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Slam Dance

  • 1987
  • R
  • 1h 32min
NOTE IMDb
5,2/10
1,9 k
MA NOTE
Virginia Madsen in Slam Dance (1987)
An artist, framed for the murder of a woman, is drawn into a web of corruption, blackmail and deceit.
Lire trailer2:26
1 Video
46 photos
CrimeDramaMysteryThriller

Ajouter une intrigue dans votre langueAn artist, framed for the murder of a woman, is drawn into a web of corruption, blackmail and deceit.An artist, framed for the murder of a woman, is drawn into a web of corruption, blackmail and deceit.An artist, framed for the murder of a woman, is drawn into a web of corruption, blackmail and deceit.

  • Réalisation
    • Wayne Wang
  • Scénario
    • Don Keith Opper
  • Casting principal
    • Tom Hulce
    • Mary Elizabeth Mastrantonio
    • Virginia Madsen
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,2/10
    1,9 k
    MA NOTE
    • Réalisation
      • Wayne Wang
    • Scénario
      • Don Keith Opper
    • Casting principal
      • Tom Hulce
      • Mary Elizabeth Mastrantonio
      • Virginia Madsen
    • 15avis d'utilisateurs
    • 14avis des critiques
    • 48Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 nominations au total

    Vidéos1

    Official Trailer
    Trailer 2:26
    Official Trailer

    Photos46

    Voir l'affiche
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    + 41
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    Rôles principaux33

    Modifier
    Tom Hulce
    Tom Hulce
    • C.C. Drood
    Mary Elizabeth Mastrantonio
    Mary Elizabeth Mastrantonio
    • Helen Drood
    Virginia Madsen
    Virginia Madsen
    • Yolanda Caldwell
    Don Keith Opper
    Don Keith Opper
    • Buddy
    • (as Don Opper)
    Adam Ant
    Adam Ant
    • Jim Campbell
    Harry Dean Stanton
    Harry Dean Stanton
    • Det. Benjamin Smiley
    John Doe
    John Doe
    • Det. John Gilbert
    Millie Perkins
    Millie Perkins
    • Bobby Nye
    Herta Ware
    • Mrs. Raines
    Judith Barsi
    Judith Barsi
    • Bean
    Robert Beltran
    Robert Beltran
    • Frank
    Rosalind Chao
    Rosalind Chao
    • Mrs. Margaret Bell
    Sasha Delgado
    • Girl at Nursery
    Joshua Caceras
    • Boy at Nursery
    Marty Levy
    • Detective
    John Currie Slade
    • Junkie
    • (as Jon C. Slade)
    Julian Deyer
    • Cop at Police Station
    Dennis Hayden
    • Mean Drunk
    • Réalisation
      • Wayne Wang
    • Scénario
      • Don Keith Opper
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs15

    5,21.9K
    1
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    10

    Avis à la une

    10JaneByronDean

    It'll Knock The Wind Outta' Ya!

    Ready for a wild ride into the underworld?

    Murder, sex, Mafia, cops, love and marriage ... Slamdance has it all!

    C.C. Drood* is a cartoonist but his life is anything but a comic strip. When an affair with a mystery woman he meets at a friend's club leads to murder and his implication, life turns upside down for Drood. Just wanting to reunite with his wife and their daughter, Drood has to solve a mystery that even the cops can't figure out. And life begins to imitate art ... the art of being treacherous!

    ==========> *TOM HULCE is C.C. Drood. Tom, again, brings us a complete character ... as real as life. Drood has a funny side, a serious side, a vulnerable side and a loyal side. He shows us the chaos of being caught in a lie and the struggle of trying to straighten it out. Drood is a great role and is done to perfection by Hulce!
    madsagittarian

    One of those films...

    I may be a one-person cult for this picture. I have had a soft spot for it ever since I saw the movie on the late show in 1989. Some of the other reviewers for this title have made a reasonable assertion as to why they don't like SLAMDANCE, and interestingly enough, I understand and agree with their decisions. Yes, this movie is a disjointed mess, but it has a strange beauty on a visceral and emotional level; this sets it apart from way too many films made in the decade which threw everything together in order to seem different, regardless of whether everything gelled.

    For instance, this film veers uncomfortably from goofy comedy to more sordid material. However, that makes sense as the central character is a cartoonist- a man-child who teeters between the comic book sensibilities of his work, and the demands of the very adult real world (he seldom lives up to his responsibilities). Mr. Drood is a perpetual screw-up; he was barely supportive of his wife and child, and now must deal with unfathomable emotions since he is now implicated in the murder of a fleeting flame.

