Jambon, jambon

Bigas Luna's most noted work in North America, Jamon Jamon is a film that teeters on offensive, but does so with such sweetness and charm that it is hard to resist.

In a plot that only Luna could bring to life, young, sexy Silvia (Penelope Cruz) is engaged to and pregnant by Jose Luis, the son of underwear merchants. Silvia is too lower class for Jose Luis' meddling mother, Conchita, so she hires the young, handsome Raul (Javier Bardem) a worker in a ham factory and wannabe underwear model and bull fighter, to romance her away. But the love starved and still sexy Conchita falls for Raul, while Jose Luis frequents the bordello owned by Silvia's mother. Eventually, the two men duke it out in one of the most unique and bizarre fight scenes ever, beating each other with hams.

This is a dark and weird R-rated soap opera, in which every scene is over the top melodrama, and all characters deliver their lines like they were their last. But it works scene after scene, largely due to the directing and casting. For physical appearance, you won't find a better looking cast anywhere.

Jamon Jamon is challenging because it is so unconventional, but is also enjoyable because of its romance and passion. I enjoy Luna movies immensely and highly recommend this film along with the two that follow, Heuvos de Oro and La teta y la Luna. ***1/2 out of ****.

Jamon Jamon is a daft, grubby, and rather disappointing film out of Spain.

My advice straight off the bat is not to take this film too seriously; it's a quirky send up and OTT ironic social commentary. Think of it more as a comedy of errors style farce and you'll be in the right mood.

The film clearly sets out to be an arty satire, and though it is certainly oddball enough to qualify for the category that is not enough in itself to automatically label this film as brilliant - it really isn't.

The plot? Well, here goes . . . A young Spanish man is in a relationship with a young Spanish girl. She is pregnant, and they are to marry. His controlling and wealthy mother disapproves, and hires a would be bullfighter (and male underwear model) to seduce the girl and trash the relationship. The bullfighter, the girl and her boyfriend, a couple of mums, one dad, uncle Tom Cobley and all become embroiled in a tangle of relationships where just about everybody is copping off with everyone else.

This all plays out in a dusty Spanish backwater where, presumably, there's not much else to do. Weaving its way through the film is constant reference to pigs and ham. That opens the door to an obvious gag about the standard of acting, but I'll pass it up.

There's a fair dose of sex and nudity in the film, but none of it is sexy. It's all a bit grubby, in keeping with the locale and general downbeat vibe of the film. Theres also a liking for regularly showing pearls clattering to the floor; I've looked for a metaphor, but can't see one that makes the effort worthwhile.

None of the characters are likeable (unless you count the Golf gti and Yamaha 600 motorbike). Silvia (the young Spanish girl) is particularly annoying as she flits from man to man for no good reason other than her own pitifulness.

I generally warm to films that are quirky and dare to be different - but not this one. Perhaps because it doesn't go all the way and fully commit to being a completely satirical, completely comical or completely sexy film that it leaves my glass very much half empty.

It's full of cultural references, it's unconventional, it's over the top and absurd - I get all that. But ultimately, it is not half as clever as it tries to be. It's all just a bit naff.

This is a very entertaining film. Bigas Luna (director) loves life and all it's weirdness and beauty, which is rather evident in this wonderful film. Definitely a cure for boredom or sadness. The plot turns gets crazier as the film unfolds. Nothing is too much in this imaginative film. A must for all lovers of black comedy. Do also check out Mr Lunas "Teta y la luna, La (1994).

Anyone who can laugh at and perversely admire the absurd spectacle of his or her own grotesquely bizarre and fragile (how small a step to go from ecstatic fulfilment to abuse, and gradual dissipation) sexuality, while actually having sex, can be said to have achieved the detachment necessary to maintain a certain controlled pitch of eroticism within its course, which, needless to add, can be quite stimulating and rewarding. Bigas Luna's handling of the sex scenes in `Jamon, Jamon' always makes that 'laughing-in-the-face- and-midst-of-sexuality-in-order-to-transcend-self-defeating-high-brow-or-

sentimental-hang-ups-with-raw-sometimes-moronic-but-more-often-volcanically -exquisite-lust' attitude fully implicit, and that's why they're especially steeped in a rare erotic tension that smolders. Like most great films, Luna's Venice-Silver-Lion-Winner tries to subvert and break down outmoded but deeply ingrained rituals and methods of communication within society that need to die in order to allow the 'not-so-sly but-not-exactly-explicit-and-heavy-handed-either' imposition of its own patterns as suggestions toward new thinking and new answers to take root.

Want to see a hilarious but serious satirical film that mixes and makes superior use of eroticism, surrealism, gross out scenes, and a fantastic music score ? Look no further than these 90 minutes. As far as I know the longest nose to nose lip kiss with a fly on the face of one of the kissers is in this film. Penelope Cruz in at least 4 sex scenes very generously breastfeeding two different and equally hungry lovers (one of whom happens to be this year's oscar nominated actor Javier Barden) is also in this film and should more than serve to turbocharge red-blooded male libidos. A very gross scene involving a very annoyed pig that comes close to being the only appearance of beastiality in an R-rated film is in this flick. And, oh yeah, in case I forget, the scene of the two guys bullfighting buck naked which puts a new spin on, and pays an homage of sorts to the famous schlong-dangling naked wrestling scene in Ken Russell's `Women in Love' is also in this crazy film. Liked it very much. HIGHLY RECOMMENDED, especially for further seriously disturbing the mental imbalance of squeamish Americans used to Julia Roberts Soap Operas.

I wouldn't recommend Jamon Jamon to everyone I know, because the humour and the plot are idiosyncratic, to say the least. I regarded this films as a massive, but not at all serious, send-up of machismo and how it interacts with greed and lust. Above all, it is meant to make you laugh, rather than portray some profound message about the human condition. For example, although I can't speak for the Director, I suspect that the naked bullfight scene was simply meant to be absurd and make you laugh. Anyone who thinks it is pretentious has simply missed the point and is pretentious himself because he is reading things into the scene which are non-existent. Not everyone will find a scene like that funny but I personally was in stitches, as I was during the parrot scene, the ham fight scene and many other eminently unforgettable scenes. What I can't say in all honesty is that everybody else in the auditorium found it quite as funny as I did.