Royal Tramp

Laughing was the only action (besides watching) I did throughout the entire movie. Wilson Bond, played by Cantonese comedian (Stephen) Chow Sing Chi, works with his sister {(Sandra) Ning Kwan Yue} at a local brothel. The poor lad experience several unexpected events all in one day, like being forced to steal Empress Dowager's book of 42 chapters and almost had his "thing" chopped off because he was mistaken for an eunuch at the royal palace. Really funny and worth watching the entire length of the movie.

Slapstick Stephen Chow / Wong Jing comedy, which follows the exploits of hapless but well-meaning Wai Xiao Bao (or, er, Wilson Bond) as he manages to land himself in the middle of a power struggle between warring dynasties.

The bawdy humour is purely physical enough for the movie to be enjoyed even if you have to rely on the somewhat flaky subtitles (I was watching the Deltamac version). Naturally, Chow's more verbal comedy doesn't translate well to English, but there's still plenty to enjoy in this lively spoof, including some surprisingly good kung fu, Chingamy Yau as a cheeky princess, and a cameo by Brigitte Lin to set up the sequel. Good fun.

Mo lei tau is a name given to a type of humor originating from Hong Kong during the late 20th century. It is a phenomenon which has grown largely from its presentation in modern film media. Its humor arises from the complex interplay of cultural subtleties significant in Hong Kong. Typical constituents of this humor include nonsensical parodies, juxtaposition of contrasts, and sudden surprises in spoken dialogue and action....

Stephen Chow and Uncle Tat team up once again to bring you many moments of nonsensical hilarity in this classic period piece. I particularly like the musical sequence and bits of kung fu.

"Royal Tramp" (aka "Luk ting kei") is a fairly straight forward, if not archetypical, Stephen Chow movie, for better or worse. If you are a fan of his movies, then you will definitely like "Royal Tramp", no doubt about it. However, if you are not overly keen on his work, I suppose this 1992 movie might be somewhat of a bitter pill to swallow.

The storyline in "Royal Tramp" is one that combines drama, action and, of course, comedy, in the usual Stephen Chow way. And that is what works for the movie, that is definitely something that I enjoy. However, these historical periodic dramas come a dime a dozen and tend to be a bit too trivial. Such is the thing with "Royal Tramp" as well, were it not for the injected elements of comedy.

Something that definitely works well in favor of "Royal Tramp" is the cast ensemble. Of course you have the always likeable Stephen Chow in the lead role. And he is joined by the likes of Chingmy Yau, Sandra Kwan Yue Ng and Man Cheung, just to mention some of the more recognizable of faces for those slightly familiar with the Hong Kong cinema. And I will say that people in the movie definitely performed quite well here. Sure, it was somewhat typical performances for a movie of this caliber, so it is not something new or innovative.

This is a watchable movie, although it is not one that is readily one you sit down to watch soon thereafter. I have seen the movie three times since 1992, so a fair amount of time needs to lapse between each viewing.

While "Royal Tramp" is not the best of action comedy that the Hong Kong cinema has to offer, it is definitely one that could prove worth your time and effort to watch. My rating of "Royal Tramp" from writer and director Jing Wong lands on a six out of ten stars.

I know ROYAL TRAMP is a popular title in Stephen Chow's filmography, but I found it oddly lacking as a movie. I think the problem might be the combination of director Wong Jing and star Chow, as the two never seem to gel as well together as they really should. I like a lot of Jing's movies as well as Chow's movies, but putting them together like this doesn't work all that well. The plot is some nonsensical scattershot silliness about an evil emperor and Chow's undercover mission to spy on him. The wirework-heavy action scenes, packaged as they are with outlandish cheesy gore effects, are the hightlights here, but the mugging, puerile humour becomes quickly wearisome.