Espionnage à Londres

A fact-based drama adapted from an acclaimed stage play, this Halmark Hall of Fame production is one of the finest films ever made for television; in fact I can't think of one that's better. Pack of Lies is good enough to have been a a theatrical release. A fascinating true story with disquieting moral and social issues is still relevant and makes for compelling viewing. POL has been given a first-class production with excellent acting and directing, and even if her British accent wavers, Ellen Burstyn gives a powerful performance, and a surprisingly cast Teri Garr has never been better. Unfortunately, POL is unknown and rarely shown though it deserves to be, and after 25 years its subject is as timely as ever.

"Pack of Lies" is a very interesting drama which is aptly named. MI5 agents, led by Alan Bates as "Stuart," skillfully manipulate a well-intentioned British family into believing that they are merely police on a routine investigation who need to use their home in the London suburbs "just for the weekend" in order to surveil a suspect who has been tracked into their neighborhood. As it becomes clearer what is really going on and what is at stake, the agents practically take over the house, the British couple are encouraged to lie to their teenage daughter about the unseemly details they have learned, and then the husband must lie to his increasingly distraught wife in order to spare her the trauma of the final ugly truth. Everyone must deceive the family's friendly neighbors by pretending that nothing at all is amiss, for it turns out that they are Soviet spies who have been lying their heads off to maintain their cover. In the end, as British agents close in for the inevitable arrest, Ellen Burstyn, as Barb, is subsumed in guilt, completely torn between her loyalty to her best friend, Helen (Teri Garr), while at the same time feeling totally gullible and cruelly betrayed by her. This is a great TV movie with excellent performances all around, but especially from Alan Bates, Teri Garr, and Ellen Burstyn. In fact, the latter is so convincing in her interpretation that at certain key moments it almost defies description.

The interesting thing, of course, is that this effective movie is based on a true story, as was pointed out in another's comments. "Helen and Peter" seemed so affable and caring but were in fact part of the infamous atomic spy ring that gathered American nuclear secrets after WWII and transmitted them to the Soviets. They escaped the US when the Rosenbergs and others were arrested, only to surface in London some time later under assumed names.

Television adaptation of Hugh Whitemore's play about an older British couple in a suburb of London circa 1961 learning from the police that their best friends of three years--a Canadian couple who live across the road--may be involved with a notorious Russian spy. Not-bad "Hallmark Hall of Fame" production is a bare-bones dramatic presentation coasting on the performances of its cast, with the emphasis on Ellen Burstyn as the otherwise-friendless housewife who feels betrayed by chatty, lively neighbor Teri Garr. Garr is working seriously here, but there's too many close-ups of her looking puzzled, asking the same redundant questions; Burstyn fares a bit better, even if her accent comes and goes (which can be overlooked). Still, Ellen's character deteriorates under the pressure of falsehood far too soon (everyone, at some point, becomes a liar in this teleplay--a gimmick that is heightened in the dialogue but, thankfully, not underscored too strenuously). The downbeat conclusion--and the two useless melodramatic tags--is unsatisfying, as is Alan Bates' role (and over-the-top performance) as a British agent. Worth-seeing for the intriguing first-half, but the hysteria which follows feels canned.

Interesting well made drama with brilliant performances from Alan Bates and Ellen Burstyn and a very good one from Terri Garr. Well worth watching James Welch Henderson, Arkansas 3/28/2021.

Hugh Whitemore is listed as the author of the teleplay of PACK OF LIES. It would be more accurate to say he co-wrote it. He wrote the original TV play that was then the basis of the stage play the was a success in London. It was less successful when it played New York and I saw it. He was signed to write the adaptation for HALLMARK. He delivered a draft. For some reason he decided to leave the project and I was brought in to do a rewrite. I made some substantial changes. I gather these annoyed him. He had the right to sign the script. I was told he disliked what I did so much he didn't want to be associated with it, so he signed his pseudonym, Ralph Gallup. I was billed as creative consultant.

The show was successful. "Ralph Gallup" was nominated for an Emmy, as were the show and Ellen Burstyn. (I watched the Emmys in my living room with a bowl of popcorn on my lap.) It was also part of the basis for HALLMARK's Peabody Award that year. If the credit were accurate, Whitemore would certainly have first position. I wouldn't make comment except that, of everything I've worked on for television (pilots, episodes, assignments, sitcoms, TV movies, soaps), this was my favorite project, and I remain pleased with my part in it.

I am one of Whitemore's fans, by the way.