have Desi Arnaz Jr play his father? The whole "I Love Lucy" segment of the film, while somewhat contrived in its importance to the story, is funny, well-done, and helps to bring the whole Cuban-American experience in New York into sharper focus, with the portrayal of Arnaz as both a superstar idol and a man very close to his roots.
The music is fabulous, both the use of classic Cuban tracks and new music recorded for the film. Among the latter, "Sweet Maria of my Soul," the theme song performed by both Antonio Banderas in the film and Los Lobos over the end credits, was nominated for Best Song but was beat out by some plastic Disney tune. It is so organic, so romantic and soulful, it should be a classic movie song for the ages. Well, it will be for me...
And that is far from the only reason to do so. This is one of my favorite romantic films for adults, as opposed to the juvenile and/or formulaic fare that passes for romance in American cinema. Armand Assante should have been at least nominated for best actor that year, he is so strong and yet vulnerable and lovable as the big brother with a powerful code of honor to his art and his family. The other kid, who has gone on to bigger and not necessarily better things, is also fine, considering his well-publicized effort to deliver his lines phonetically, since he did not speak English at the time. (No, I'm not forgetting his earlier fine contributions to several Almodovar films.)
OK, Roscoe Lee Browne and Cathy Moriarty were a bit miscast, but what about the stroke of genius to have Desi Arnaz Jr play his father? The whole "I Love Lucy" segment of the film, while somewhat contrived in its importance to the story, is funny, well-done, and helps to bring the whole Cuban-American experience in New York into sharper focus, with the portrayal of Arnaz as both a superstar idol and a man very close to his roots.
The music is fabulous, both the use of classic Cuban tracks and new music recorded for the film. Among the latter, "Sweet Maria of my Soul," the theme song performed by both Antonio Banderas in the film and Los Lobos over the end credits, was nominated for Best Song but was beat out by some plastic Disney tune. It is so organic, so romantic and soulful, it should be a classic movie song for the ages. Well, it will be for me...
Excellent "mambo" music and colorful characters made me rate this a "9" after the first viewing. After several looks, the novelty - how many mambo movies are there? - wore off and it settled in as an "8 stars" film but I don't regret seeing this several times. It's fun to watch.
Armand Assante was particularly good in here and I was intrigued with Maruschka Detmers, a new face which at times looked striking. Since she resides in France and hasn't made many, if any, English-speaking films, we here in North America haven't really seen her since this film. Assante and Antonio Bandaras are the two leads, however, sharing the spotlight with the music. Both actors are excellent, maybe the best roles of their careers.
The story moves best the first 40 minutes with a lot of that "hot" music but then gets a little melodramatic afterward. However, I found it interesting all the way through with a nice tale of brotherly love and devotion.
For all you "Ricky Ricardo" fans of "I Love Lucy" television: if you want a real feel of Latin Americans-in America during the 1950s, check this film out.
Armand Assante was particularly good in here and I was intrigued with Maruschka Detmers, a new face which at times looked striking. Since she resides in France and hasn't made many, if any, English-speaking films, we here in North America haven't really seen her since this film. Assante and Antonio Bandaras are the two leads, however, sharing the spotlight with the music. Both actors are excellent, maybe the best roles of their careers.
The story moves best the first 40 minutes with a lot of that "hot" music but then gets a little melodramatic afterward. However, I found it interesting all the way through with a nice tale of brotherly love and devotion.
For all you "Ricky Ricardo" fans of "I Love Lucy" television: if you want a real feel of Latin Americans-in America during the 1950s, check this film out.
It's 1952 Havana, Cuba. Cesar (Armand Assante) moves to NYC taking younger brother Nestor Castillo (Antonio Banderas) after getting into a dispute over Maria (Talisa Soto). The brothers are amazed at the nightlife and Tito Puente. Cesar falls for brash cigarette girl Lanna Lake (Cathy Moriarty) while Nestor is still in love with Maria. The brothers work odd jobs and play in the clubs at night. Nestor falls for shy Delores (Maruschka Detmers). His song "Beautiful Maria of My Soul" catches Desi Arnaz who elevates the brothers to fame. However it is fleeting as they encounter tragedy.
It's a relatively good historical drama. The music is happening. The two actors are terrific. Assante is all energy and Banderas is charming. However the drama isn't that compelling. The story is without surprises. Arne Glimcher is limited as a director. Quite frankly, he has access to great music but he doesn't use it in an interesting way. Moriarty matches Assante's energy but Detmers is a hollow beauty. This a functional music pic but it could be more.
It's a relatively good historical drama. The music is happening. The two actors are terrific. Assante is all energy and Banderas is charming. However the drama isn't that compelling. The story is without surprises. Arne Glimcher is limited as a director. Quite frankly, he has access to great music but he doesn't use it in an interesting way. Moriarty matches Assante's energy but Detmers is a hollow beauty. This a functional music pic but it could be more.
THE MAMBO KINGS (1992) *** Armand Assante, Antonio Banderas, Cathy Moriarty, Maruschka Detmers, Desi Arnaz Jr. Flamboyant and fun watching film about two immigrant Cuban brothers in 1950s NYC trying to make the big time with their style and music. Banderas is particularly good as the heartbroken younger sibling and the soundtrack is memorably poignant and lavish set designs as well.
I saw this movie for the first time in 1995 on television and it has been a favorite of mine ever since.
Armand Assante was absolutely awesome! Pure male magnetism just oozed from his pores in this role and I think I became his biggest fan by the time the movie had ended.
Antonio Banderas was handsome as ever and the two of them together was definitely a treat for female viewers.
The the music, the dancing and the charisma of the movie was infectious and fun to be a part of, even if it was only in a visual context.
I must admit, my rating is strictly biased because, to date, I still think Armand Assante is the sexiest man alive and anything that he is in, I make it my business to see, so the 10 was earned entirely on the basis of Armand Assante's presence.
Armand Assante was absolutely awesome! Pure male magnetism just oozed from his pores in this role and I think I became his biggest fan by the time the movie had ended.
Antonio Banderas was handsome as ever and the two of them together was definitely a treat for female viewers.
The the music, the dancing and the charisma of the movie was infectious and fun to be a part of, even if it was only in a visual context.
I must admit, my rating is strictly biased because, to date, I still think Armand Assante is the sexiest man alive and anything that he is in, I make it my business to see, so the 10 was earned entirely on the basis of Armand Assante's presence.
Le saviez-vous
- AnecdotesAntonio Banderas couldn't speak English when this movie was filmed, and thus performed all his lines phonetically. Armand Assante couldn't speak Spanish and also performed all his lines phonetically.
- GaffesWhen the Castillo brothers first approach New York City in the early 1950s, the World Trade Center towers are visible in the skyline; they weren't built until the early 1970s.
- Citations
Cesar Castillo: In the name of the Mambo, the Rumba, and the Cha cha cha.
- Versions alternativesThe DVD plastered the Warner Bros. Pictures logo with the 2003 logo.
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- How long is The Mambo Kings?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Mambo Kings
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 6 742 168 $US
- Week-end de sortie aux États-Unis et au Canada
- 319 793 $US
- 1 mars 1992
- Montant brut mondial
- 6 742 168 $US
- Durée1 heure 44 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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