Le proviseur

Rick Latimer (James Belushi) is a high-school teacher with some social issues. Hard drinking and soon to be divorced, Latimer flies of the handle when he spies his ex out having a drink in a bar with another man. Up before the school board, who have tired of his combustible attitude, Latimer is informed that he has finally got the Principal position he has long since courted. Trouble is is that it is at Brandel High, a notoriously troubled school where violence and crime are part of the curriculum. Taking up an attitude of fighting fire with fire and working from his motto of "No More," Latimer hopes to bring order and respect to the school. But with only Security guard Jake Phillips (Louis Gossett Jr) as an ally and the thuggish school kingpin Victor Duncan (Michael Wright) after his blood, Latimer will do well to just survive the first week.

The formula of such movies like The Principal is now seen as old hat, post the release of Christopher Cain's movie you can trace a line from Lean On Me in 1989, to The Substitute 1996 and on to One Eight Seven the following year. Prior to The Principal the topic is a bit more thin on the ground, we can probably laud the excellent Blackboard Jungle from 1955, while 1984 saw Mark L. Lester tap into the video nasty zeitgeist of the early 80s with his trashy Classs Of 1984. So plenty of films, and similar types like Stand And Deliver, from which to choose should you require a night in with a teacher intent on straightening out those ruffians; whilst ensuring the good kids get the education they deserve. So why choose The Principal then?

Well James Belushi's fans don't need much convincing here, an always likable star who knows the limits of his talents, the film gives him the chance to mix serious drama with his comedy bent. This played out with immeasurable cool too. Latimer is one bad ass teacher, he drinks hard, plays hard, whirls his baseball bat and rides a motorcycle. He's no Dolph Lungdren (Detention) or a Tom Berrenger (The Substitute), but Belushi can carry off the tough side of Latimer, whilst showing his fallibility's via little comedy moments as he wonders just what the hell he is doing here. Belushi is admirably supported by Gossett Jr, a believable tough security guard if ever there was one, while a lot of the film's strength is drawn from the developing relationship between the two men. Of the rest of the cast it's Michael Wright who stands out as head thug Victor. Already at the time of release a cult actor thanks to his turn in The Wanderers, Wright is supremely cool and terrifying into the bargain. When he shouts "I expel you," you start to pack your bags, that is unless you are Principal Latimer of course.

As ever with a film of this type there are complaints that it's full of stereotypes, but were they in 1987? Director Cain is for sure not addressing the then fledgling problems of education and crime amongst African-American and Latino school kids. But he is not shying away from the issue either. That the most unsavoury point in the film sees a white youth perpetrate crime on a black teacher tends to get over looked by snarky PC critics. Make no bones about it tho, this is more macho than the rest, again this is something that has upset many a critic who prefers the "reach out to the kids" approach in something like Morgan Freeman's excellent, but tonally different, Lean On Me. Oh yes sir, this is taking a different tack, but I for one appreciate having a different angle from which to view such subject matter. Some hooligans can be saved by reaching out to them, but lets not kid ourselves that some of them don't need more than just a telling off from The Principal. Yes the film is also very 80s, none more so than with the soundtrack where we get a mix of the bad; some American Heartbeat sounding fluffer, and the great; Strafe's pulse rocking "Set It Off". Not setting out to win awards or moralise about an ongoing problem, The Principal goes for a tough and gritty approach for this semester. Amen to that sir. 8/10

'The Principal' is one of those films where Belushi could have been nominated for Best Actor, and Louis Gossett Jr. for Best Supporting Actor...

The film has some great scenes, a good story and character development, and a decent soundtrack...

The film is pretty hard-edged, though has elements of comedy...overall - an under-rated film (ones which I love to review) worth seeing...

[7/10]

The Principal (1987) was another star vehicle for James Belushi. This fun film is Blackboard Jungle mixed with Class of 1984. The film is filled with a lot of the minor stars of this era such as Lou Gossett Jr., Rae Dawn Chong, Esai Morales and Kelly Jo Minter to name a few.

J.B.stars as a washed out High School Prep teacher who's personal life begins to fall apart. He snaps one day and his immediately canned. That is until he's given a second chance. He's appointed Principal at a local rundown high school. During his tour he plots out away to change not only the school but his own life around.

A nice movie in the vein of Lean On Me. Who am I kidding, this is a bone crunching exploitive film that features all of the things that we love about these type of movies. If this movie was made today it would be a P.G.-13 flick. Not a classic but a nice exploitive affair.

Recommended.

One of the things I like to ponder is what modern stars would fill the shoes of actors of the past or parts they played. For instance, if they did a remake of Bonanza, John Goodman would fill Dan Blockers shoes pretty well as Hoss, & I think Michael J Fox may be a passable Little Joe. Also of course, Cheryl Ladd did well as Grace Kelly. Some stars have been so one of a kind though that one would be hard pressed to imagine who would be up to the task. John Wayne is one such figure. While James Belushi may not quite have the physical stature of the Duke, his performance in The Principal comes the closest in my impression to reminding me of the "cut the crap" individualism of the screen legend. Public schools could probably learn a lot from this feature.

Of the many comedians of early Saturday Night Live who have gone on to movies, Belushi appears to be the one who has most successfully transcended the comedian stereotype. While Bill Murrey may do well as a comic role being serious, the few pictures I've seen James Belushi in suggest that he's more like a serious actor who's also funny.

Good feature for those of us who are tired of irresponsible youth getting a free pass.

I first saw The Principal as a young boy. It made quite an impression on me, and now as an adult, I can't help but revisit it every now and then. Despite having lost some of its shock value over time, the movie has retained its suspense. The style is unmistakably Eighties (I think in an endearing way) and James Belushi's charisma and drama chops carry the story- which occasionally gets silly (also endearingly). The plot is delivered in a compelling way, and evenly divides it focus between character development and the central conflict. By today's standards, the exaggeration and melodrama would probably lead most to dismiss The Principal as stupid. Although I partially appreciate it in the way it was intended, a lot of what makes the movie entertaining is how easily it can be laughed at.