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6,6/10
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MA NOTE
Ajouter une intrigue dans votre langueA high-class call girl accused of murder fights for the right to stand trial rather than be declared mentally incompetent.A high-class call girl accused of murder fights for the right to stand trial rather than be declared mentally incompetent.A high-class call girl accused of murder fights for the right to stand trial rather than be declared mentally incompetent.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 nominations au total
Hayley Taylor
- 11 year-old Claudia
- (as Hayley Taylor-Block)
Avis à la une
Nuts is an adaptation of a stage play. Aaron Levinsky (Richard Dreyfuss) a public defendant is forced to take on a defendant being tried for competency.
The District Attorney (Robert Webber) sees this as a simple case of mental incompetency. The accused in question is playful, spirited and hard to handle. Claudia Draper (Barbra Streisand) is the high class call girl who is determined to prove that she is not nuts. Her parents are bemused but as we see from flashbacks there is a terrible family secret and Levinsky will need to discredit (Eli Wallach) the psychiatrist who is convinced that Draper is nuts.
Its hard to escape the film's stage-bound origins as a lot of the film consists of interior shots. In some ways this a courtroom play. Dreyfuss is actually enjoying himself as defendant lawyer Levinsky trying to get a handle of his rich girl client and then seeing his face when he twigs what the real tragedy might be.
Streisand on the other hand never convinces me that she is a high class hooker who has been roughing it on the seamy side of life. Its not the film's fault that the murder victim turns out to be Leslie Nielsen (soon to be in the hit spoof Naked Gun films) as his scenes that we see in flashback go a little bit too near to Frank Drebin and I am sure no want wanted too see Nielsen in just his black underpants.
As a courtroom thriller in a busy New York court setting the film is enjoyable but dare I suggest that Miss Streisand was miscast.
The District Attorney (Robert Webber) sees this as a simple case of mental incompetency. The accused in question is playful, spirited and hard to handle. Claudia Draper (Barbra Streisand) is the high class call girl who is determined to prove that she is not nuts. Her parents are bemused but as we see from flashbacks there is a terrible family secret and Levinsky will need to discredit (Eli Wallach) the psychiatrist who is convinced that Draper is nuts.
Its hard to escape the film's stage-bound origins as a lot of the film consists of interior shots. In some ways this a courtroom play. Dreyfuss is actually enjoying himself as defendant lawyer Levinsky trying to get a handle of his rich girl client and then seeing his face when he twigs what the real tragedy might be.
Streisand on the other hand never convinces me that she is a high class hooker who has been roughing it on the seamy side of life. Its not the film's fault that the murder victim turns out to be Leslie Nielsen (soon to be in the hit spoof Naked Gun films) as his scenes that we see in flashback go a little bit too near to Frank Drebin and I am sure no want wanted too see Nielsen in just his black underpants.
As a courtroom thriller in a busy New York court setting the film is enjoyable but dare I suggest that Miss Streisand was miscast.
Based on Tom Topors's off broadway play, NUTS is a highly charged drama that raises some uneasy questions. NUTS opened in late 1987 to little hype and mixed reviews.
This is a film that deserves to have a second life on video. While the court room plot devices are predictable, the film raises some important issues and questions. Questions like, "What is normal?" and "Does the law have the right to force help upon those who don't want it?"
What really makes this film worth watching though, is Barbra Strisand's bravura performance in the lead. I cannot believe she failed to receive an Oscar for her work here, it's crime that she wasn't at least nominated. Director Martin Ritt keep the film going at a perfect pace and also gets strong supporting performances from Richard Dreyfss and Maureen Stapleton.
This is a film that deserves more attention then it originally received, it is honest, though-provoking, and features a brilliant performance from Streisand.
My score for this excellent film: 9/10!
This is a film that deserves to have a second life on video. While the court room plot devices are predictable, the film raises some important issues and questions. Questions like, "What is normal?" and "Does the law have the right to force help upon those who don't want it?"
What really makes this film worth watching though, is Barbra Strisand's bravura performance in the lead. I cannot believe she failed to receive an Oscar for her work here, it's crime that she wasn't at least nominated. Director Martin Ritt keep the film going at a perfect pace and also gets strong supporting performances from Richard Dreyfss and Maureen Stapleton.
This is a film that deserves more attention then it originally received, it is honest, though-provoking, and features a brilliant performance from Streisand.
My score for this excellent film: 9/10!
