Ajouter une intrigue dans votre langueCop Antonio is ordered to take 11-year-old Rosetta and her brother Luciano from Milan to an orphanage in Sicily. Their mother has been jailed for forcing Rosetta into prostitution. Reluctant... Tout lireCop Antonio is ordered to take 11-year-old Rosetta and her brother Luciano from Milan to an orphanage in Sicily. Their mother has been jailed for forcing Rosetta into prostitution. Reluctant Antonio soon learns to sympathize with the kids.Cop Antonio is ordered to take 11-year-old Rosetta and her brother Luciano from Milan to an orphanage in Sicily. Their mother has been jailed for forcing Rosetta into prostitution. Reluctant Antonio soon learns to sympathize with the kids.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 18 victoires et 14 nominations au total
Avis à la une
The child actors are supreme and the plot development feels real from beginning to end.
There are very few films that can make us confront a difficult issue without resorting to maudlin tears or some other form of emotional manipulation. This is one of them -- no Hollywood treatment here.
And I like the fact that the trip is a journey -- both physically and spiritually. It starts in the north of Italy and leads us progressively towards its southern extremity in Sicily. As the children migrate to the South, our hopes and hearts warm as we come to expect a new emotional climate for them. As with any film intending to make a serious comment on the devestating nature of child abuse, something intervenes to prove to us that our hopes are premature.... This film betrays no compromise in its portrayal of innocence lost and regained and lost once again. The scene at the end with the girl comforting her brother is one of the most poignant I know in film.
I would put this film at the top of a narrow list of films addressing childhood trauma (including "Salaam Bombay!" and "Alice in the Cities"). But the perfection of the child actors, the tremendous care of the storytelling (director Gianni Amelio co-authored the screenplay), and the generous, ambulant scenery make this film a standout that has seldom been rivaled.
There are very few films that can make us confront a difficult issue without resorting to maudlin tears or some other form of emotional manipulation. This is one of them -- no Hollywood treatment here.
And I like the fact that the trip is a journey -- both physically and spiritually. It starts in the north of Italy and leads us progressively towards its southern extremity in Sicily. As the children migrate to the South, our hopes and hearts warm as we come to expect a new emotional climate for them. As with any film intending to make a serious comment on the devestating nature of child abuse, something intervenes to prove to us that our hopes are premature.... This film betrays no compromise in its portrayal of innocence lost and regained and lost once again. The scene at the end with the girl comforting her brother is one of the most poignant I know in film.
I would put this film at the top of a narrow list of films addressing childhood trauma (including "Salaam Bombay!" and "Alice in the Cities"). But the perfection of the child actors, the tremendous care of the storytelling (director Gianni Amelio co-authored the screenplay), and the generous, ambulant scenery make this film a standout that has seldom been rivaled.
Amelio and Enrico lo Verso compenetrate perfectly. I believe is one of the most humanistic movies I have seen in a long time. The performance of the actors is great and the story is simple but very powerful. There is beautiful line that can be seen how the Enrico and the kids gel along the, movie and it is very interesting.
As another person said and I agree, it is one of the best child performances I have ever seen. Excellent.
As another person said and I agree, it is one of the best child performances I have ever seen. Excellent.
This marvelous film deals with a topic, exploitation of children (euphimism), that is difficult on viewers. All over the world bad things are happening to young people who can not control their own lives because they are children. The innocents tainted in this world will become saints and dwell in Heaven with Our Father. No, this film isn't about religion per se. But it is about the struggle and the triumph of humans over their sometimes miserable, but always radiant, terrible difficulties. The adult who has to deal with the two abandoned children is marvelously played and his growth as a human being in the sense of doing the right thing, rather than just "following orders" is a great performance. The leading character is an 11-12 year old girl who I understand was not an actress before performing in this film. I could open a floodgate of positive adjectives and remarks about her performance, but let's just say that she play her role so authentically and underplays, which is necessary, the plight of her character, where the underplaying is simply the character being herself in a world she endures,and must accept, but is one no one would choose. I hope that viewers will remember (and if they don't, watch the movie again) the final scene where she tries to give her brother hope and show the viewer that even the worst world can be inhabited and experienced with at least some joy--sometimes only a tiny measure of happiness is all we can get in our lives, but still we must savor it.
Many people complain that so and so movie is not on DVD etc., but this film was released on VHS for a short time in the early 90's and only a few copies are on the market at a fairly high price--the film should be transferred to DVD by Criterion or someone (I wish I knew how). Buy the VHS and watch a movie that points the way, as almost no movie really does, to the real, complex, harmful, and sometimes wonderful world that exists beyond the movie.
Many people complain that so and so movie is not on DVD etc., but this film was released on VHS for a short time in the early 90's and only a few copies are on the market at a fairly high price--the film should be transferred to DVD by Criterion or someone (I wish I knew how). Buy the VHS and watch a movie that points the way, as almost no movie really does, to the real, complex, harmful, and sometimes wonderful world that exists beyond the movie.
This movie is the story of a journey, a common theme among movie-makers. In this film a policeman is charged with the transfer of two children (aged 11 and 9)from Milano to a Home for Children in Sicily. It is based on a newspaper report which gives authenticity to the story. Remarkable performances are given by the children who amazingly have had no previous experience in film-acting. Eye contact between the main characters is particularly powerful. The policeman also acts convincingly. He finds the resentful children a difficult pair to control. The 11-year old has a secret(about her life of prostitution) and her young brother is an asthmatic sadly in need of his father who has abandoned them. There are some tender scenes in the film where the policeman introduces the children to his happy extended family, where the policeman gives the boy some swimming lessons in the sea and where they agree to find each other when the boy leaves the Home at 15 years of age. A simple theme but so enthralling.
'Il Ladro Di Bambini' is one of the most moving pieces of cinema I've ever seen, and it reminds me so clearly why I love film. I've just seen it, and I'm still very emotional over what I saw. The children play the roles perfectly, and Enrico Lo Verso's performance is brilliant as well. It's such a simple film actually, but so incredibly powerful. The scene where Luciano tells Antonio that he'll come looking for him as soon as he's turned 15, no matter where he is, made me cry. This is a true, honest film about trust, that I will treasure for a long time to come.
Le saviez-vous
- AnecdotesEnrico Lo Verso was the only member of the main cast to be a professional actor.
- ConnexionsEdited into Lo schermo a tre punte (1995)
- Bandes originalesDomenica bestiale
Written and performed by Fabio Concato
Courtesy of Warner Chappell - PolyGram Italia
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- How long is The Stolen Children?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 931 280 $US
- Week-end de sortie aux États-Unis et au Canada
- 17 524 $US
- 7 mars 1993
- Montant brut mondial
- 931 280 $US
- Durée
- 1h 54min(114 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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