Un flingue pour Betty Lou

Betty Lou (Penelope Ann Miller) is a librarian who suffers from the doormat syndrome - people walk all over her. At home, it is not much better, as policeman husband Alex works late. When he fails to come home for their anniversary dinner, Betty Lou snaps out of her complacency. Finding a gun connected to a homicide, she devices a scheme to make herself visible....she'll confess to the murder of a mafioso. It works. She is the most talked about person in town, with one problem. The mafia may be chasing her now.

Penelope Ann Miller is one of those actresses you like to look & listen to, no matter what the part. She does a fine job as the long suffering wife and librarian. Eric Thal displays charm as Alex and Julianne Moore as Betty Lou's sister, in a role that obviously came before her leap into stardom, is a welcome addition. The plot is fun at first but things get deadly serious and violent near the ending. Do you like silly romantic plots, even when a little nastiness is thrown in? This movie will satisfy your basic requirements.

I beg to differ with the previous reviewer. On the contrary, this film does have a plot and is funny, with a rewarding ending. It is a light comedy, true. What I liked about it is that it is not just another cookie-cutter formula Hollywood movie. The plot is unique and believable, the writing is intelligent, the acting is adequate, the conclusion is appropriate to the plot. The two main characters, Betty Lou and Alex, grow and mature from their initial portrayal.

It is not a major film, but it is rewarding in its own way, an enjoyable way to spend 89 minutes. Lots of fun.

A strange film, indeed. It doesn't lack its charms, but the film, as directed by Allan Moyle, goes nowhere because it seems to go in different directions. The film has a few laughs and the best way is to approach it without any preconceptions because it will reward the viewer.

What the director is to be congratulated is because of the good performances from this cast. Penelope Ann Miller, playing the title role is an actress that is not seen often in the movies. She deserves better as she projects a nice sunny quality about everything she does. Alfre Woodard is a gifted performance whose appearances are always welcome.

The curiosity here was Julianne Moore playing Elinor. Ms. Moore is shown at a disadvantage in the movie. Evidently she must have had a cosmetic transformation that worked for her in getting better roles than this silly role she is seen playing here.

Mr. Moyle has a knack for directing. This film has good moments and it's worth a look.

I think of myself as fairly critical when it comes to comedy, because if I am not amused or laughing out loud in the appropriate places, I can't fairly call it funny. And I hate improbable and implausible plots. This movie is engaging throughout and is very funny at the key points. Admittedly, you want to bitch-slap the boyfriend for his stupidity, but let's face it, a lot of young guys are stupid when it comes to their girlfriends. And even that distraction works this for this film: It is, most of all, a great comedy role for its female star, Penelope Ann Miller, and this is the movie that made me a big fan of hers. Miller and William Forsythe are fine actors and have done as well for the viewing public in the 20 years since as they did in this film. And I am grateful to them for giving us a movie I like to watch every couple of years because it's that good.

If you're a fan of 80s movies & TV, you'll have a blast watching "The Gun in Betty Lou's Handbag". Released in 1992, I consider this one of the last "80s movies" with an allstar cast (though sadly underrated today).

For starters we've got the amazing Faye Grant (remember "V" & "The Greatest American Hero"?) in a role like you've never seen: a frustrated southern belle housewife who's just 1 Gucci away from being trailer park trash. She steals the show in every scene.

Then there's William Forsythe (Al Capone in "The Untouchables" TV series, the bad guy in "Out for Justice", etc) who plays such a creepy villain you almost forget you're watching a comedy.

It gets better... how about Meatloaf, yes, MEATLOAF in a cameo as "Larry".

There's my personal fave, Cathy Moriarty ...or as I like to think of her, the closest thing to Lauren Bacall since Lauren Bacall... as the tough street walker who changes Betty Lou's life. Cathy has played almost every mobster wife in every mobster movie ever made. Absolutely perfect.

There's the incomparable Julianne Moore (who's been in everything, but my fave would have to be her recent appearances on 30 Rock) as Betty Lou's nutty slutty sister.

How about Alfre Woodard (Betty Applewhite on "Desperate Housewives") as the rookie lawyer who's "defending" Betty Lou against murder charges even though she got her attorney's license through the mail.

And that brings us to Betty Lou herself, played by Penelope Ann Miller whom I'll always remember as Winnie, Pee-wee Herman's girlfriend in "Big Top Pee-Wee". She does such a great job as the repressed, oppressed & distressed housewife who decides to go on an adventure for the first time in her mousey life.

The director, Allan Moyle, may not be as famous as Spielberg, but he's done some great comedies such as "Pump Up the Volume" and "New Waterford Girl" (two films I highly recommend).

There are more actors I didn't recognize until I saw the credits: Catherine Keener (the hot chick in "Being John Malkovich"), Stanley Tucci ("Miami Vice" TV series), and did I mention MEATLOAF? The result of this great lineup is a film which was obviously a lot of fun to make, and it's certainly a lot of fun to watch. Even if you're not familiar with all these people I've mentioned, their colorful characterizations will be very memorable.

The story itself is an interesting blend. It's a badass chick flick like "Thelma & Louise" crossed with a small town crime caper like "My Cousin Vinny" and a light thriller like "Get Shorty" wrapped up into one. The presentation, though at times intense, remains breezy throughout, and although there are several murders on screen, it doesn't get too disturbing. They don't make em like this anymore. Like I said earlier, don't miss the chance to see one of the last of the "80s" crime-comedy classics.