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Qu'il est dur d'être farceur, d'aimer la musique pop et les films d'horreur quand on a un père qui se présente aux élections

Titre original : Morgan Stewart's Coming Home
  • 1987
  • PG-13
  • 1h 36min
NOTE IMDb
5,5/10
1,1 k
MA NOTE
Qu'il est dur d'être farceur, d'aimer la musique pop et les films d'horreur quand on a un père qui se présente aux élections (1987)
A free-spirited teenager attempts to get back in touch with his overly conservative parents after returning home from years away at a boarding school.
Lire trailer0:56
1 Video
33 photos
Comedy

Ajouter une intrigue dans votre langueA free-spirited teenager attempts to get back in touch with his overly-conservative parents after returning home from years away at a boarding school.A free-spirited teenager attempts to get back in touch with his overly-conservative parents after returning home from years away at a boarding school.A free-spirited teenager attempts to get back in touch with his overly-conservative parents after returning home from years away at a boarding school.

  • Réalisation
    • Paul Aaron
    • Terry Winsor
    • Alan Smithee
  • Scénario
    • Ken Hixon
    • David N. Titcher
  • Casting principal
    • Jon Cryer
    • Lynn Redgrave
    • JD Cullum
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,5/10
    1,1 k
    MA NOTE
    • Réalisation
      • Paul Aaron
      • Terry Winsor
      • Alan Smithee
    • Scénario
      • Ken Hixon
      • David N. Titcher
    • Casting principal
      • Jon Cryer
      • Lynn Redgrave
      • JD Cullum
    • 14avis d'utilisateurs
    • 5avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Trailer
    Trailer 0:56
    Trailer

    Photos33

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    Rôles principaux41

    Modifier
    Jon Cryer
    Jon Cryer
    • Morgan Stewart
    Lynn Redgrave
    Lynn Redgrave
    • Nancy Stewart
    JD Cullum
    • Garrett
    • (as John David Cullum)
    Robert Sedgwick
    Robert Sedgwick
    • Craighton
    Waweru Njenga
    • Akhmed
    Sudhir Rad
    • Mahatma
    Alan Beck
    • Frank
    Brendan O'Meara
    • Thompson
    Saveliy Kramarov
    Saveliy Kramarov
    • Ivan
    Lisa Pera
    • Proskovia
    • (as Leeza Vinnichenko)
    Glenn R. Wilder
    Glenn R. Wilder
    • Chauffer
    • (as Glenn Wilder)
    Nicholas Pryor
    Nicholas Pryor
    • Tom Stewart
    Paul Gleason
    Paul Gleason
    • Jay Le Soto
    Gary Wheeler
    Gary Wheeler
    • Reporter
    Will Huston
    • Cocktail Party Guest
    • (as William Edwards)
    Avril Gentles
    • Socialite
    Tammy Amerson
    • Heather Whitewood
    Bill Conn
    • Mr. Whitewood
    • Réalisation
      • Paul Aaron
      • Terry Winsor
      • Alan Smithee
    • Scénario
      • Ken Hixon
      • David N. Titcher
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs14

    5,51.1K
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    Avis à la une

    mack3175

    NOT A FERRIS BUELLER RIP OFF.

    I know Jon Cryer was getting a little annoyed in the 80's, when he was being called Matthew Broderick's clone. Jon Cryer has his own cool charm, thats very different Matthew Broderick. And who ever called this movie a Ferris Bueller rip off, really did'nt see this movie, and tried to figure out that this movie is very different from Ferris Bueller. Okay someone copied John Hughes film making style, and did pretty well. This movie was very funny, and it was fun to watch. So give it a break.
    MilB12

    Why is this film compared with Ferris Bueller?

    I keep seeing this film compared to Ferris Bueller's Day Off, and I don't see why. The plots have nothing in common, and the characters are not at all similar. Ferris Bueller's Day Off is about a very cool and clever kid who fools his parents into thinking he is sick, and goes on an adventure in the city. Morgan Stewart's Coming Home is more of a family story. A not so cool kid (Cryer) who was shipped off to boarding school at a young age is brought home to help with his fathers campaign to be elected to the senate and tries to win the affection of his very cold mother and dim-witted father. So why are these two films compared to one another? I see some of the comparison comes from the idea that this film was sold to the public as a Bueller-esque film, but it wasn't. I remember the commercials for this film from way back in the day, and they in no way tried to capitalize on the success of Ferris Bueller. This film is it's own film, as good or bad as it may be. It isn't a Ferris Bueller rip off. Morgan Stewart's Coming Home has it's moments, but it is more suited to a younger audience.
    8johnmorghen

    This film is NOT a lemon...

