Éclair de lune

'Moonstruck' is a love story. There is not one romance, there are at least three, but they all have to do with the same family. Loretta's family. Loretta (Cher) is about to marry Johnny Cammareri (Danny Aiello). She doesn't love him, but he is sweet and good man. When he leaves to visit his dying mother in Italy Loretta meets Johnny's brother Ronny (Nicolas Cage). He and Johnny haven't spoken each other in five years and Loretta wants to invite him to the wedding. Of course they fall instantly for each other.

How this story and love stories of Loretta's parents and uncle and aunt develop is something you simply have to see for yourself. Every seen is a delight to watch, with Cher as the bright star in the middle of everything. She won and really deserved the Oscar that year. Cage is pretty good, and goofy as well, and Olympia Dukakis as Loretta's mother and Vincent Gardenia as her father are terrific. This movie is funny, charming and therefore highly enjoyable.

I don't know what it is about this movie, but there is something about it that just makes me happy! Olympia Dukakis is wonderful, Cher totally deserved her Oscar, and the usage of La Boheme is absolutely beautiful. The scene when that beautiful moon rises above New York never fails to give me chills. What a great movie! Five Stars!

People call this Cher's movie, but Olympia Dukakis makes it for me. It's under her roof that I heard some of my favorite dialogue in the movies.

I am not a violent person, but "Old man . . . you give those dogs another piece of my meat and I'll kick ya til ya dead!" has got to be on my top ten list of memorable quotes.

I like the conversations around this family's kitchen table maybe because growing up, meals in my house were pretty silent even though there were seven of us. Funny that it took an Irish screenwriter to capture the Italian cadences. These people aren't caricatures of Italians or any other ethnicity, they are just a vocal family.

In another time, with just a few changes in the script, this story could have been high operatic drama. But it's not. It's a romantic comedy not a tragedy - even though it contains elements of tragedy - death under a bus, a lost limb, betrayal of marriage vows, and misinterpretations and misunderstandings.

But these characters TALK about what's on their minds. You want to know where the Met is located? You ask your hairdresser. You think your husband is flirting with another woman? You tell him that while you're both working behind the wine counter - in front of a customer. You're mad at your brother, you want to know why men need more than one woman, you want your son to pay for the wedding of his only daughter? If you really want to know, if you really want results or answers, you speak up!

Besides movies based on Agatha Christie novels, it is rare that a story ends with bringing the entire cast together more satisfyingly than "Moonstruck." The morning-after-the-opera scene in Rose Castorini's sunny kitchen with all the characters present is one that I can watch again and again. "You've got a love-bite on yer neck - your life's goin down the toilet!" "I want you to stop seeing her" "Who are we waiting for?" "Johnny Cammarari" "You're a part of the family!"

No matter what sort of table you grew up around, rent or buy this movie.

And remember, "No matter what you're gonna do you gonna die, just like everybody else!"

This movie is brilliant in every way. It touches on the complexities of loving relationships in a meaningful way, but never lectures. The script never condescends toward any character, not even the hapless Johnny. It also and benefits from spot-on direction, production design, casting, and performances. The fact that Cher is so perfect in the film and is more unlike "Cher" than she has ever been is a wonder to me. I watch Moonstruck at least once a year and I just viewed it again this Christmas eve with my 16 year old twin daughters and they loved it as well. It has something for everyone with a heart and leaves you filled with joy in the end.

Deliriously romantic comedy with intertwining subplots that mesh beautifully and actors who bounce lines off each other with precise comic timing, a feat that is beautiful to behold. When Cher's spineless fiancé asks her to help him make peace with his estranged, moody younger brother, no one could dream the consequences which follow. Operatic symbolism, Catholic church confessions, love bites and falling snow..."Moonstruck" is timeless and smooth. It takes about 15 minutes for the picture's rhythm to kick in (there's an early sequence with the grandfather and his dogs at the cemetery that's a little rough, and a following scene with Cosmo and the elderly man at the gate that seems obtuse), but the patchwork of the plot is interwoven with nimble skill, and the movie's wobbly tone and kooky spirit are both infectious. ***1/2 from ****