On the Black Hill

This is the kind of movie that picks some characters and show their entire life, from their childhood until their death. Here the story is about 2 twin brothers who are very different but are very close too and who have lived in Wales since their birth in 1900. The movie begins explaining how their parents met, fell in love and married and later it centers in the 2 brothers, how they grow, how the 2 World Wars affect their lives and their little problems on the Wales countryside. A marvelous and beautiful film, perfectly directed and acted. A must see. 9/10

Not unlike the distant Welsh valley where it was filmed, this screen adaptation of Bruce Chatwin's novel can be a little too remote at times, but it captures the insular life of an old Welsh farm with vivid austerity. In just under two hours the film spans over eighty years in the lives of identical twin brothers, born into a century which seems to happen somewhere over the distant horizon (their closest involvement with the Second World War is watching the glow on the skyline of Coventry burning during the Blitz). The film offers a challenging vision of continuity between successive generations of a family tied (for better or worse) to the land, but the episodic, hopscotch approach effectively (deliberately?) forestalls any dramatic momentum, and no matter how eloquently expressed the stark isolation of the twins' life together is often cold and depressing.

From the UK. The first thing we see is a passage from revelations. Followed by a family in church. So much religion! Stars mike and robert gwilym, as welsh twins lewis and benjamin, and their lives. The first hour is just growing up as kids, with an unpredictable father. Kind of a wasted hour... didn't really need to spend that much time on how their parents met. When one brother is sent off to war, they both suffer, in separation, and their gentle, non-violent beliefs. We see many samples of their pain and suffering. After the war, they get rich and successul, but as one of them points out, they have no heir to whom they can leave it. Gotta be honest... not a lot happens in this one hour fifty one minute film. I was hoping for more drama, but if you were wondering what life was like in wales, from 1900 to 1950, this is your film. I guess it shows the friendship between brothers. Directed by andrew grieve. Mike gwilym only made one more film after this, but robert was still acting as recently as 2019.

Based on the famous novel by Bruce Chadwick this tale of twins growing up on a welsh hill farm in the 1900s is an excellent film. The film starts with the twins parents meeting at a church on the Wales/England border getting married and going to live on a rented farm called The Vision. The twins then become the focal point of the film, their lives on the farm and their unique bond with it and each other. Welsh nationalism is a recurring theme throughout the film and Anglo/Welsh relations are often strained due to the sale of farms at an auction and the outbreak of war when many Welsh people were drafted into the British army. To emphasise this point the family who start out as Church of England switch to Welsh chapel goers. The twins were real life brothers and most of the cast were recruited from the Hay on Wye area where it was filmed.

Without pretensions of being anything other than what it is, which is a thoroughly grounded adaptation of Bruce Chatwin's novel of life in the Welsh borders across 80 years of the twentieth century, through the experiences of a Welsh hill farmer, an English lady and their twin sons, this is a thoroughly engaging portrait that brings the place and its people to life. The filmmakers had a low budget, but plenty of time to get things right, so the locations - from just north of Brecon across to the Black Mountains, with scenes in Hay-on-Wye and Crickhowell - are perfect, and with props and furniture borrowed from people and houses in the area, there is an authentic sense of place here. Director Andrew Grieve was brought up in mid Wales, so has a real feel for the area too, and has made one of the surprisingly few British films in which the landscape of Britain is filmed with an understanding of the role it plays in people's daily lives.