Un fils de fermier d'une petite ville rejoint à contrecoeur une bande de vampires errants après avoir été séduit par une belle marginale.Un fils de fermier d'une petite ville rejoint à contrecoeur une bande de vampires errants après avoir été séduit par une belle marginale.Un fils de fermier d'une petite ville rejoint à contrecoeur une bande de vampires errants après avoir été séduit par une belle marginale.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 9 nominations au total
Joshua John Miller
- Homer
- (as Joshua Miller)
Edward Corbett
- Ticket Seller
- (as Ed Corbett)
James Le Gros
- Teenage Cowboy
- (as James LeGros)
Avis à la une
Near Dark is the definitive vampire road movie. It's the most realistic and non-traditional portrayal of vampires in my mind. They're cruising the country...you know, just bored. And wouldn't they be bored? I mean if you live forever, wouldn't you run out of things to do? They spend their time getting in and out of trouble. And that's all they do. I love it. The cast (Aliens anyone?) is top-notch. Adrien Pasdar is as underrated as they come. He plays our likable hero who gets involved with our gang of vamps by accident. Lance Henriksen, Bill Paxton, Jenette Goldstein (all from Aliens), Jenny Wright, and Joshua Miller are all perfectly cast as the nocturnal family. Miller, oddly enough, is Jason Patric's half brother and Near Dark was released just a few weeks after The Lost Boys. Henrikson is appropriately evil and Paxton's Severen character is highly quotable and memorable. Tim Thomerson and James Le Gros also put in an appearances. Eric Red's script is every bit as cool as his earlier road movie, The Hitcher. Kathryn Bigelow will go down in my book as having directed the best vampire flick that I can think of.
Note for genre buffs: The word vampire is never used in the film.
Note for genre buffs: The word vampire is never used in the film.
A vampire road movie before Dusk Til Dawn.
This movie is really great fun and 90% of that fun is provided by Bill Paxton. This movie was perfect for him and his over the top flamboyant personality.
Henriksen also broods his way nicely through the movie.
Plenty of atmosphere, fun story and a good time to be had!
This movie is really great fun and 90% of that fun is provided by Bill Paxton. This movie was perfect for him and his over the top flamboyant personality.
Henriksen also broods his way nicely through the movie.
Plenty of atmosphere, fun story and a good time to be had!
Watched last night, it's reminiscent of the first terminator film in some ways. Bill Paxton nails every second of screen time that he has, definitely worth watching for just for him.
This is one of the best vampire flicks I've ever seen. These aren't your standard sharp fang having, flying, cool contact wearing, red cape sporting vampires. Rather these vampires look like nomads, leftovers from a roaming biker gang. They drive around in a trailer that has aluminum foil covering the windows to block out the sunlight. They drink blood. They spit out the bullets you shoot them with. They're a tad different than your classic vampire but different enough to keep them interesting. Fans of Cameron's Aliens take note, you have a triple score here with Lance Henriksen (Bishop), Jeanette Goldstein (Vasquez) and Bill Paxton (Hudson) teamed together again. Not too surprising being that Cameron and director Kathryn Bigelow have worked together several times on various films. Bill Paxton is hilarious in this, I have to say. Fans won't be disappointed. I really like this movie. It never gets old, the special effects/make up are pretty decent (nothing too fake looking) and the characters are more than one-dimensional, supported by satisfactory performances throughout. There's enough gore here to satisfy the modest gore-hound and it's entertaining throughout. Give this movie a shot if you're looking for something different. It's a hip vampire movie that works simply because it's not trying to be hip, you follow? Rating: **** out of *****.
I hunted this film for ages and then it came out on DVD, so I had to buy it. Originally, it was purely due to the cast. I thought it would be good though and I was not let down, in fact, my expectations were well exceeded. Near Dark is my favourite vampire film and I am proud to be part of the cult following this film has gathered years since its release.
The camera work is great, Bigelow does a really great job in the director's chair and always does her best to make a film look as visually impressive as possible; it's hard to believe this was a low budget movie. The screenplay for the film is excellent and very original. Near Dark is very different to other vampire films and it really is refreshing to watch something so different. Where most vampire films bathe in Gothic undertones and romanticise themselves, Near Dark is much more subtle, even to the point where the word 'vampire' is not included within the picture. I can see why Kathryn Bigelow and James Cameron ended up married briefly as they both have similar integrity when it comes to film making.
