La rage de l'honneur

this Shô Kosugi movie is better than his previous movie,Pray for Death.at least i think it is.the acting is better,there's more of a story,and the fight sequences are much better.this one is also faster paced.and there's a bit of intrigue,which Pray for Death didn't have.it doesn't have any slow moments.of course it still has the usual two dimensional characters,and it's still not his best movie,but it's definitely watchable.i would watch it again.it's still a revenge flick at it's core though,as most of Shô Kosugi's movies are.but it should keep you entertained for just over ninety minutes,especially if you're a Shô Kosugi fan.for me,Rage of Honor is a 6/10

A Japanese cop, Shiro (Sho Kosugi), and his partner Ray are after a bunch of drug dealers. But they are betrayed by an insider and Ray is killed. Shiro follows the murderer, a sadistic drug lord, up to Singapore.

This is director Gordon Hessler's follow-up to "Pray for Death" (1985), also starring Sho Kosugi. The general consensus seems to be that the best Hessler-Kosugi team-up was "Pray for Death", but I respectfully disagree. I feel they stepped it up a notch or two for "Rage of Honor", and I really appreciate the James Bond-as-a-ninja theme.

Some people may take issue with Hessler's direction. Cool A** Cinema notes, "Unfortunately, the action sequences suffer the same fate as most American martial arts pictures of the day. There's very few master shots and far too many close ups." That point is well taken, but for those looking for an action film rather than a martial arts film, this may not be easily noticeable. No one should be expecting Bruce Lee.

The Arrow Video blu-ray is not packed with extras, but is far from bare bones and does include a brand new interview with star Sho Kosugi on "Rage of Honor" and the later stages of his film career. We also have an interview with Stelvio Cipriani, the film's composer. The first pressing includes a collector s booklet featuring new writing on the film and an extract from Kosugi's upcoming book. And, of course, you are getting the film in high definition, looking far crisper and cleaner than we ever got in the glory days of VHS -- you can actually see the individual drops of splashing water.

This movie is very 80s. It has agents, ninjas, military, evil druglords, jungle tribes... it reminded me of every action movie from James Bond to Rambo to American Ninja.

It also has bad acting, uninteresting characters and somehow boring flow of story. I can't give a really good rating because I felt a bit bored most of the time. But when the action starts, then it gets good. The action scenes may not be the best possible quality but they have certain coolness, with nice stunts, crazy ninja weapons, and enough explosions. I also liked hard rock/synthwave kind of music which seals the very 80s feel.

So, this is not a movie you watch for the story, but if you have a soft spot for 80s' action movies it has a decent dose of that ridiculousness you probably yearn for.

Sho Kosugi stars as Tanaka a ninja who when on vacation fights of a group of mercenaries who killed his friend in this terrible chop socky effort which showcases a hero that is just too invincible to be any fun, also Gordon Hessler misdirects the action and the movie never recovers.

My review was written in February 1987 after a UA Twin screening in Manhattan.

"Rage of Honor" is a substandard action vehicle for martial arts star Sho Kosugi, who gets the chance to choreograph the fight scenes and introduce gadgety weapons, but is otherwise sunk by pointless writing and limp direction.

Kosugi plays Shira Tanaka, a Phoenix-based U. S. narcotics investigator who gets in a tizzy when his assistant is tortured and murdered. He quits his job, hops a plane to Buenos Aires seeking revenge (improbably taking along his blonde girlfriend) and there ensues a boring series of fights and double crosses until nearly the entire cast is wiped out.

Besides being at least two reels too long, film doesn't work because Kosugi is never in any real danger and all incidents are merely functional devices to get a fight scene going. The ease with which he dispatches at least 100 adversaries robs the fights of excitement. Nadir occurs in the Argentine junle, where indians attack and Kosugi, not content with wiping out baddie, massacres dozens of indians in situational self-defense.

Kosugi's difficulty in delivering English dialog is still a hindrance and the supporting cast here is exceedingly bland. The main villain (character roles are not identified in the credits) seems to be auditioning for a career as Harrison Ford's stunt double. Tech credits are acceptable, but Gordon Hessler's direction seems phoned in.