Ajouter une intrigue dans votre langueAn irreverent comedy is set in motion when Leon Geller, a sensitive Jewish man from London, learns that he is the product of an artificial insemination accident, and that his real father is ... Tout lireAn irreverent comedy is set in motion when Leon Geller, a sensitive Jewish man from London, learns that he is the product of an artificial insemination accident, and that his real father is a farmer from Yorkshire.An irreverent comedy is set in motion when Leon Geller, a sensitive Jewish man from London, learns that he is the product of an artificial insemination accident, and that his real father is a farmer from Yorkshire.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires au total
David de Keyser
- Sidney Geller
- (as David De Keyser)
Maryam d'Abo
- Madeleine
- (as Maryam D'Abo)
Vincent Riotta
- Elliot Cohen
- (as Vincenzo Ricotta)
Avis à la une
A young Jew, who was confused enough about what kind of person he was already, discovers that he is in fact the result of artificial insemination, and that his biological father is a Yorkshire pig farmer. So of course he has to agonise about things, and so do one or two other people. Now that I come to think of it, so does everybody.
It's a comedy and I didn't get any of the jokes. -Oh, I UNDERSTOOD the jokes, well enough - it's not as if they rely on the more obscure aspects of Jewish theology or culture. (Maybe some of them did. These would have been the jokes I didn't understand; indeed, didn't even notice.) I admit that there was this one guy in the cinema who chuckled every so often and he seemed to disprove my theory that one must actually be a Jew in order to find this film amusing. He didn't LOOK Jewish.
That's about the kind of joke you can expect.
If you don't find any of it funny enough to actually laugh at, and to be frank I don't see how you could, there's still something endearing about the oddness of it all. I never worked out if I was meant to be laughing at the central character's angst or angsting along with him. I did neither: but I found myself liking him all the same.
It's a comedy and I didn't get any of the jokes. -Oh, I UNDERSTOOD the jokes, well enough - it's not as if they rely on the more obscure aspects of Jewish theology or culture. (Maybe some of them did. These would have been the jokes I didn't understand; indeed, didn't even notice.) I admit that there was this one guy in the cinema who chuckled every so often and he seemed to disprove my theory that one must actually be a Jew in order to find this film amusing. He didn't LOOK Jewish.
That's about the kind of joke you can expect.
If you don't find any of it funny enough to actually laugh at, and to be frank I don't see how you could, there's still something endearing about the oddness of it all. I never worked out if I was meant to be laughing at the central character's angst or angsting along with him. I did neither: but I found myself liking him all the same.
Very Simply this is my candidate for "Worst film ever made". It even makes Magnolia vaguely palatable. Stay clear if you see this on a video store shelf. There are many better ways to lose 90 minutes of your life than watch this.
When even Woody Allen seems to have given up making overtly Jewish movies, Leon is a novelty. OK, some of the comedy borders on stereotype, but, I can tell you from experience, it's still true. The confusions of identity, culture, heritage etc are a ready source of sardonic wit. And it's not just a film for Jewish people either - anybody with experience of cultures centred around insane families will appreciate it. In my circle, Indians, Italians and the Irish seem to have a particular affinity. On a sadder note, the film features mark Frankel, whose untimely death was potentially a major loss to the Brit industry.
Poor Leon discovers a past that goes against everything that is Jewish. It takes a while for the story to kick start but once you get going, you fall into the flamboyance of the humour, enjoying the belly laughs, and maybe the dish as well.
Jewish guilt is not a topic that I see portrayed much in movies, but "Leon the Pig Farmer" does a good job with it. Leon Geller (Mark Frankel) is a Jewish estate agent in London who one day discovers that he was the product of artificial insemination; his real father is a pig farmer. Going off to meet his "other" family, Leon has more than a few surprises! They did an interesting job here. True, non-Jews might not get all the jokes, but it's funny nonetheless. And I guess that we sometimes forget that there ARE Jews in England. Anyway, you might see if you can find this movie. You'll probably like it.
Oh, and by the way, that one character was played by Burt Kwouk (Kato from the "Pink Panther" movies).
Oh, and by the way, that one character was played by Burt Kwouk (Kato from the "Pink Panther" movies).
Le saviez-vous
- AnecdotesAlthough the film was made for just £160,000, producer-directors Gary Sinyor and Vadim Jean found it virtually impossible to raise the money for the production. It was only that the entire cast and crew worked for nothing on deferred payment salary that they were able to make the film.
- GaffesAt the clinic, Sidney's address is given as 228 The Drive, Edgware. However, when we see the house later, it is clearly number 7.
- ConnexionsReferenced in The Making of 'Event Horizon' (2006)
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Détails
Box-office
- Budget
- 155 000 £GB (estimé)
- Durée
- 1h 44min(104 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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