After viewing this superior film, a viewer might wonder where in blazes the original idea came from; The Twilight Zone or ripped from todays headlines. This film is laden with so much talent I'm surprised it didn't establish itself as a mega movie. The premise is that of a talented lawyer, Aaron Levinsky, ably played by Richard Dreyfuss, who is forcibly thrust into a competency case which he does not want. His adversary is a formidably D.A, Francis MacMillan (Robert Webber) who has spent a considerable amount of time putting unwanted criminals and mental undesirables, behind bars. Thus he sees no reason why he should spend more time than necessary on a simple case of mental incompetency. Unfortunately for him the woman in question is spirited, independent Claudia Draper, (Barbra Streisand) who is desperate to have her day in court. Arrayed against her aside from the D.A. are her loving parents, Karl Malden as Arthur Kirk and Maureen Stapleton as Rose Kirk, who guard a terrible family secret. In addition, there is formidable Eli Wallach as Dr. Herbert A. Morrison, a psychiatrist who is convinced that Draper is insane. In Claudia's eyes, everyone seems hell bent on having her locked up in insane asylum. The courtroom drama is superior as Judge Stanley Murdoch, (James Whitmore ) tries to discover why the authorities want Draper incarcerated. A most convincing performance by all to create a memorable film. ****
Manhattan call-girl has to prove her sanity in a courtroom hearing after she has killed a client; she says it was in self-defense, but now her mental state and her lifestyle--as well as her tumultuous childhood--are on trial. "Nuts" presents a dilemma for director Martin Ritt and his screenwriters, Tom Topor, Darryl Ponicsan and Alvin Sargent, working from Topor's play: how do you get an audience to sympathize with the heroine of your story, one who has a short fuse, a nasty disposition, and who rubs everybody else the wrong way? It probably wasn't possible, and protagonist Claudia Draper is an exasperating, meddling, infernal creation. Barbra Streisand obviously saw in the material a meaty dramatic role for herself as an actress and, although perhaps a bit too old for the part of Claudia Draper, she tackles the project with relish. Unfortunately, "Nuts" opens with such a flurry of manic energy that it's predictable the film won't be able to sustain or match that intensity for the rest of its length. Once the introductions are out of the way, the film settles into a talky, stagy formula, one complete with showboating solo moments for Streisand and most of her co-stars (with the exception of Richard Dreyfuss as her legal representative, who makes a bigger impact simply by keeping a lower profile). Streisand's abrasive Claudia is really the whole picture, and Barbra chews up so much scenery in the course of two hours I'd be surprised if she didn't hit the gym afterward. Still, a piece like this needs an electric personality in the lead if it's going to work at all, and Streisand does more for the role than a less-dynamic actress might have. Not a great picture by any means, and with an amusing/puzzling final shot of Streisand at the end, but one that is well-produced, interestingly edited and full of top talent and style. **1/2 from ****
In New York, the public defender Aaron Levinsky (Richard Dreyfuss) witnesses the high-class call girl Claudia Draper (Barbra Streisand) beating her attorney while waiting for his hearing in the courtroom. Judge Stanley Murdoch (James Whitmore) assigns him to defend Claudia and soon he learns that she killed her client Allen Green (Leslie Nielsen) in self-defense. However, her mother Rose Kirk (Maureen Stapleton) and her wealthy stepfather Arthur Kirk (Karl Malden) want her declared mentally incompetent to go on trial. Dr. Herbert A. Morrison (Eli Wallach) prepares a medical report stating that she is mentally unstable to support the trial, but Claudia wants to prove that she is sane; otherwise she would spend the rest of her life in a mental institution. Along the hearing, the District Attorney Francis MacMillan (Robert Webber) and Levinsky question the defendant, her mother, her stepfather and Dr. Morring and the painful truth about Claudia's childhood is disclosed.
"Nuts" is one of the best courtroom dramas ever made. The story is developed practically in one location, but the performances are awesome highlighting Barbra Streisand. This actress deserved at least a nomination to the Oscar. The conclusion has a corny moment, when Claudia hugs her mother. My vote is eight.
Title (Brazil): "Querem me Enlouquecer" ("They Want to Drive me Crazy")
Note: On 12 Nov 2018 I saw this film again.
"Nuts" is one of the best courtroom dramas ever made. The story is developed practically in one location, but the performances are awesome highlighting Barbra Streisand. This actress deserved at least a nomination to the Oscar. The conclusion has a corny moment, when Claudia hugs her mother. My vote is eight.
Title (Brazil): "Querem me Enlouquecer" ("They Want to Drive me Crazy")
Note: On 12 Nov 2018 I saw this film again.
Le saviez-vous
- AnecdotesThis is the final film of both Robert Webber and Karl Malden.
- GaffesAt the end of the movie, Claudia been released and is walking down the street in her hospital gown, laughing at passerby. She has only been judged competent to stand trial, not innocent. She should be in lockup at Riker's Island or The Tombs. Also, even if they had released her, she would have had her street clothes returned.
WRONG: While there is clearly some artistic license in having Claudia walk out in her hospital gown, the judge clearly stated that he was releasing her on her own recognizance until the trial so she wouldn't have been locked up in Riker's Island, The Tombs, Devil's Island, Arkham Asylum or anywhere else for that matter.
- Citations
Claudia Draper: Now, you talk to me and pretend I'm sane, okay?
Aaron Levinsky: Okay.
Claudia Draper: And I'll do the same for you.
- ConnexionsFeatured in Siskel & Ebert & the Movies: Oscar Nomination Surprises for 1987 (1988)
- Bandes originalesHere We Are At Last
Music by Barbra Streisand
Lyrics by Richard Baskin
Arranged & played by Randy Waldman
(Bar Music)
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- How long is Nuts?Alimenté par Alexa
Détails
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 30 950 002 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 606 083 $US
- 22 nov. 1987
- Montant brut mondial
- 30 950 002 $US
- Durée1 heure 56 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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