Phoenix the Warrior

With a forumla like that, how could you go wrong? A lot of ways. This is one of the most amazingly bad Mad Max rip-offs I've ever seen. There's a moment where the kid is given a music box and he just tosses it away, an obvious nod to 'The Road Warrior', but then literally tossed away. Also can't forget the 'Thunderdome' inspired "arena" which is just some sticks and barbed wire.

When you've seen one Mad Max inspired movie, you've seen them all, but this one adds a feminist touch... and it touches all the wrong places. It wouldn't be so bad if the writers working on the script actually took the time to think about what they were writing and why.

The plot is simple, all men are dead, women inherited the Earth.

The reverend mother has somehow developed magic powers that are never fully explained and only serve as a plot device to further the story when it's most convenient. Seriously, she apparently has telepathy, but is unable to find the child until she's given a toy he was playing with (a toy car that has somehow survived all this time). Seems kind of odd because she could sense when he was born and knew where he was. Hmm, strange. Most of the plot is like this, nothing is explained, there's no real exposition and you're left asking "why" and "how" to everything you see. If not for the year it came out, I'd almost swear they were doing a rip-off of 'Waterworld' because it suffers from many of the same issues... but Waterworld was at least entertaining and fun.

It is nice to see that women in this barely post apocalyptic world be able to keep their manicures nice, their hair perfectly permed and skin flawless. There also seems to be no shortage on gas, bullets, water and modern clothing, mostly consisting of spandex and aerobics workout outfits and a pair of Levi's. It makes it hard to really understand just how far in the future this should be (the plot itself is over a period of six years as it is).

This movie truly suffers with how boring it is. Even the grotesque amount of scantily clad babes wielding guns and swords (none of which I have any issue with), you're just waiting for the movie to be over with. The acting is atrocious. I'm almost certain everyone was just reading queue cards off screen that were written in crayon. The only one that seemed to have any kind of experience acting was Persis Khambatta, but even she isn't enough to balance so much wooden acting that you could build a fence. Though, I will give them credit, the dialogue was probably written by pre-teen girls who thought this was what the future would be like.

Fight scenes are laughable with how fake they are, never actually landing a hit or attempting to make it look like their punches and kicks have any kind of power behind them. There's even a scene in the arena where they don't even hide the fact that the opponent has fallen onto a soft mat, they literally leave it in the shot! Gun fights are ok... if you like watching swimsuit models pretend to know how to wield a firearm. I've seen women shoot guns before and they do it very well when properly trained, but this is just embarrassing to watch.

If you're a fan of T&A movies or Mad Max style movies, you'll mostly be disappointed, but it's still fun to watch and see what bad movies like there were inspired by.

First of all, this is not the most well known movie, haha. It is also not that great of a movie if you are looking at it too critically. Then again, this movie is not meant to be perceived in that way, at all. My friend and I like to enjoy these obscure little movies sometimes and he told me this one was definitely worth seeing. If you can handle it for what it is, it is indeed a must-see.

The movie itself is very campy, as anyone can tell from the film cover. There are mixed performances ranging from very good to very bad, very fun to very boring. The storyline, which I don't recall much of, is a contender for Best Screenplay indeed, and the movie altogether is just one big mess, but a very enjoyable one at that. No doubt this was made for those types of movie-goers who look for campy, nothing movies. However, I myself tend to be that type of movie-goer at times and this was just what I ordered when I was in the mood for it. Like I said in my summary, it's a poor movie when it all boils down to it, but it really doesn't matter because it is so fun to watch.

"She-Wolves of the Wasteland" belongs to the "post-nuclear war" movies wave that followed "Mad Max". Provided with a typical 80s disco keyboard soundtrack, its most unusual element is the cast which comprises almost entirely of females. Did I hear anyone complain? No! One tribe lead by the mutant "Reverend Mother" and the warrioress Cobalt (Persis Khambatta from "Star Trek" and "Megaforce") tries to find the (possibly) last male on earth, but he is on the run with Phoenix (gorgeous: Kathleen Kinmont)... What do we get from this movie? Quite a lot of fun, for example there is a mutant tribe whose gospel includes the holy words "Sesamy Street" from a mysterious distant past, and obviously with all the babes around: exploitation with a capital S. These girls are so violent, when they run out of ammo, they pick up swords to cut throats - or even tear each other's hair! Yes, it's silly, but compared to other flicks of the genre that have too many gladiator fights and car races, it's one of the better trash movies around and worth checking out!

Recipe: a dozen scantily-dressed strippers out in the desert with guns and a few dune buggies. Build sets from found items. Sketch out a hack script, then let the girls improvise actual dialog. Add one desperate-for-the-big-time actress who once had a good part in a big-budget movie. Roll 'em!

This appears to be the sad result of someone taking money for production, spending it elsewhere, and then quickly filming this over a weekend so they wouldn't have to return what they'd spent. There are worse films; the images are in focus, dialog is audible, and the uncredited soundtrack improves as the film goes on. But there isn't anything to see here that isn't done better elsewhere -- namely, AMAZONS from the year before (1986), which had actual sets (left over from Deathstalker) and a lead actress who had actual weapons training. See that instead, and skip this.

Poor Persis Khambatta. This stunningly beautiful actress did not leave us with a long (or even a short) catalogue of exceptional films. She will always be remembered as the Deltan Lieutenant Ilia in 1979's "Star Trek: The Motion Picture" (which, let's face it, wasn't that great of a movie either), but other than that, she appeared in a handful (12, to be exact) of films that were mostly eminently forgettable. And none of them was more forgettable than "Phoenix: The Warrior," aka "Warriors of the Wasteland." As one of the film's thumbnail summaries puts it, "Big hair, big guns and a serious lack of wardrobe. A post-apocalyptic story that features women who leave little to the imagination as they do battle in junkyards and gravel pits."

It's tough to review a movie when what's bad about it is everything. Where do you start? The preposterously nonsensical plot? The hopelessly flat-footed dialogue? The even more hopelessly amateurish acting? The grotesque hair? The clownish makeup? The hysterically skimpy costumes? The bad-home-movie production values?

Why did Khambatta take this role? Was it to pay the bills? Was it the only work she could get, at least in the States? It's so sad: She had a disastrous combination of a chain-smoking habit and bad genes that led to her needing a coronary bypass operation at the age of 35. Despite the operation, she went on to die of a massive heart attack only 10 years after she made this dismal dog of a movie. R. I. P.