La loi de la gravité

I'm not going to sit here and tell you this long drawn out synopsis about this masterpiece of a film. But, I'm not the one to leave people in the dark, so it'll be a brief synopsis.

Johnny, the main character gets canned in the slammer over some petty charge. His best friend , and the wiser, sells guns that belong to a hot-head named Frankie, this pays Johnny's bail. Frankie, Johnny's best friend (forgot character's name), and Johnny, were once this entrusting ghettoized circle of friends, now Frankie's peeved at the both of them for running guns and blowing the profits for Johnny's well-being. This begins a volatile pattern of street bravado, and someone will definitely find themselves in a unfortunate disposition.

Brilliant acting, you can't even call it acting, call it, hanging on the block with your crew. These guys are so natural and effortless. The realism and pace of this film is why cinema buffs find a reason to get up mornings.

It's not a Means Streets rip-off. It's a decent, low budget movie with some fine acting, and some realistic dialogue. These characters are not brain surgeons, they are rough, inarticulate people who live a hard life. Any predictability comes from the fact that only the inevitable can happen to people such as these. The film captures the feel of a Brooklyn neighborhood well. What appears to be Williamsburg before it became trendy. This movie made me feel I was watching what happens when a bunch of good, no-frills actors spend time together producing a very realistic and gritty ensemble piece. Check it out for yourselves.

With so many movies copy-catting winning formulas,it is a shame, but no surprise, that "Laws of Gravity" is a little-seen, hardly ever-recalled movie. It got lost in the Chasing Amy/She's the One/Do the Right Thing indie over-load. And I'm not knocking those movies. But please give due credit to the "godfather" of indies,which combined a gutsy and raw, yet still highly intelligent script with near-flawless acting and, at that time, never-before-seen editing and cinematography. Can you tell I'm a fan? I too, like many other viewers, "stumbled" upon this movie while channel-surfing late at night. This will not be a review, being that I don't want to give away any key moments of the film. Rather, this is a plea to all movie lovers to beg, threaten, and/or intimidate the powers-that-be to release this film on video and DVD for, to my extreme shock, this film is nowhere to be found. (Save for the afore-mentioned "stumble".) And if you find it there, TAPE IT! This is definitely one for the personal library!

"Laws of Gravity" is a hyper-realistic docudrama and an excellent clinic on the loser mentality of the mean streets of Brooklyn. Focusing on the tribal order of several white urban hoodlums, this flick is about as real as it gets with actors...many of whom are on their first outing. A good watch for those into realism and crime films.

I've heard this compared to Scorsese's "Mean Streets", but the crime and situations depicted are much more low-key than that film. This is really unique. A couple of incredibly minor Brooklyn thieves, one's wife, the other's girlfriend, and their local bottom-feeder milieu, futzing around interacting with the locals and just squeaking by. That's about the whole film, give or take a subplot about a stash of guns that our 'heroes' come into and try to sell. But it's not about plot so much, it's a character study, and the performances are incredible, so the characters stick. The two leads are both great, although Adam Trese has the gift of a part as the young psychotic/Jerry Lewis type. Edie Falco (Tony Soprano's wife in "The Sopranos") has an unusually great role as written, in the sense that they don't write too many parts as varied and interesting as this for women to play, particularly in crime-related movies. But what she does with it is pretty astonishing. It's a great performance. That director has one unusual eye for picturesque composition of unlikely subject material too. "Laws of Gravity" is an uncommonly good movie. Its dialogue-ear for humour in banal minutiae has a smell of the Tarantinos, but this pre-dated "Reservoir Dogs".