Ajouter une intrigue dans votre langueA team of astronauts land on an inhabitable planet and form a society. Many years later, a single astronaut is sent to the planet and becomes a messiah.A team of astronauts land on an inhabitable planet and form a society. Many years later, a single astronaut is sent to the planet and becomes a messiah.A team of astronauts land on an inhabitable planet and form a society. Many years later, a single astronaut is sent to the planet and becomes a messiah.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
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first off, the copy of the film that i was able to track down, was in polish with a very difficult to follow English voice-over narration/dubbing that spoke everyone's lines. Yet, despite the tedious dubbing issue and the frustrating image quality on the bootleg i tracked down, the wonderfully unsettling lunacy of the whole affair was able to shine through and really hit home for me.
One earlier reviewer, in an attempt to discredit the film, described the actors' performances as similar to the ramblings of mental patients. I thought about it a bit, and concluded that, yes, all of the performances did have an element of hysteria and frenzy that someone might attribute to psychotics, but for me, thats part of what made the picture so extraordinarily unsettling (in the best way). The point-of-view style of camera-work and delivery that carried the first half of the film was really unnerving. The entire thing had a dizzying sense of madness that threatened to crumble at almost any moment, but managed to hold together long enough (around 3 hours) to hit you with the savage power of its staggering ending.
It had more going for it than simply being "crazy" though, as i felt it also offered a fascinating look at the cyclical nature of human civilization, and perhaps more so, the ultimate hopelessness of it. It is a terrifyingly bleak film.
if you can track down a copy of it, and feel as though you can handle the often tedious viewing experience, its definitely worth it. There's nothing else out there quite like it.
One earlier reviewer, in an attempt to discredit the film, described the actors' performances as similar to the ramblings of mental patients. I thought about it a bit, and concluded that, yes, all of the performances did have an element of hysteria and frenzy that someone might attribute to psychotics, but for me, thats part of what made the picture so extraordinarily unsettling (in the best way). The point-of-view style of camera-work and delivery that carried the first half of the film was really unnerving. The entire thing had a dizzying sense of madness that threatened to crumble at almost any moment, but managed to hold together long enough (around 3 hours) to hit you with the savage power of its staggering ending.
It had more going for it than simply being "crazy" though, as i felt it also offered a fascinating look at the cyclical nature of human civilization, and perhaps more so, the ultimate hopelessness of it. It is a terrifyingly bleak film.
if you can track down a copy of it, and feel as though you can handle the often tedious viewing experience, its definitely worth it. There's nothing else out there quite like it.
Andrzej Zulawski's On the Silver Globe was a movie I was so excited to see ever since I heard of its existence. Even to track it down to watch was something I struggled with for so long. And eventually, once I did come across a way to watch it, I was more than excited to do so.
Unfortunately, I just couldn't keep up. It was a cram fest of any and every philosophical conversation the film could explore, and done so in the most noisy, nauseating and mind numbing way possible.
It had a great first act... Somewhat slow, but consistent and remarkable. Actual conflicts of body and mind. And then it dissolves into madness... the unwatchable kind. The final two acts are just all over the place; with dialogue which people call explorative and introspective, but I feel was vapid, inconsistent and meaningless, with characters that have no individuality, appearing out of thin air at will, all echoing one sentimental philosophy depriving the film of any need to keep its consistency, and with a plot that twists and complicates itself for no apparent reason than to provoke conversation that ends up going nowhere.
Although, one thing that will never cease to amaze me are the visuals; the set designs, costumes, makeup and its unconventional cinematography providing what can only be described as truly otherworldly in its presentation, setting the tone for the movie as accurately and descriptively as possible.
At the end of the day, I'm not hating on it, but simply find it shallow as opposed to what most people say about it in artistic circles. But I'm at least glad that I got to finally watch it, and will forever be content with the knowledge of this movie's existence.
Unfortunately, I just couldn't keep up. It was a cram fest of any and every philosophical conversation the film could explore, and done so in the most noisy, nauseating and mind numbing way possible.
It had a great first act... Somewhat slow, but consistent and remarkable. Actual conflicts of body and mind. And then it dissolves into madness... the unwatchable kind. The final two acts are just all over the place; with dialogue which people call explorative and introspective, but I feel was vapid, inconsistent and meaningless, with characters that have no individuality, appearing out of thin air at will, all echoing one sentimental philosophy depriving the film of any need to keep its consistency, and with a plot that twists and complicates itself for no apparent reason than to provoke conversation that ends up going nowhere.
Although, one thing that will never cease to amaze me are the visuals; the set designs, costumes, makeup and its unconventional cinematography providing what can only be described as truly otherworldly in its presentation, setting the tone for the movie as accurately and descriptively as possible.
At the end of the day, I'm not hating on it, but simply find it shallow as opposed to what most people say about it in artistic circles. But I'm at least glad that I got to finally watch it, and will forever be content with the knowledge of this movie's existence.
only a truly gifted artist could make something this uncompromisingly weird-it makes lost highway look like an episode of meet the press.okay,let's take a story about a few astronauts leaving earth and landing on a distant planet.the astronauts die off relatively quickly and their children grow up at an accelerated rate-the children spring into being btw,no copulation is ever hinted at much less shown-so quickly as to reach their tenth (or so) birthdays in a matter of days.the children welcome the next visitor,presumably from the planet poland,as a god...and i'm not sure what happened after that...that last sentence which probably took you about ten seconds to read is the only synopsis for this 2hr30min minute film i can muster.and i have no idea if what i wrote is even remotely accurate.to say i didn't really follow this movie is besides the point,its greatness lies not in its storytelling abilities so much but in the tough to discern netherworlds of aura and atmosphere.whatever the holy mountain,electra,my love,mulholland drive,blood of a poet or the other 2 giants of polish sur-reality,the saragossa manuscript and the hourglass sanatorium have-this movie has too.i lack the ability to describe sufficiently all the films i've just mentioned so all i can really tell you is that after i watched on the silver globe i knew that i had liked what i had seen.yes,it's totally insane but it's not bad...just don't ask me why....
This is a very nihilistic saga that mocks spiritual misconceptions by means of anthropology, myth, religion put under a microscope. It's amazing how Zulawski managed to engage me in this three hour gibberish monologue. The whole thing is very reminiscent of performance art and butoh dancing. That's not to say that the cinematography was uninspired, it was gorgeous.
The film looks really intriguing so I was excited to watch it. It definitely wasn't the experience I was hoping for.
I have to admit I basically understood nothing of what was going on. The plot is already complex, and when you add in the attempt to reconstruct the missing scenes using voiceover, it becomes pretty much impossible to follow the story.
As it stands this seems to be more of a curiosity than an actual film.
I have to admit I basically understood nothing of what was going on. The plot is already complex, and when you add in the attempt to reconstruct the missing scenes using voiceover, it becomes pretty much impossible to follow the story.
As it stands this seems to be more of a curiosity than an actual film.
Le saviez-vous
- AnecdotesAndrzej Zulawski began filming after the success of L'important c'est d'aimer (1975), completing around three-quarters of film before the Polish ministry of culture halted production in 1978. After the democratization of Poland in 1986 Zulawski completed the film. Because production was interrupted from 1978 until 1986, the final film was released in an "amputated" form, with voice-over narration covering missing scenes.
- Versions alternativesThe English language version features a singular voice-over description of the action and dialogue; it isn't dubbed or subtitled, but it is the full version - 166 minutes.
- ConnexionsFeatured in Renegade Cut: On the Silver Globe (2017)
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- How long is On the Silver Globe?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 557 $US
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