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Ajouter une intrigue dans votre langueTwo contrasting women, one optimistic and the other cynical, embark on a life-changing road trip to Alaska, where an unexpected inheritance awaits one of them, leading to a series of adventu... Tout lireTwo contrasting women, one optimistic and the other cynical, embark on a life-changing road trip to Alaska, where an unexpected inheritance awaits one of them, leading to a series of adventures that challenge their perspectives.Two contrasting women, one optimistic and the other cynical, embark on a life-changing road trip to Alaska, where an unexpected inheritance awaits one of them, leading to a series of adventures that challenge their perspectives.
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I saw Leaving Normal during its original theatrical release and watched it again recently after purchasing the film on DVD. My friends and I really enjoyed this film when we saw it back in 1992, when we were big into early 90s quirk with films like What's Eating Gilbert Grape, Gas Food Lodging, Simple Men and Surviving Desire. Leaving Normal fits quite neatly into this group of films. It also reminds me of one of my all-time favorite and most watched films, which also happens to be a story about an unlikely female friendship, Bagdad Cafe (1987).
It's difficult for me to assess Leaving Normal with any sense of objectivity. When I watched it again recently, I was overcome with a sense of nostalgia for the early 90s when I was in my early 20s and was yet to make some pretty dumb decisions with my life (it all turned out okay though). I don't think the film has aged especially well (I'm thinking about some shoddy matte paintings) and its quirkiness may just annoy some people, but it has enough to offer the casual viewer to be entertaining. If you are fortunate enough to be open to its sincere message about the universe having a place for everyone (if we will just let go and allow ourselves), then you may find that you bond with Marianne and Darly and all the offbeat characters they meet on their journey towards wholeness. You may then find that you make a space for this little film in your heart, like most of the other reviewers on this site.
It's difficult for me to assess Leaving Normal with any sense of objectivity. When I watched it again recently, I was overcome with a sense of nostalgia for the early 90s when I was in my early 20s and was yet to make some pretty dumb decisions with my life (it all turned out okay though). I don't think the film has aged especially well (I'm thinking about some shoddy matte paintings) and its quirkiness may just annoy some people, but it has enough to offer the casual viewer to be entertaining. If you are fortunate enough to be open to its sincere message about the universe having a place for everyone (if we will just let go and allow ourselves), then you may find that you bond with Marianne and Darly and all the offbeat characters they meet on their journey towards wholeness. You may then find that you make a space for this little film in your heart, like most of the other reviewers on this site.
I only saw 'Leaving Normal' because it was on Sky TV one night and there was nothing else on, so, I decided to watch it. I wasn't expecting much of it, as most things on that last at night are usually things that are too boring to be on earlier. However, I was very surprised by it, I actually enjoyed it. It's a story about the friendship between Darly and Marianne, who met at a bus-stop after Marianne ran away from her abusive husband. Darly is going to Alaska and decided to take Marianne along with her, sort of like a daughter figure. Marianne always likes to look on the bright side of things which leads her into bad situations. Darly is assertive but good-natured, she means well. And because she was so witty it made the film much more enjoyable. The first half of the movie is a road-movie, Which consist of the troubles they face of trying to get to their destination, and when they get there, they want to leave, at least Darly does. It's a light-hearted drama and all ends well. Worth a watch.
The title, "Leaving Normal", is clever because it refers both to physically leaving the fictitious town of Normal, WY, but more significantly, leaving the "normal" state of existence. Christine Lahti is the former dancer and waitress who never progresses beyond that, and Meg Tilley is the abused housewife who has made a series of disastrous choices in her life. As Lahti decides to do something different, and heads to Alaska to re-claim her old, unfinished homestead, she gives Tilley a ride.
They are unlikely road buddies, like Thelma and Louise were. Lahti is funny, daring, scheming (gets $100 from truck driver then slips out the window of the ladies room) and world-wise, while Tilley is just the opposite and insecure with her abilities. Ultimately they bring out the better persons residing in each.
