Pelle le conquérant

Max von Sydow has probably been given proper recognition for his body of work in Europe, but I don't think we have acknowledged that talent sufficiently in America.

This is a superbly made film for which more knowledgeable reviewers than I can make appropriate comments concerning everything from the original story line to the scenic shots covering changing weather and the years of growth of all the characters.

My only contribution is this: Where else do you have a male lead role where certain aspects of being a hero are necessary to the role, yet the fact of the story is that the male lead is failing in almost every, public aspect of his life. Mr. von Sydow pulls it off. He is a failure, yet he has the stature of a hero and it's not just in the eyes of his adolescent son.

I don't think any of the current generation of male leads could have made this film -- perhaps Costner, perhaps Newman. But that's my point; if any of them had crafted this performance, they would have received recognition. Max von Sydow gave the performance of a lifetime and we didn't even know where to classify the film. The film and the male lead should have won for best in class in the year of release. As another reviewer has noted -- this is a gem.

In our days where every director tries to copy the Hollywood way of film making, 'Pelle' freshens our spirits like a healthy European winter breeze. It's all that what Old World cinema stands for: thought-provoking, real and full of silent passion. Both actors are marvelous in their roles, and especially Max von Sydow who has played every character from super-villains to torn crusaders in his career gives a performance that will forever shine out as a master example that you don't have to pretend you're a death sick, blind, and mentally retarded neurotic alcoholic to win at least the Oscar nomination.

I was very surprised to see there is only one comment for this film despite of many awards it won. I watched it several years ago, but I can still feel the winter sunshine of Denmark and the boy (I really felt as he felt)who acted as if there were no script or camera around. The scene(you have to see it),the half-witted boy volunteered to get beaten,still keeps me thinking. I wish I was an English to express well enough. I cannot say this is my favorite, but for the first and the last time, I watched a film with intense near physical pain. I don't know whom to recommend but watch it when you feel calm rather than feel good. But it's not depressing at all.

PELLE THE CONQUEROR may now be twenty-three years old as a film but the power and beauty of this epic masterpiece from Denmark still retain the brilliance of its original 1987 theatrical release. Based on a four volume novel by Martin Andersen Nexø the screenplay by writer/director Bille August, Per Olov Enquist, and Bjarne Reuter granted takes only a small portion of the original story and that explains why so much of what happens in this 2 1/2 hour film is only vaguely explained, but the end result is a marvelous drama of the relationship of a father (Lassefar, brilliantly realized by the venerable Max von Sydow), who has pride but has not the courage of his convictions, and a son (Pelle, a masterpiece of young acting by Pelle Hvenegaard) who dreams of finding a life better than the bitterly poor existence he shares with the father he loves. The film takes place in Denmark near the turn of the 19th century over the course of a year and during that time the Pelle encounters peer prejudice from being a Swedish immigrant who has traveled to Denmark for the good life, class distinction between the wealthy landowners and the poverty stricken workers, the double standard of morals of the learned 'role models', death, physical abuse, young love between two lovely people who out of fear drown their infant at birth, the harsh realities of gathering sustenance from laboring the land and the sea, the bonds of true friendship with a bastard child of the land owner, and the disappointment of losing hope of conquering the world by means of accompanying a friend who must remain a vassal for two years who becomes brain damaged in an alteration with the foreman. Yet through all of these lessons Pelle learns about the survival of the fittest and despite all odds being against him, strikes out toward the frozen sea to await his ship of fortune.

This is a film about dreams and realities, about surviving physical and mental stresses, about adapting to the seasons and the struggles of indentured life. The stench of the farm and the grace of the snowfields are captured with amazing perfection by cinematographer Jörgen Persson and the mood of this film's story is accompanied by the music of Stefan Nilsson. The cast is huge and uniformly excellent, much due to the sensitive direction by Bille August. This is a classic film, one that is enjoyed more with repeated viewings. This is definitely one for the home library. Breathtaking.

Grady Harp

Pelle the Conqueror won an Oscar for Best Foreign Language film when it was originally released. Although I did not see it then, it is certainly easy to see why it received that answer. It is an unsparing tale of the life of a Swedish immigrant father and son (Max von Sydow and Pelle Hvenegaard) who have come to Denmark following the death of wife and mother and found work as laborers on a farm in a desolate seaside landscape. It is, to avoid giving details, a terrible life. I'm told that this is a very thin slice from a four-volume novel. So despite the film's 2-1/2 hour length, what we're shown is a tiny piece of a much larger canvas. Max von Sydow, a famous actor in his day, is superb as the elderly father of young Pelle but the child's role is also very well acted, and the direction by Bille August who also wrote the screenplay is unobtrusive but sure-handed. Since it is set in the 19th Century, there is nothing dated about this film. It is a masterwork.