La passion Béatrice

Filmed entirely on location ,"la passion Béatrice"avoids the pitfalls of the historical reconstructions.No cardboard,only a fortress and a desolate landscape where the winds endlessly blow. Back from the Crusades,a knight (Donnadieu,impressive) has lost all that he used to believe in.The Quest he has done has nothing to do with the Holy Graal,it's only death,crimes,rapes and plunders.Tavernier warned us before he began his tale:in the Middle Ages,there's Good,there's Evil,and there's nothing between the two concepts.The knight's bestiality is some kind of suicide -as the ending testifies- but ,like his son,he is a coward afraid to die.God is silent,and the wooden statue of Virgin Mary and Child has something definitely frightening.As if it had turned into some pagan divinity.Some would make a parallel with Donnadieu's character and Von Sydow's in Bergman's "the seventh seal"(1958).But the latter ,whose faith is not enough,wants to know the truth.Tavernier's knight is well beyond this stage .Actually,and this is the movie's greatest originality,this man has the psychology of a contemporary man:the truth is no longer important,for God is dead and with his family -particularly his daughter- there can only be war and destruction. One can regret the small "the most dangerous game"(1932) rip off and the slow pace.With more than two hours,parts of the film seem to drag on,and when Donnadieu is not on the screen,some people may yawn their head off. Thus,I would recommend it mainly for people who like works such as "the seventh seal" or Bresson's "Lancelot du Lac" (1974).

If you like stories filled with brave knights in shiny armor don't watch this movie. Entirely filmed on location, it will make you feel as if being teleported by mistake in an era you would never want to be a part of. You will witness a reality that you will hate and you will come back with the mud, the blood, the stench and the horror.

You will have been there and you won't forget. It won't make you happy. And the worst part : you will realize things haven't changed that much since.

It's an isolated medieval French castle in the middle ages. François de Cortemart grew up without love. He murdered his mother's lover which deprived him of his mother's love. Decades later, he has two children; Béatrice (Julie Delpy) and Arnaud. Béatrice is the purest of innocence. She eagerly awaits her father's return from war with the English. Upon his return, François unleashes his cruelty on his children and the people of the castle.

Julie Delpy is magic. She's unforgettable. Her incest rape is disturbing. My main issue is the cinematography and directing. There are some impressive shots but mostly, it's rather dull. The use of a real place may actually hinder any imaginative camera work. The subject matter is also very tiring. This is not a fun time. This movie grinds down the audience.

Set in Medieval France, La Passion Beatrice explores the coming of age of a young woman. The film is very bright and colorful, in contrast to the dark themes. The brightness works well to maintain the outlook of youth, of hope, of optimism in the face of the meanness of middle age life. In contrast to the brightness of Beatrice is the darkness of her war hero father who has become a vicious bandit manor lord.

Quite strong, even if a fairly repulsive story.

Watch this once on video with the subtitles covered so you can concentrate on the imagery.

I've never been able to shake this movie. Although I hated it while watching it, its authority convinced me utterly that its portrait of medieval castle life as lonely, dreary, and brutal (contradicting the swashbuckling fantasies in which many of us are apt to indulge) is the way it probably was. Indeed, the recollection of that awful, far-flung, yet confining world overrides and incapacitates every representation of the period I've seen since. It must be one of the most convincing views of a historical era ever put on film. The film itself is brutal; that was one reason I hated watching it; but in retrospect I believe there was no other way to tell the story fairly, and certainly it's the humanity of Beatrice, not the inhumanity of her surroundings, that the film leaves as its final impression. If this isn't a great film, it's a commanding and uncompromising one.