The casting of the movie is its best point. The Aliens trio of Paxton, Goldstein and Henriksen were brilliant in this. Paxton and Henriksen are two of my favourite actors and I believe this is the best character Paxton has ever played, even Hudson does not compare to the mighty Severen! These three actors all excel at playing ruthless characters and do a great job at making Near Dark as entertaining as possible. In the midst of all the carnage, Adrian Pasdar and Jenny Wright do very well in bringing Near Dark down to earth. The chemistry between the two is very good and the characters are effective as they provide contrast between the other main characters.
I feel I must talk about the bar scene. As soon as that music kicks in, you know some on screen magic is about to happen. This is where the Aliens cast members really shine. Paxton is spitting out more clichés than he is blood. Also, as a big Terminator fan, I had to notice the bar patron as the T-2 'You forgot to say please' guy. I think he should stay away from bars from now on! This is what the film builds up to and this is the turning point of the film from a mainly character piece to a nail biting thriller. This is one of the most enjoyable and memorable scenes you will ever see.
Near Dark is a fantastic film, sadly overlooked due to people drawing too many comparisons between this and Lost Boys. This is far superior to Lost Boys as this has far more substance and more than one memorable character. With gruesome imagery, streams of blood and Bill Paxton and Lance Henriksen, this is the ultimate vampire film.
The camera work is great, Bigelow does a really great job in the director's chair and always does her best to make a film look as visually impressive as possible; it's hard to believe this was a low budget movie. The screenplay for the film is excellent and very original. Near Dark is very different to other vampire films and it really is refreshing to watch something so different. Where most vampire films bathe in Gothic undertones and romanticise themselves, Near Dark is much more subtle, even to the point where the word 'vampire' is not included within the picture. I can see why Kathryn Bigelow and James Cameron ended up married briefly as they both have similar integrity when it comes to film making.
The casting of the movie is its best point. The Aliens trio of Paxton, Goldstein and Henriksen were brilliant in this. Paxton and Henriksen are two of my favourite actors and I believe this is the best character Paxton has ever played, even Hudson does not compare to the mighty Severen! These three actors all excel at playing ruthless characters and do a great job at making Near Dark as entertaining as possible. In the midst of all the carnage, Adrian Pasdar and Jenny Wright do very well in bringing Near Dark down to earth. The chemistry between the two is very good and the characters are effective as they provide contrast between the other main characters.
I feel I must talk about the bar scene. As soon as that music kicks in, you know some on screen magic is about to happen. This is where the Aliens cast members really shine. Paxton is spitting out more clichés than he is blood. Also, as a big Terminator fan, I had to notice the bar patron as the T-2 'You forgot to say please' guy. I think he should stay away from bars from now on! This is what the film builds up to and this is the turning point of the film from a mainly character piece to a nail biting thriller. This is one of the most enjoyable and memorable scenes you will ever see.
Near Dark is a fantastic film, sadly overlooked due to people drawing too many comparisons between this and Lost Boys. This is far superior to Lost Boys as this has far more substance and more than one memorable character. With gruesome imagery, streams of blood and Bill Paxton and Lance Henriksen, this is the ultimate vampire film.
Le saviez-vous
- AnecdotesFuture husband James Cameron suggested to Bigelow that she use the ready-made ensemble cast from his recent hit Aliens, le retour (1986), and thus Lance Henriksen, Bill Paxton, and Jenette Goldstein all appear in Bigelow's film. Michael Biehn had also appeared in Aliens and was considered, but declined to participate.
- GaffesWhen Homer brings Sarah to the hotel room, it is night time, and Sarah makes reference to how late everyone is staying up. A minute later, Severen goes out and gets Loy, and it is still night. Two minutes later, when the Coltons flee the room, it is broad daylight out.
- Versions alternativesThe UK version released on video in 1988 was missing 14 secs of BBFC cuts:
- Diamondback opening and closing a butterfly knife repeatedly before slitting the barmaid's throat
- Jesse and Severen putting the barman's body on the bar and smashing bottles of spirits over and around him to fuel the fire while Severen quips "Hey, bartender salad".
- ConnexionsFeatured in New Order: Touched by the Hand of God (1987)
- Bandes originalesNAUGHTY, NAUGHTY
Performed and written by John Parr
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Special Products
Polygram International Music B. V.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Cuando cae la oscuridad
- Lieux de tournage
- 6709 Pacific Boulevard, Huntington Park, Californie, États-Unis(Caleb going to bus station at night)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 3 369 307 $US
- Week-end de sortie aux États-Unis et au Canada
- 635 789 $US
- 4 oct. 1987
- Montant brut mondial
- 3 369 628 $US
- Durée1 heure 34 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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