Une femme de 24 ans mariée et heureuse éprouve une soif inexplicable profiter pleinement de sa vie, et raconte ses escapades extra-conjugales à son mari dans le but de pimenter leur relation... Tout lireUne femme de 24 ans mariée et heureuse éprouve une soif inexplicable profiter pleinement de sa vie, et raconte ses escapades extra-conjugales à son mari dans le but de pimenter leur relation.Une femme de 24 ans mariée et heureuse éprouve une soif inexplicable profiter pleinement de sa vie, et raconte ses escapades extra-conjugales à son mari dans le but de pimenter leur relation.
- Réalisation
- Scénario
- Casting principal
Andrea Berardicurti
- Drag Queen
- (non crédité)
Tinto Brass
- Comendator Scarfatti
- (non crédité)
Avis à la une
I believe that this film is the best from all Tinto Brass' movies. It is funny and interesting, and, the most important, Claudia Coll is very good in that role. It is surprising to me that maestro Brass had never done anything better than this film. Most of his movies are boring, and even sex sceens don't help.
Maestro Brass is usually considered to be either most underrated or most overrated director in Italy. "All Women Do It" is his another, most successful exercise in stylish porn, with anal fetish and ridiculous morality. Not sexy, but that, kind of, is the point.Has a certain innocent charm, but then again, nothing more than just a porn film. *
I've seen most of Tinto's films and this one follows the same mold..... Wife cheating, but the husband should be understanding because she loves him. It's interesting that Tinto never has the husband respond with affairs of his own. If Pollo had told Diana it's fine we'll have an open marriage.... There are some sexy ladies at work who want my body... Would she be understanding?
Claudia Koll handled her part well, but Pollo could have been better cast. Tinto's films are a step up from most soft-core.
More of the same with relevance of relatively beloved Italian director in Tinto Brass. Filled with different shots and containing a lot of explicit scenes with nudity filled throughout, rather described as art. The plot of this film isn't anything special and the characters aren't exactly great to root for, considering the leads morals and how things occur. Rather so, the film feels more like a fantasy and a dream like. Watched in a version dubbed in English opposed to the original Italian cut with subtitles- and it was well done from that standpoint. As a film, the scenery looks well and things look stylish for a purpose. No real surprises or twists but the near concluding party scene certainly felt soft core -esque.
Great cinema is a matter of many elements drawn from a vocabulary, formed into a great weave.
From time to time, it is enough for me to dive into a tone poem on just one element of the vocabulary. Eroticism is inherently cinematic and the other way around as well. But it seems that as much as sex is used, it rarely seems to be simply erotic. By "simple," I mean something that may not exist in the real world, that is noninvasive and nonexploitive. That has the same purity that romance has in the date movie.
...which means it has to be shaped and conveyed with cinematic quality. Some of Brass's later films do this, I think. I like "Paprika" but that's largely because of the surrounding story, I think. Brass found a woman in a pizza shop and built the movie around her. But this may be his best in terms of cinematic values.
Its not for everyone. Female fantasies of this type are connected to bodies and for mysterious reasons we're all over the place on that. But you might look at this simply for overall effect, especially how the camera is not casual, but the woman at the center is. Tat difference is part of the engineering, and notable.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
From time to time, it is enough for me to dive into a tone poem on just one element of the vocabulary. Eroticism is inherently cinematic and the other way around as well. But it seems that as much as sex is used, it rarely seems to be simply erotic. By "simple," I mean something that may not exist in the real world, that is noninvasive and nonexploitive. That has the same purity that romance has in the date movie.
...which means it has to be shaped and conveyed with cinematic quality. Some of Brass's later films do this, I think. I like "Paprika" but that's largely because of the surrounding story, I think. Brass found a woman in a pizza shop and built the movie around her. But this may be his best in terms of cinematic values.
Its not for everyone. Female fantasies of this type are connected to bodies and for mysterious reasons we're all over the place on that. But you might look at this simply for overall effect, especially how the camera is not casual, but the woman at the center is. Tat difference is part of the engineering, and notable.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
Le saviez-vous
- AnecdotesLike all the women doing an audition for Tinto Brass, Claudia Koll underwent the infamous "coin test". Brass explains: "I have them presented in their skirts and without panties, then I drop a coin on the floor. Depending on what they let me see in the bow, I sense their cinematic potential. Believe me... it's an infallible method."
- GaffesWhen Diana sits on the toilet, at the Venezia apartment, she is wearing a hat. When she stands up, the hat is over the table and she picks it up before leaving.
- ConnexionsFeatured in Sexual Life (2004)
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- How long is All Ladies Do It?Alimenté par Alexa
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