Sang chaud pour meurtre de sang-froid

I don't really understand why this film has such a low rating. Most of the movie is very good. The story, the acting and the cinematography are very good. The story also has a lot of plot twists and the acting is very good. The screenplay is quite intelligent. Only the end is a bit less good, and that's a pity, because this could have been a masterpiece. The end is a bit stupid. Phil Joanou did a good job directing this film. It's a pity this film doesn't get a higher rating on IMDb. Richard Gere, Kim Basinger and Uma Thurman do a good job too. I recommend this film. It's not a masterpiece, but it's certainly not bad.

This film presents something of a dilemma, on the one hand it is an original, psychologically clever and rather twisted with a rather intriguing climax and on the other it is presented as a typical early 90s generic Hollywoodized Basinger/Gere cliché. It could be considered really good, Basinger's performance is actually quite brilliant and if she wasn't who she is but a "serious character actress" and wasn't so damn gorgeous and her character wasn't so clearly a temptress, she'd had probably got some plaudits for it. Uma Thurman equally did rather well although with a little more detachment but Richard Gere seemed remote and rather emotionless despite all the things that happened to him like he was in a trance the whole way through.

Again, the plot, the actual idea is very clever. A woman (which of the two sisters you aren't really sure, or both) is either a brilliant pre-meditated killer, product of a nightmare upbringing and abusive marriage to a callous and rather self-centred misogynist in the form of the dark and horrible (well performed although somewhat typecast) Eric Roberts or she's just a sociopathic manipulative do-anything-to-survive chameleon... and this is played out well throughout the story. Kim Basinger is perfectly cast although playing very much characters she's played before - the blonde beauty, wearing red, the light catching her hair and baby-doll features flateringly etc etc. There's a brilliant bit where a colleague of Gere's is chastising him by saying that no woman is so beautiful as to make a man forget all reason and go against everything he stands for and then he sees Basinger standing in the doorway looking incredible and he just stops talking. Uma Thurman though a beautiful woman in her own right, is perfectly cast as the younger (you presume) sister who is constantly the ugly duckling the "caterpillar" compared to her butterfly sisters and even when she "turns into a butterfly" she is still a pale imitation of the original.

It's difficult to review without giving anything away. There are aspects of this film which I found I predicted, could see coming, but I had no idea how the film would play out, what Gere (playing psychologist) would do, I mean of course the court outcome is to be expected, but that was almost a given in order to set up the totally unpredictable sequence of events and almost gave a false sense of security that you would know how the rest concludes. Typical early 90s fare including the obligatory sex scene, so scripted and paint by numbers (bare behind, bare nipple, dim lighting, sound effects etc) yet non-emotive or engaging and fairly unnecessary for the plot, the film is clichéd in most regards but there's also a dark aggressive and unusual aspect in that it deals with some issues a lot less palatable than most. Take away the clichés and some of the average made-for-TV male performances, and step back a bit and this is actually quite a good film, Basinger giving one of the performances of her life stepping out of her usual totally innocent and just eye-candy comfort zone and the which sister did what aspect you are left which is rather clever.

A friend warned me about this film. "It's not very good" she said. What she should have said was "It's not very good, and it goes on for a long time, and Richard Gere can't change the expression on his face, and there are scenes where you say "doesn't that remind you of....?". There's not much point in discussing details, but some useful tips are revealed. (1) How do you escape from a high security prison hospital? Ans: You walk out with the visitors when they leave. (2) How do you steal/retrieve a heavy dumbbell being carried in a shopping bag by a villainess? Ans: You put her on a tram in San Francisco, with the bag dangling out, and you get in a tram going in the opposite direction, so that as the two trams pass, you just reach out and grab!! So simple. There are better ways of spending 2+ hours than watching this.

