NOTE IMDb
5,4/10
8,1 k
MA NOTE
Ajouter une intrigue dans votre langueA womanizer meets his match when he falls for a woman in debt to the mafia.A womanizer meets his match when he falls for a woman in debt to the mafia.A womanizer meets his match when he falls for a woman in debt to the mafia.
- Réalisation
- Scénario
- Casting principal
Robert Downey Jr.
- Jack Jericho
- (as Robert Downey)
Clem Caserta
- Clem
- (as Clemenze Caserta)
Avis à la une
One plot device that the movie turns on is absolutely unbelievable. I won't spoil it, but it stands out like a sore thumb. The opening twenty minutes or so are nicely done as the two leads get to know one another, sort of. After their lives are revealed to each other things get very dull and I can't get past the inanity of this plot point.
I thought Molly Ringwald was good in her role, what there was of it. The script is awful and that's a good deal of the problem, but there's no chemistry here, either.
I thought Molly Ringwald was good in her role, what there was of it. The script is awful and that's a good deal of the problem, but there's no chemistry here, either.
In New York, the wolf school gym teacher Jack Jericho (Robert Downey Jr.) flirts with every beautiful woman he stumbles upon on the streets with his red Camaro. When he meets the museum guide Randy Jensen (Molly Ringwald), he has an unrequited crush on her. Jack stalks Randy and soon he learns that she gambles to pay a debt of US$ 25,148.00 her alcoholic father Flash (Dennis Hopper) has with the mobster Alonzo Scolara (Harvey Keitel) and he decides to help her.
"The Pick-up Artist" is a nostalgic film in 2020. It is so good to see Molly Ringwald, Dennis Hopper, Danny Aiello, Vanessa Williams, Lorraine Bracco, Harvey Keitel, Robert Downey Jr. very young in 1987. The beginning is promising and funny, but the last part is not so good. My vote is six.
Title (Brazil): "O Rei da Paquera" ("The King of the Flirt")
"The Pick-up Artist" is a nostalgic film in 2020. It is so good to see Molly Ringwald, Dennis Hopper, Danny Aiello, Vanessa Williams, Lorraine Bracco, Harvey Keitel, Robert Downey Jr. very young in 1987. The beginning is promising and funny, but the last part is not so good. My vote is six.
Title (Brazil): "O Rei da Paquera" ("The King of the Flirt")
In NYC, Jack Jericho (Robert Downey Jr.) is an unabashed pick up artist. He spends his time chasing after every girl on the streets. Alonzo Scolara (Harvey Keitel) is gun wielding criminal. Flash Jensen (Dennis Hopper) owes him money and his daughter Randy (Molly Ringwald) has to pay. Jack has no long term relationships other than his grandmother and Randy is even more reluctant. She's a museum tour guide and he's a grade school teacher. He becomes obsessed with her.
This movie struggles to find the rom-com feel. These two actors are the most likable actors of that era. They have a nice back and forth banter. The scary criminal gambling story doesn't really fit. The tone is all over the place. The old fashion music doesn't fit either. I would really have loved RDJ and Molly Ringwald in a more straight forward rom-com. Jack is a rather horrible character. This seems to be written for older worn-out characters. James Toback is simply not the rom-com type.
This movie struggles to find the rom-com feel. These two actors are the most likable actors of that era. They have a nice back and forth banter. The scary criminal gambling story doesn't really fit. The tone is all over the place. The old fashion music doesn't fit either. I would really have loved RDJ and Molly Ringwald in a more straight forward rom-com. Jack is a rather horrible character. This seems to be written for older worn-out characters. James Toback is simply not the rom-com type.
What a lesson in film-making!
Let me report that among date movies, very few age well. This one has improved remarkably with age.
Part of the reason is the two main actors. Molly is her most striking here. She's absolutely at her peak in what she does, which is a sort of sassy, deliberately fostered innocent/wise cuteness. No one can do this today, and the attempts are depressing. Kate Hudson? We all die a little when she tries.
And then we have Downey. He's already heavy into drugs and he doesn't have the drugged discipline he had in "Chaplin." But he has an energy that is so appealing. Undisciplined, druggy energy would usually be just dispersed effort, but this is a date movie, something that depends on misregistration of self.