Along the way their car breaks down, they get a ride with another lady pulling a trailer, then they are given her car and trailer when a wealthy bumpkin asks her to stay and marry him. They work their way to Alaska and look up the property, where the unfinished shell of a house still stands, weather-beaten. Through a lot of posturing, eventually they both decide to stay, we see the house being completed in a time-lapse series of shots. Lahti decides to try and find her daughter that she abandoned in the local hospital 18 years earlier.
Both act well, but Tilley is a joy to watch. Her portrayal of the half-ditzy, insecure woman is just perfect. Makes me wonder, whatever happened to Meg Tilley? She hasn't made a theatrical release movie since 1994. Unlike Thelma and Louise, where they drive off Dead Horse Point in Utah at the end, the lives of these two women literally begin as this movie ends. Seen on the "Women's Entertainment" channel, a really good movie, doesn't always take itself too seriously, and has an uplifting message. We are left to wonder if Lahti ever finds her daughter, whether Tilley's trucker friend ever shows up again. Maybe they considered a sequel, but the film wasn't popular to warrant that.
They are unlikely road buddies, like Thelma and Louise were. Lahti is funny, daring, scheming (gets $100 from truck driver then slips out the window of the ladies room) and world-wise, while Tilley is just the opposite and insecure with her abilities. Ultimately they bring out the better persons residing in each.
Along the way their car breaks down, they get a ride with another lady pulling a trailer, then they are given her car and trailer when a wealthy bumpkin asks her to stay and marry him. They work their way to Alaska and look up the property, where the unfinished shell of a house still stands, weather-beaten. Through a lot of posturing, eventually they both decide to stay, we see the house being completed in a time-lapse series of shots. Lahti decides to try and find her daughter that she abandoned in the local hospital 18 years earlier.
Both act well, but Tilley is a joy to watch. Her portrayal of the half-ditzy, insecure woman is just perfect. Makes me wonder, whatever happened to Meg Tilley? She hasn't made a theatrical release movie since 1994. Unlike Thelma and Louise, where they drive off Dead Horse Point in Utah at the end, the lives of these two women literally begin as this movie ends. Seen on the "Women's Entertainment" channel, a really good movie, doesn't always take itself too seriously, and has an uplifting message. We are left to wonder if Lahti ever finds her daughter, whether Tilley's trucker friend ever shows up again. Maybe they considered a sequel, but the film wasn't popular to warrant that.
10kline-2
When I watched Leaving Normal, I found that Meg Tilly and Christine Lahti made the perfect best friend team. Tilly and Lenny von Dohlen made the perfect couple, yet funny with it. Von Dohlen has some funny moments and he is very, very sweet with it (especially when he's crying in the truck after reading a sad story). This a very underrated movie that has an excellent cast.
The movie had a lovely opening with Meg Tilly confiding to a series of fellow passengers on a Greyhound Bus, that she is sure her life was about to change, even though she was marrying a person she did not know very well. About two minutes later, she is back out on the road, illusions shattered. Her character(Marianne) bumps into Christine Lahti, who is also ready for a change, after burning just about everybody who has ever be-friended her. So, Marianne-Pollyana and the queen of bitterness take off for Alaska. Some of the surprises include a poet-trucker, and Christine's dancing abilities.
Le saviez-vous
- AnecdotesAlthough the complete song itself is not played in the movie, the piano intro to Bruce Hornsby and the Range's "The Show Goes On" is used.
- GaffesThe geography of their trip north from Portland is mixed up. We see them in the red truck with Leon and Harry, at Britannia Beach, some 70 miles into Canada. (The give-away is the mining building behind them, which is distinctively Britannia Beach, BC.) Later, with 66, they are south of Seattle, deciding where to enter Canada. Then they are obviously in White Rock, BC, again looking at a map to choose their route into Canada. (White Rock is just across the border, in Canada, and 70 miles south of Britannia Beach.)
- ConnexionsFeatured in Siskel & Ebert & the Movies: Guilty Pleasures - 1992 (1992)
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 1 514 114 $US
- Week-end de sortie aux États-Unis et au Canada
- 474 220 $US
- 3 mai 1992
- Montant brut mondial
- 1 514 114 $US
- Durée
- 1h 50min(110 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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