Le passeur

Anyone in the business of storytelling should begin with a good story, which is precisely what Norwegian director Nils Gaup did for his Oscar nominated debut feature, adapting a thousand year old Scandinavian legend about a young boy who rescues a small community of fellow Laplanders from a horde of ruthless invaders. The setting may be exotic (the film was shot almost entirely above the Arctic Circle) but the basic mythic outline can be (and likely has been) translated anywhere, from the American West to "…a long time ago, in a galaxy far, far away". Certain elements are by now so familiar they might almost be clichés: the young hero, orphaned by an evil enemy (the Tchudes, dressed all in black and speaking a harsh, guttural language); his refuge with a likewise threatened nearby tribe, who see him as their savior; the medicine man who will guide him to wisdom; and so forth. Gaup knows enough not to embellish an already proved formula, and as a result his film offers brisk, uncomplicated entertainment, with action scenes as thrilling as anything coming out of Hollywood these days. But now that the legend is on film, will future generations of Lapp children learn it from their elders by simply renting a DVD?

Nominated for the Best Foreign Language Film at the Oscars, this film is interesting to watch. Especially the beauty of snow and the landscape. The story is set a long time ago based on myths. Worth watching on a very cold day.

Violent motion picture about a brutal army of warriors invading Scandinavia . This is the first and classic version well directed by Nils Gaup in 1988, winning several prizes. Circa the year 1000 AD warlike people, the so-called "tjudes," roam in a strange land , in northern Scandinavia . There a boy , Aigin : Mikkel Gaup , living with his native family , is hunting . But merciless, ambitious and cruel barbarians suddenly appear and they are cruelly murdered . The starring observes the massacre from a distance and he manages to flee these murderers and reaches a village with other Natives whose inhabitants are worried if he has been able to hide his leads. Afraid of the violent savage warriors , they decide to flee to the coast . Meanwhile , the protagonist falls in love with a charming Native. The young stays alone to revenge his families killers but he gets captured by the invading people . Unfortunately , they get him before he can do anything and force him to lead them to the other natives , threatening to kill a friend , when Aigin sees this he dashes forward, and says he will guide them . He guides them and agrees to lead to the hiding place of his fellow villagers but he has a scheme to destroy the cutthroats barbarians before reach the camp.

It's the first version based on ancient folk-tale from Lapland, this classy adaptation is an exciting picture plenty of action, thrills, chills, roller-coaster ride, violence and breathtaking fights . The plot is plain and simple , some violent stranger warriors capture a young man and they want him to guide them to the coast, and start torturing him , then , things go wrong . As the intelligent starring , Mikkel Gaup , will fight for his freedom and his people as well as he'll take off a nasty villain , performed by Helgi Skúlason who doesn't say a word the entire film . The brutal invaders dresssed in black pelts deliver the goods, their appearance is spectacular and creepy . Furthermore , the astonishing killings are gruesome executed and grisly graphic. The atmospheric photography by Erling Andersen with a sort of never-ending dawn is truly awesome. It's a kind of light mingled in a moody and foggy atmosphere. Stirring and evocative musical score by three Scandinavian composers . Stunning and gripping realization by Nils Gaup . He was born in 1955 in Kautokeino, Norway. Gaup is a director and actor, who has made a few but acceptable films , being especially known for Pathfinder (1987), , Misery harbour (1989) , Above Water (1993) , North star (1996) , Journey to the Christmas Star (2012) and The last King (2017) . Gaup turned down offers to direct No without my daughter (1991) with Sally Field, RoboCop (1987) and many others. He began to direct Waterworld (1995), but he thought the budget was blown up and the project too difficult to handle.

It had a remake titled ¨Pathfinder¨ in 2007 by Marcus Nispel. It stars Karl Urban, Clancy Brown, and special mention to Russell Means , he was born Lakota Sioux, a good actor Native American, he along with Graham Greene, Rodney A Grant, Tantoo cardinal, Eric Schweitz and Wes Studi appear in all movies about Indian themes and it deals with a viking child raised by Native Americans, to take on the invaders Vikings .

This beatiful movie is the first motion picture that has been shot with the Sami language as the main language. It has been shot on location here in northern Norway, and the storyline is an old tale that has been passed on by generations by the Sami people. Worth noting is also that both the crew and the cast are mainly Sami people.

A magical movie in that it connects the viewer to two world at once--the here-and-now world and the mystical world which connects all people to creation. This is hinted at in the double meaning of "pathfinder", as Rasti points out to "the lad" when he explains the difference between them and the bandits. The bandits, Rasti says, have lost their way, in a spiritual as well as literal way. So the Pathfinder is guide for both this and the spirit world. In leading the bandits to their death, the lad becomes their Pathfinder in the spiritual sense as well--leading them further along the path of spiritual self-destruction that they have set out on. Having followed this path to the end, he is able to return to his people and become their new Pathfinder. The spiritual symbolism of the story also resonates with Christian symbolism--the hero who offers his life so others may live, who is cast down into the abyss only to rise out of it to bring the good news of salvation and life to his people. But it's also a wonderful tale that takes the viewer to a different time, place, and culture. A tale made even more remarkable by how familiar it seems in its otherness. It's also a wonderful piece of movie-making. Cinemagraphically it must look magnificent on the big screen--the sense of isolation would only be magnified. In a way it's almost a silent movie--the dialogue is eloquently sparse and one could probably follow the story without subtitles. A very rewarding and satisfying movie.