And look who surrounds them: Aiello doing his working class avuncular bit. Keitel being such a movie gangster they bleeped his every speech. And Dennis Hopper! That man who is a permanent token of intoxicated risktaking. Three solid marks in film characters, all portrayed by their inventors.
You can see that the filmmaker is a writer. The script is actually very good. Very good indeed for what it is and the assets that are available. The direction is so inadequate it hurts. But it hurts in exactly the right way. This is a film about stretching, about yearning without touching. Its all about inadequacy in love, a sort of reality-tinged inadequacy overlain on the romantic comedy template.
Because the camera is always in the wrong place, is always too tentative, is always unsure of itself, but still goes, still goes...
It puts us in the thing as one of these kids, clumsy, bold without cause.
I recommend this. I do. Its problems work for it.
Molly has faded as a presence now. But that's inevitable because of how we all exploited her youth. We shouldn't think that she is a flake, like say Meg Ryan or Julia Roberts. This very year she starred in one of the most intellectually ambitious movies of all time, Godards "King Lear." And more recently, she was in a Greenaway film. No stupid actor would do that.
Ted's Evaluation -- 3 of 3: Worth watching.
Let me report that among date movies, very few age well. This one has improved remarkably with age.
Part of the reason is the two main actors. Molly is her most striking here. She's absolutely at her peak in what she does, which is a sort of sassy, deliberately fostered innocent/wise cuteness. No one can do this today, and the attempts are depressing. Kate Hudson? We all die a little when she tries.
And then we have Downey. He's already heavy into drugs and he doesn't have the drugged discipline he had in "Chaplin." But he has an energy that is so appealing. Undisciplined, druggy energy would usually be just dispersed effort, but this is a date movie, something that depends on misregistration of self.
And look who surrounds them: Aiello doing his working class avuncular bit. Keitel being such a movie gangster they bleeped his every speech. And Dennis Hopper! That man who is a permanent token of intoxicated risktaking. Three solid marks in film characters, all portrayed by their inventors.
You can see that the filmmaker is a writer. The script is actually very good. Very good indeed for what it is and the assets that are available. The direction is so inadequate it hurts. But it hurts in exactly the right way. This is a film about stretching, about yearning without touching. Its all about inadequacy in love, a sort of reality-tinged inadequacy overlain on the romantic comedy template.
Because the camera is always in the wrong place, is always too tentative, is always unsure of itself, but still goes, still goes...
It puts us in the thing as one of these kids, clumsy, bold without cause.
I recommend this. I do. Its problems work for it.
Molly has faded as a presence now. But that's inevitable because of how we all exploited her youth. We shouldn't think that she is a flake, like say Meg Ryan or Julia Roberts. This very year she starred in one of the most intellectually ambitious movies of all time, Godards "King Lear." And more recently, she was in a Greenaway film. No stupid actor would do that.
Ted's Evaluation -- 3 of 3: Worth watching.
Dreary romance-comedy about a womanizer (Downey Jr.) who finally meets his match in a museum tour guide. (Ringwald) Obvious vehicle for Ringwald, who is fine, but Downey Jr. is the one who is given the most screen time...hence the one who sinks the film.
Le saviez-vous
- AnecdotesFinal film where Robert Downey, Jr. was billed as simply "Robert Downey."
- GaffesDuring the most of the movie, Randy wears a blouse is buttoned up to the neck and a necklace over the top of it. Except for the scene where she is exiting the casino after her big loss, as she walks out and her blouse is unbuttoned at the neck and she is not wearing the necklace. However, in the next scene the blouse is buttoned again and necklace returns. The description of an apparent discontinuity is accurate; however, in the shot with open blouse and sans necklace, Randy is also not wearing her jacket. In the following shot, as she emerges from the casino with Jack after her devastating setback, she has donned her jacket, buttoned her blouse, and restored her necklace. The apparent costume discontinuity dissolves in the brief lapse of unrecorded time.
- Citations
Jack Jericho: Did anyone ever tell you that you have the face of a Botticelli and the body of a Degas?
- Bandes originalesDa Doo Ron Ron
Written by Jeff Barry, Ellie Greenwich and Phil Spector
Performed by The Crystals
Produced by Phil Spector
Courtesy of Phil Spector International
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is The Pick-up Artist?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Pick-up Artist
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 13 290 368 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 455 516 $US
- 20 sept. 1987
- Montant brut mondial
- 13 290 368 $US
- Durée1 heure 21 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant