Porco Rosso : Un pilote de légende

The thing I like most about Studio Ghibli's films are that they are always beautifully animated and nimbly voiced. Princess Mononoke and Spirited Away are my favourites, but I will say that I love all the Studio Ghiblis for differentiating reasons. Porco Rosso is a very charming animated film, that is very imaginative as well. The animation is just stunning, with vibrant colours and picturesque Italian landscapes. Also the visuals with Porco's plane is just mind blowing. The visuals are perfectly matched by a truly beautiful music score, that helped make it a very relaxing watch. The story is a very intriguing one, and original, the characters are engaging and the story is of good quality. The English vocal characterisations were excellent, Michael Keaten being the biggest surprise, voicing a hugely engaging character, and while not exactly handsome, Porco has a heart of gold and genuinely cares for Fio, beautifully dynamic voice work from Kimberley Willaims-Paisley. Cary Elwes is also impressive as Curtis, Susan Egan is lovely as Madame Gina and David Ogden Stiers as Piccolo brings some well timed comic relief to the role. Overall, a stunning animated film, yes the ending is a little ambiguous, but Porco Rosso is well worth watching. 9/10 Bethany Cox

Although few people actually know about this film, it must be stated that this one of the best animated films of all time. It is also quite unique, and has comedy and themes more enjoyable for an adult audience, though youngsters should also get a kick out of it.

Porco Rosso follows the adventures of a man known as porco, a pilot who attacks pirates for a fee during World War II, and has the unfortunate problem of being cursed to look like a pig. It follows his adventures, battling many different foes for a number of different reasons.

Porco Rosso has a lot of things to recommend it. The artwork is stunning, with amazing attention to detail and a great anime style. The story is an absolute joy to follow, and has that perfect blend of comedy, drama and action. Although it is hard to describe the story properly without giving to much away, this truly is one to watch at all ages, though most of the humor is aimed at adults. Do yourself a favor and see it: you won't be disappointed.

Porco Rosso is a World War I veteran flyboy who is cursed with the face of a pig. He flies his seaplane after the war as a bounty hunter working for the money. He is hired to rescue a group of kidnapped girls and retrieve a loot of gold from flying pirates. Gina is one of his oldest friends who is the respected owner of a local bar. Donald Curtis is an American rival who is eager to defeat him. After he gets shot down by Curtis, he brings his plane to Mr. Piccolo's repair shop where he's introduced to Piccolo's brilliant plane designing granddaughter Fio.

This is a little different than Miyazaki's other works. Most of the time, his protagonists are much younger. Porco Rosso is a much older protagonist. The world has literally left its mark on his face. Before watching the movie, I assumed it to be a magical curse. It may still be magic but I'm more convinced that its a substitute for those soldiers who were left with horrible facial scars after fighting WWI. Many were horribly scarred by the war. Porco is also very world weary. His cavalier attitude seems to have more to do with his lack of fear for his own safety. There is an overall tired nature to his character and as a consequence, the world has a piece of that. In the end, he's alone. There is less magic in this one even if it is still a flight of fancy.

Miyazaki is an inspiration for artists everywhere. His total mastery of all aspects of storytelling craft makes the amazing seem easy.

Kurenai no Buta manages to be over-the-top fun and exceedingly subtle at the same moment. The dialogue is at once straightforward yet with layer upon layer of dramatic meaning. The animated wizardry is stunning as usual, yet never over the top. It always comes across as so natural.

This film is a homage to so many different genres, places, people and attitudes one could go on ages pulling them all out. Amazing amount of detail packed into every scene.

Well I am running out of superlatives. Like all master works of art, this leaves you with something special. In this case I find it hard to describe perhaps since the Pig himself is such a mysterious character.

See it.

On the surface, Porco Rosso (1992) is a lushly animated adventure flick with a tinge of nostalgia for the pilots of the 1920s. Underneath the skin, its a film fraught with anxiety about war and fascism. In some ways, it is like Miyazaki's first feature, The Castle of Cagliostro (1979), a seemingly frothy popcorn film that contains well-hidden sadness at the core; however, here that sadness is much more visible.

This seems to be one of Miyazaki's lesser known films for whatever reason. Is it because the main character is a middle aged man disillusioned with life instead of a child or teenager? Is it the pre-WWII setting? Is it the lack of fantasy elements (outside of the protagonist having turned himself into a pig, that is)? I don't know, but it's a shame.