La rage de l'honneur

this Shô Kosugi movie is better than his previous movie,Pray for Death.at least i think it is.the acting is better,there's more of a story,and the fight sequences are much better.this one is also faster paced.and there's a bit of intrigue,which Pray for Death didn't have.it doesn't have any slow moments.of course it still has the usual two dimensional characters,and it's still not his best movie,but it's definitely watchable.i would watch it again.it's still a revenge flick at it's core though,as most of Shô Kosugi's movies are.but it should keep you entertained for just over ninety minutes,especially if you're a Shô Kosugi fan.for me,Rage of Honor is a 6/10

Boisterously unleashed not too long after after the explosive wake from Ninja extravaganza 'Pray For Death' had barely subsided, solid action director Hessler renewed his historically successful collaboration with iconic 80s martial arts sensation Shô Kosugi whose steely gaze, natty Ninja threads, fleet-fisted fighting style, and deadly Shuriken-slinging expertise had Iron-fistedly galvanized the global Ninja craze, and in his bruisingly action-packed B-Movie Bond 'Rage of Honor',Katana-cool, Icepick-deadly, Buddha righteous, thug trashing cop Shiro Tanaka (Sho Kosugi) is darkly embroiled in the murderous machinations of sadistic drug kingpin Havlock (Lewis Van Bergen), with his partner dead, girlfriend kidnapped, capable writers Robert Short, Wallace Bennett, and no less competent film-maker Hessler robustly construct a rewardingly blood-thirsty arena for our Teflon-toed, panther-quick, gravity-dodging, gangster-goring avenger Kosugi to righteously revenge his fallen partner, and free his bound lady love from the nefarious clutches of his merciless foe, whose diabolically extended reach stretches poisonously from the sweetly sublime vistas of Singapore to the harsh, mercenary-infested jungles of South America! With plentiful, excitingly choreographed fight scenes, and blazingly balletic gun battles, 'Rage of Honor' has all the requisite blood-pumping, head-knockingly heroic hallmarks of a Shô Kosugi vengeance-fuelled VHS-era classic!

Sho Kosugi re-teamed with PRAY FOR DEATH (1985) director Gordon Hessler for this international action flick. Shiro (Kosugi) is a Drug Investigation Bureau (D.I.B.?) agent who seeks revenge after his partner is murdered by drug-lord Havelock (Lewis Van Bergen). He quits the force and flies to Buenos Aires to get his revenge. Oh, I'm sorry, he rages his honor. Shiro is apparently not the smartest cookie as he brings his girlfriend along and she is quickly kidnapped, resulting in a huge chase through the jungles of Argentina. This was Kosugi trying to expand his screen image a bit, resulting in a character that is sort of like James Bond with some ninja tendencies. He doesn't have Bond's instincts though. For example, the "good guys" send a chopper to pick him up and 6 deadly ninjas pop out to kill him. Shiro dispatches of them, yet still follows the instructions of the "good guys" to "take the disc to the abandoned factory" (how he knew which factory is beyond me). The action is very well staged by Hessler, who gives the production a really big budget look. The last half hour is pretty much fighting and shootouts non-stop. The MGM DVD I have have (part of a ninja 3-pack with American NINJA and REVENGE OF THE NINJA) is frustrating in that it starts the film widescreen for the credits and then jumps to 1.85 for the movie. But at least it is better than the full frame single edition release MGM previously put out.

My review was written in February 1987 after a UA Twin screening in Manhattan.

"Rage of Honor" is a substandard action vehicle for martial arts star Sho Kosugi, who gets the chance to choreograph the fight scenes and introduce gadgety weapons, but is otherwise sunk by pointless writing and limp direction.

Kosugi plays Shira Tanaka, a Phoenix-based U. S. narcotics investigator who gets in a tizzy when his assistant is tortured and murdered. He quits his job, hops a plane to Buenos Aires seeking revenge (improbably taking along his blonde girlfriend) and there ensues a boring series of fights and double crosses until nearly the entire cast is wiped out.

Besides being at least two reels too long, film doesn't work because Kosugi is never in any real danger and all incidents are merely functional devices to get a fight scene going. The ease with which he dispatches at least 100 adversaries robs the fights of excitement. Nadir occurs in the Argentine junle, where indians attack and Kosugi, not content with wiping out baddie, massacres dozens of indians in situational self-defense.

Kosugi's difficulty in delivering English dialog is still a hindrance and the supporting cast here is exceedingly bland. The main villain (character roles are not identified in the credits) seems to be auditioning for a career as Harrison Ford's stunt double. Tech credits are acceptable, but Gordon Hessler's direction seems phoned in.

A Japanese cop, Shiro (Sho Kosugi), and his partner Ray are after a bunch of drug dealers. But they are betrayed by an insider and Ray is killed. Shiro follows the murderer, a sadistic drug lord, up to Singapore.

This is director Gordon Hessler's follow-up to "Pray for Death" (1985), also starring Sho Kosugi. The general consensus seems to be that the best Hessler-Kosugi team-up was "Pray for Death", but I respectfully disagree. I feel they stepped it up a notch or two for "Rage of Honor", and I really appreciate the James Bond-as-a-ninja theme.

Some people may take issue with Hessler's direction. Cool A** Cinema notes, "Unfortunately, the action sequences suffer the same fate as most American martial arts pictures of the day. There's very few master shots and far too many close ups." That point is well taken, but for those looking for an action film rather than a martial arts film, this may not be easily noticeable. No one should be expecting Bruce Lee.

The Arrow Video blu-ray is not packed with extras, but is far from bare bones and does include a brand new interview with star Sho Kosugi on "Rage of Honor" and the later stages of his film career. We also have an interview with Stelvio Cipriani, the film's composer. The first pressing includes a collector s booklet featuring new writing on the film and an extract from Kosugi's upcoming book. And, of course, you are getting the film in high definition, looking far crisper and cleaner than we ever got in the glory days of VHS -- you can actually see the individual drops of splashing water.