    I've never been much of a fan of Virginia Madsen, particularly because this classy, slightly mysterious blonde has never been given good material... at least until recently. But Wayne Wang understands her screen presence perfectly. The highlight of the film is Tom Hulce's scenes with her (set in the movie's past). These moments with the femme fatale are beautiful evocations of allure, desire and implicit danger underneath the colourful settings- classic traditions of film noir. With their saturated hues and sexy jazz soundtrack, these moments work on an almost dreamlike approach.

    Even though SLAM DANCE is a dog's breakfast of styles and tones, this segment is nonetheless indicative of the film's success on a completely non-literal level. Yes this is another 1980's quirky film which has the obligatory cameo by a punk musician... and the "hip" quotient also given by a Harry Dean Stanton role, but there's just something more about it that makes not just another curiosity piece. The first time I saw it in 1989, I was with two others who didn't like the movie at all. As much as I could understand their reasons why, I still feel that this odd duck of a movie has that special "something"... and I have still felt that after repeated viewings. It either works for you, or it doesn't. It just depends on whether the film hits you on the right emotional level.

    If you looked up this title because you have a strange attraction to this picture, you're not alone.
    7GlimmerTwin87

    Not as bad as Leonard Maltin thinks

    I caught this movie on cable late one night and was pleasantly surprised. I found it to be entertaining and even a bit suspenseful in a 'Memento' sort of way. Adam Ant has some good comic relief and Tom Hulce is very satisfactory in the lead role. If you are looking for a sleeper at the local video store, check this one out. It appears at times to be a low-budget, late 80's type of film, but sometimes that is not a bad thing at all. I gave/give this film a solid 7 out of 10, and I recommend it for viewing. Two or three cocktails is a nice beginning to this steady film. The only real drawback is the heavy, who comes off as so wimpy that Virginia Madsen could take him out, but hey, that is just my opinion.
    7Sic Coyote

    Another classic from the pen of Don Opper

    Maybe I am biased when I say that as I only rented this out because Don Opper wrote it and played a part. But that's only because he's good at what he does. Five years after writing and staring in the classic film Android he made this downbeat conspiracy mystery which has a good handful of funny bits stuck in for good measure. A woman is dead and the police are suspectful of an artist who called into the police after escaping from some strange guys with guns. The plot is slowly revealed as to what is going on. Although this movie doesn't really have enough twists in it than it should have had it is still rock solid entertainment, why Adam Ant is in there as the artist's mate I'll never know. Rent it out and see what you think. 7 out of 10
    8mim-8

    Mystery with poignancy of the late 40's noir

    Whatever they thought of this movie when it came out is simply snow blindness to the fact that it carries the very best qualities of noir mysteries of the 40's and 50's. Trailing in the same path that made many movies of this genre infamous,the leading character's effort to untangle the web of double-cross, lies and deceit surrounding him, and redeem himself, is no less engaging than in any of those films, and the plot doesn't have a single point of silliness or implausibility that often marred Hollywood products of the 80's, or any other decade for that matter. Slam Dance uses the neon and metallic backlit of the Los Angeles skies to underscore the desperation surrounding the inhabitants of this Lost story who often mix pleasure with deviancy, loneliness with crime and love with murder.

    The dance of chaotic moves is a metaphor for Drood's life, and resistance to be pushed over, until he finds a purpose and is brought back after the purgatory of redemption to the memory of the woman that loved him and the family that centers his world. It certainly didn't appeal to the superficial audiences back in the day, saturated by ridiculous plots and one dimensional characters. Slam Dance doesn't have any of these, it's the "Touch of Evil" of it's time. Don't read empty reviews and be sure to give it a look, you won't be disappointed.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Wayne Wang tried to get his name off the picture after creative interference from the producers.
    • Citations

      Helen Drood: How do you do it?

      Drood: Do what?

      Helen Drood: You walk in and everything falls apart.

      Drood: Helen, I just got hit in the nuts with a fucking rubber chicken!

    • Connexions
      Featured in Tim Scott: High Hopes (1987)
    • Bandes originales
      Bing Can't Walk
      Written by Stan Ridgway

      Performed by Stan Ridgway and Mitchell Froom

      Produced by Mitchell Froom

      Published by Mondo Spartacus/Illegal Songs

    Meilleurs choix

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    FAQ19

    • How long is Slam Dance?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 18 décembre 1991 (France)
    • Pays d’origine
      • Royaume-Uni
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Un fauteuil pour l'enfer
    • Lieux de tournage
      • Los Angeles, Californie, États-Unis
    • Sociétés de production
      • Zenith Entertainment
      • Island Pictures
      • Sho Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 4 500 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 406 881 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 125 349 $US
      • 4 oct. 1987
    • Montant brut mondial
      • 406 881 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 32 minutes
    • Couleur
      • Color
    • Mixage
      • Ultra Stereo
    • Rapport de forme
      • 1.85 : 1

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    Virginia Madsen in Slam Dance (1987)
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    By what name was Slam Dance (1987) officially released in India in English?
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