Nayakan

Mani Ratnam rose to fame with this superb, Godfather-inspired, crime story. Kamal Hassan, in a National Award-winning role, is the highlight of this film. WAtch out for the scene where he says "Naa adichcha nee sethuruve (You will die if I hit you)" to a police officer. Based on a real-life don, Varadarajan Mudaliar, Nayagan was praised by critics and audience alike, a rarity in India. Illayaraja's music is haunting. "Tenpaandi Cheemayile", sung by Kamal Hassan, is a classic. Photography is brilliant. Mani Ratnam is top-of-the-pops. Sign of things to come? Janakaraj as the gangster's friend is an inspired selection. This is as good as it gets for bridge cinema.

"Nayagan" is akin to a rare astronomical event wherein the constellations form a perfect alignment to create a spectacular extravaganza. Mani Ratnam, Kamal Hassan & Ilayaraja weaved magic that captured the heart of audience by storm.

There cannot be a second opinion if I were to state that this role was destined for one and only Kamal Hassan. You cannot fail to notice the subtle changes in the body language, mannerism, gait and dialogue delivery that go about with the ageing process of the Sakthivelu. Starting with the rebel youth and all the way to the ageing Godfather, the natural transformation was effortlessly essayed by Kamal. Saranya, Ravi, Kartika, Nasser and Tinnu Anand leave a mark otherwise there isn't much scope for supporting star-cast.

Ilayaraja compositions were a raging hit back then. P C Sriram (cinematography) & Thota Tharani (art direction) ensured to give a distinct Mani Ratnam feel to the visuals (a spillover of "Agni Natchathiram").

Though the plot rests on the basic premise of Mario Puzo's "The Godfather", top notch writing narrating the biography of Mumbai based Tamil gangster of the 80s, Varadarajan Mudaliar stands to its own.

If "Mouna Ragam" and "Agni Natchathiram" got him noticed then "Nayagan" stamped the title of maverick to Mani Ratnam. It goes without saying that while "Nayagan" set a precedent for fellow film-makers, Mani Ratnam started the revolution in the Tamil cinema.

PS: The Hindi remake, "Dayavan" attempted by Feroz Khan and Vinod Khanna was sadly a classic case of "lost in translation".

One of the movies where the star cast have lived the roles not just performed , well supported by Editing, Cinematography and background score . A must see. KamalHasan has given really a masterly performance for which he got the national award rightly.

It is really difficult to express the experience of watching nayakan in words, the real life story about the transformation of a boy into a rebel and then a don, brilliantly portrayed by one of the greatest actors alive today, Kamal Hassan.

While the film draws little inspiration from "The Godfather trilogy", the emotions and trauma associated with many events , along with ilayaraja's rendition of 'thenpandi seemayile' , really does make this movie very special!, nothing to beat this one, among the best movies i have ever seen. I can rate it along with American beauty, shawshank redemption or even amelie.

The film draws heavily upon Mario Puzo's Godfather, however, the Indian adaptation of the well known story is simply superb. Manirathnam has done a wonderful job in re-creating the life and times of a local mafioso in the slums of Bombay. The art direction is flawless, and captures the time period perfectly. The music by Illayaraja is haunting, and reflects the nostalgic music of the early 70s. However, the high point of the movie is the excellent performance of Kamal Hassan. His potrayal of Velu-Nayakan is by far the best I have seen in Indian movies. The Hindi remake of this movie is sub-standard and poor. I highly recommend this movie to someone who has never seen it before.