    First of all, I love this movie. I know the film didn't do well in theaters, and that it had all sorts of trouble behind the scenes, and critics bash it every chance they get. But, I simply don't care... I love it, from start to finish. Jon Cryer is great. And, if you agree with me on this, then you will enjoy this film. If not... then, most likely, you won't enjoy this film. It's that simple.

    I grew up watching this film countless times, as I identified not only with Cryer, but also with his character, Morgan. Growing up, I was "Morbid Morgan", and still am. Along with Cryer's other films, "NO SMALL AFFAIR", "PRETTY IN PINK" and the extremely underrated "HIDING OUT", this one ranks as one my favorites.

    Also, I am getting pretty tired of the accusations that this film was made to cash in on "FERRIS BUELLER'S DAY OFF", as the two are nothing alike, and this particular film, although it was released in 1987, was shot in 1985, a full year before the latter film's release. So there.
    3SillyPuddy

    A dud that had potential

    Wow, was this a stinker. The only character who was tolerable was Mr. Stewart. I've always liked that actor because he has a warm, humorous presence. Cryer was fine when he was not being hyperactive. Other than that this dumb, predictable nonsense is good for one viewing only. That is if you can get through that. Cryer gets his obligatory 80s scene where he does a song and dance number. It worked so well in Pretty in Pink why not throw it in here...Lord knows a filler is always welcome in a movie like this. The scene was so embarrassing and odd. We get it, you went to acting school and were in plays so you gotta let us know about it by strutting your Broadway stuff. Its as if he was using it as a vehicle or trying to prove himself to the industry. How versatile and showy of you....Unfortunately, how annoying for the viewer. The only thing more embarrassing was the botched attempt of humor when Redgrave uttered, "My God he's on drugs" to end the scene. I suppose that was supposed to be the big payoff. Cringe worthy! Then there are the endless chase sequences. I could go on but you get the point.

    The only redeeming part of the movie for me was the touching scene in Arby's where Morgan runs into his Dad eating a beef sandwich. They share the sandwich and Morgan says he can't remember the last time they did that. This was a true, honest moment between a father and a son trying to restore their relationship after a long time away from each other. In a way it reminded me of the scene between Donald Sutherland and Timothy Hutton in Ordinary People in how the father and son have a genuine bond that nothing can break. Not even the mother. This is the Cryer that was human and so lovable as Ducky. IMO this scene shows his acting chops more than any song and dance number could.
    10elspethm

    Great Jon Cryer movie!

    I personally love "Morgan Stewart's Coming Home". Perhaps it's the scenes of Washington, D.C. (my hometown), perhaps it's that I've always had a crush on Jon Cryer. In any case, I think this is a great movie. Viveka Davis is in her best role since "Student Exchange". Jon Cryer is in rare form. If you loved him in "Pretty in Pink" you'll also enjoy him in this movie.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The original director was Terry Winsor who had only one film to his credit, Party Party (1983). He was replaced by Paul Aaron who was so unhappy with the final film that he asked for the Alan Smithee credit.
    • Gaffes
      When Morgan asks Emily on a date he agrees to pick her up, yet she never gives him her home address. She doesn't give him her phone number until later in the movie when she writes it on his hand, so he couldn't have called her to get the address before the first date.
    • Citations

      Morgan Stewart: Look, Doc, okay? I'm gonna level with ya. Okay, I have been doing drugs.

      Dr. Cabot: I understand. I'm glad you told me, Morgan. For your sake I'm glad. Now, exactly what kind of drugs?

      Morgan Stewart: I've been free-basing Clearasil.

    • Connexions
      Features The Brady Bunch (1969)
    • Bandes originales
      Painted Moon
      Composed and Performed by The Silencers

      Courtesy of RCA Records

      © 1986 RCA Music Ltd.

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    FAQ17

    • How long is Morgan Stewart's Coming Home?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 20 février 1987 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Qu'il est dur d'être farceur, d'aimer la musique pop et les films d'horreur quand on a un père...
    • Lieux de tournage
      • Charlottesville, Virginie, États-Unis
    • Société de production
      • Kings Road Entertainment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 2 136 381 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 48 438 $US
      • 22 févr. 1987
    • Montant brut mondial
      • 2 136 381 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 36 minutes
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.85 : 1

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    Qu'il est dur d'être farceur, d'aimer la musique pop et les films d'horreur quand on a un père qui se présente aux élections (1987)
    Lacune principale
    By what name was Qu'il est dur d'être farceur, d'aimer la musique pop et les films d'horreur quand on a un père qui se présente aux élections (1987) officially released in India in English?
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