I just watched this movie again, after having seen it twice before in 1996-97. It has held up pretty well. It steals a lot from Hitchcock (the "I had the dream again" key phrase from "Rebecca", the superficial psychoanalysis from "Marnie", the setting of the climax from "Vertigo"), but Phil Joanou's direction is farly static - until the last 20 minutes. The two leads, Gere and Basinger, do a solid but routine job in their roles; it's the secondary characters who give this film a life of its own: Eric Roberts (an outstanding performance) as the edgy husband, Uma Thurman as the patient (whose character is the only one who remains an enigma right to the end), the detective who keeps making insinuations, Gere's colleague who gets panicky when he has to testify, etc. If nothing else, Joanou shows a talent for allowing his actors to do their stuff. (**1/2)

A San Francisco psychiatrist (Richard Gere) becomes romantically involved with the sister (Kim Basinger) of one of his patients (Uma Thurman) , but the influence of her Greek controlling mobster husband (Eric Roberts) threatens to destroy them both . The gangster is a tyrant over his wife and he really mistreats her. The psychiatrist wants her to get a divorce, but she is afraid of what her husband would do. Then , things go wrong , that's why she has a medical condition that becomes apparent when she drinks . As she says to have a "pathological alcohol intoxication" which is a true real-life medical disorder that can exist. Along the way , a stubborn police inspector (Keith David) investigates some strange happenings and a prosecuting attorney (Harris Yulin) carries out the criminal accusation. Hot-blooded passion. Cold-blooded murder. Someone was seduced. Someone was set up. And before it was all over... someone was dead.

A twisted , glossy and complex thriller about a psychiatrist and two beautiful sisters playing the ultimate mind game . Resulting to be colorful crime thriller with suspense , emotion , action , twists and turns. Although heavily influenced by ¨Vertigo¨ , this movie never closes to attain the depth of Hitch cinematic masterpiece . Actors are acceptable but neither notable , nor extraordinary , but passable . Kim Basinger is the typical femme fatale who undergoes a dramatic personality change after drinking alcohol , Richard Gere acts in his particular style as the psychiatrist uses his professional pull to try and help her out of the consequences of her actions , while Uma Thurman is Gere's sexually neurotic patient , the latter had also appeared in Phil Joanou's former movie "State of Grace" . Likewise , ¨Final Analysis¨ (1992) was second and final of two cinema movie collaborations of actor Richard Gere and actress Kim Basinger , the first was ¨No Mercy¨ (1986) . Other fine secondary actors appearing are the following ones : Paul Guilfoyle of CSI , Keith David , Tony Genaro , George Murdock as judge , unbilled Eric Avari as narrator and uncredited Harris Yulin as state prosecutor , among others . But it's Eric Roberts who steals the show giving the most gripping acting as Basinger's sleazy gangster hubby.

¨Final analysis¨packs a thrilling and suspenseful musical score by George Fenton. As well as an evocative and brilliant cinematography by Jordan Cronenweth. This neo-noir and neo-Hitchcock film was professionally directed by Phil Joanou , it has success enough , though quickly faded from screens after being steamrolled by other big releases . Phil Joanou is an uneven director with film as ¨Gridiron gang¨, ¨Final analysis¨ and ¨Heaven's prisoners¨. For the latter Phil Joanou was hired by Alec Baldwin , in his role as executive producer who approached Phil Joanou to direct the film based on the suggestion of his then-wife, Kim Basinger , who'd had a good time working with Joanou on ¨Final Analysis¨ (1992). Joanou is a good professional with hits and flops and filmmaker of video-clips and films for U2 (¨Rattle and hum¨). As "Final Analysis" and "Heaven's Prisoners" proved to be critical and financial disappointments , Spielberg and Bono of U2 (separately) encouraged Joanou to write something personal and from the heart, resulting in the extensively autobiographical "Entropy". In addition , Spielberg gave Joanou the screenplay for ¨Three O'Clock High¨ (1987), then known as "After School" and subsequently directing the notable ¨State of Grace¨with a great cast as Sean Penn , Ed Harris , Gary Oldman , among others . Rating : 6.5/10. Acceptable and passable. The flick will appeal to Kim Basinger/Richard Gere/Uma Thurman fans.