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Le quotidien, les rêves et les relations houleuses avec les hommes d'une mère et de ses deux filles dans une bourgade du Nouveau Mexique.Le quotidien, les rêves et les relations houleuses avec les hommes d'une mère et de ses deux filles dans une bourgade du Nouveau Mexique.Le quotidien, les rêves et les relations houleuses avec les hommes d'une mère et de ses deux filles dans une bourgade du Nouveau Mexique.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 6 nominations au total
David Lansbury
- Hamlet
- (as David Landsbury)
Donovan Leitch Jr.
- Darius
- (as Donovan Leitch)
Avis à la une
Nora (Brooke Adams) is a single mom trying to raise two daughters in a small New Mexico town. Shade (Fairuza Balk) is a nice girl obsessed with a latina cinema heroine Elvia Rivero. Trudi (Ione Skye) is rebellious and sexually promiscuous.
Director Allison Anders has made a small movie about mother-daughter and sister-sister relationships. This is mostly about their love lives. The three female leads have created good compelling characters. There is one missing element from the movie. There isn't a one central idea to drive the plot. It's basically watching their love lives slowly unfold. The movie doesn't really have a direction. However, the three leads do a good job. The meandering love stories have memorable moments and are compelling.
Director Allison Anders has made a small movie about mother-daughter and sister-sister relationships. This is mostly about their love lives. The three female leads have created good compelling characters. There is one missing element from the movie. There isn't a one central idea to drive the plot. It's basically watching their love lives slowly unfold. The movie doesn't really have a direction. However, the three leads do a good job. The meandering love stories have memorable moments and are compelling.
GAS FOOD LODGING (1992) *** 1/2 Brooke Adams, Ione Skye, Fairuza Balk, Donovan Leitch, Robert Knepper, James Brolin, David Lansbury, Jacob Vargas. Delightful and at times melancholy story of a single mother raising her troubled daughters as a truck stop waitress. Balk is winning as the introverted younger sibling who has a penchant for Spanish melodramas and '70s nostalgia. Directed nicely by Allison Anders, her debut.
I admit I am biased- I have always loved Ms. Adams since "The Dead Zone"...Stephen King at his earliest, and best.
This film is quirky and interesting. It is one of the few actually worth buying on DVD. Not just for the performances, which are excellent, by the way.
The visuals are noteworthy. New Mexico, the Southwest; a visual palette reminiscent of the artist Georgia O'Keefe. Beautiful photography, and a dysfunctional family trying to survive- two young girls living with their disillusioned mother.
This film addresses a niche which is not mainstream, but real...disappointed Americans living and working , trying their best, yet opposed by the realities. This film deserves 10/10- a must see.
This film is quirky and interesting. It is one of the few actually worth buying on DVD. Not just for the performances, which are excellent, by the way.
The visuals are noteworthy. New Mexico, the Southwest; a visual palette reminiscent of the artist Georgia O'Keefe. Beautiful photography, and a dysfunctional family trying to survive- two young girls living with their disillusioned mother.
This film addresses a niche which is not mainstream, but real...disappointed Americans living and working , trying their best, yet opposed by the realities. This film deserves 10/10- a must see.
10rjfilms
This film was the reason I became a film maker. Period. It is very inspiring to watch, with superb acting, quiet character building and developing. The film grabs you and pulls you into a small New Mexico town setting. You become completely engrossed with the story and the characters. It takes time to develop personalities within the female leads and the viewer becomes quite vested in their futures. I found Fairuza Balk's acting performance particularly compelling. One of my favorite acted roles in cinema (quality wise). This film is in my top ten favorites of all time, and also my twin has similar affinity for this superb film. Kudos to a film outside of the ordinary with a true independent vision.
Allison Anders motivation in making this film may be obscure, but I'm glad she made it. This, her debut feature, runs like a meandering stream through rivulets of teenage angst and single-mother frustration in small town New Mexico. Maybe its' the Mexico bit that made this movie seem more foreign than traditional action-based, marketing-oriented, formulaic American movies.
I'd heard the term "trailer trash" via Jerry Springer and guests, but this female family of free (alright, forget the alliteration - three) are far from "trash", just down on their luck. The mother, Brooke Adams is a waitress on a low income trying to bring up her girls; the older one, Ione Skye, discovers through a fraternisation with a gallant, geologically quizzical Englishman (for once, not Hugh Grant), that relationships beat one night stands.
Ione's brother, Donovan Leitch, also appears in this film, but it is Fairuza Balk as the younger teenager, who is outstanding. She wants the best for her mother, which she has difficulty in securing, but her film-buff instincts and a predilection for Spanish movies, enable her to find fulfilment for herself.
The movie concludes in a somewhat enigmatic manner without all loose endings tied up. But hey, when in life are any loose endings tied up? Our end, like this film's, leave us wanting more.
I'd heard the term "trailer trash" via Jerry Springer and guests, but this female family of free (alright, forget the alliteration - three) are far from "trash", just down on their luck. The mother, Brooke Adams is a waitress on a low income trying to bring up her girls; the older one, Ione Skye, discovers through a fraternisation with a gallant, geologically quizzical Englishman (for once, not Hugh Grant), that relationships beat one night stands.
Ione's brother, Donovan Leitch, also appears in this film, but it is Fairuza Balk as the younger teenager, who is outstanding. She wants the best for her mother, which she has difficulty in securing, but her film-buff instincts and a predilection for Spanish movies, enable her to find fulfilment for herself.
The movie concludes in a somewhat enigmatic manner without all loose endings tied up. But hey, when in life are any loose endings tied up? Our end, like this film's, leave us wanting more.
Le saviez-vous
- AnecdotesIn a March 2001 interview with "Shout" magazine, Fairuza Balk stated that out of all her films, this was her favorite. She indicated that "this film is very close to my heart. As a girl, I was very much like my character Shade. I was shy. I was a loner."
- GaffesWhen Trudi first attempts to call her dad in the beginning of the movie, the dolly can be seen in the toaster oven.
- Citations
Raymond: [barely playing along as if they were strangers] So, what line of work are you in, Miss Evans?
Nora: Oh please, call me Nora.
Raymond: Nora. Nora, Nora...
Nora: I'm a brain surgeon, mainly. How 'bout you?
Raymond: I'm a grave digger myself. Um, digging my own as we speak. Rapidly.
Nora: Well that makes two things you do quick.
- ConnexionsFeatured in Cinefile: Made in the USA (1993)
- Bandes originalesWe Get Along Just Fine
Written by Mark Fosson
Performed by Mark Fosson and Karen Tobin
Courtesy of Big Otis Music
Meilleurs choix
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- How long is Gas Food Lodging?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Dos destinos
- Lieux de tournage
- Sunn Cinema, 113 E. Pine Street, Deming, NM 88030, ÉTATS-UNIS(The Spanish movie theater that Shade goes to)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 1 342 613 $US
- Montant brut mondial
- 1 342 613 $US
- Durée
- 1h 41min(101 min)
- Couleur
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