Les roues de la terreur

A very watchable low budget WWII action adventure in the same vein as Kelly's Hero's. You could say it's a cross between Kelly's Heros and the Dirty Dozen. It's a light-hearted adaptation of a Sven Hassle novel about a German penal tank crew sent to the Russian Front. On their return they are sent on a mission to destroy a train behind enemy lines with the promise of retirement if their mission is successful. The tone is one of anti-war and anti-nazism, with the laid back crew pushing insubordination to the limits. The movie has a good cast and characters. David Carradine is superb as the nazi Col. Von Weisshage; and indeed one of the things that make it enjoyable is that all the actors seem to be enjoying their roles. The other thing that makes it enjoyable is the solid humour that keeps a steady pace.

For almost two years I successfully resisted renting this movie. That resistance was certainly aided by the cheap looking case of the video, and the fact that director Gordon Hessler is known (if at all) in the US only for a trio of cheap, British, AIP horror flicks, "Scream and Scream Again" being marginally the most watchable of the lot. But the desire to see what Hessler and his mostly American TV actor cast would do with such material, and the need for relief from a recent diet of "serious" indie film viewing, pushed me over the edge to spend the whole one dollar rental fee. Obviously "the Misfit Brigade" is no masterpiece, but it was far better than I expected, and, as others have pointed out, occasionally rises to the level of pretty damn good. I loved, for instance, the sequence in which the misfits watch a Soviet propaganda film projected on a large screen across the front line. I don't know if this ever happened, and if it did, I doubt he films would have had the big studio production values of the one presented. The bordello sequence was also funny, and reminded me of the humor in some of the better Italian westerns. There was also the occasional visually striking shot. I particularly liked the long tracking shot that begins on a Russian peasant coming to a road, then follows a Russian military vehicle through the gates of a compound, then swoops up on a crane to the roof, where a German soldier is observing the vehicle. Then, in subtitled Russian, someone yells, "There's a Kraut on the roof," and we cut to a shot of the rest of the misfits (some distance away) as we here automatic weapons' fire on the soundtrack. This is damn good sequence. I've read in his mini biography here on Imdb, that Hessler worked for Hitchcock's TV unit at Universal before directing features. This long tracking shot is certainly similar to one of Hitch's, and even shares a bit of the master's dark humor. But, OK, this film is not art. It is somewhat choppy (at least in the U.S. video version), and the low budget shows in some of the action sequences. Still, it's a fun little movie if one can accept its limitations. Even David Carradine seems to be enjoying his minor role as an uptight German officer. Oliver Reed is not on screen very long as a pompous German general who arrives at the end of the film to decorate the misfit heros. I cannot agree that his attitude during the air raid which follows detracts from the film's "realism." This is all slapstick anyway, which accounts for the film's final cut, before some graphic violence would have betrayed it's lighthearted mood.

Svel Hassle has written a lot of books about his war experiences as a Dane in the German Army in WWII. Most of these fictional accounts but based on real-life events), the books have been widely released in Europe, but from time to time are available in North America as well (Corgi Press).

This is the one and only movie made from one of his books, a shame really, since Swen Hassle portrays way in a most realistic manner; neither making light of what is happening, not glorifying war, but emphasizing the "Kameradschaft" - the effects of the war's events on Swen and his friends.

The movie unfortunately has some flaws that keep it from being really great. Foremost of these is the casting of David Carradine as a German officer. Too bad, since his performance in this film is sub-par at best.

The casting of Bruce Davison as Porta is a great choice, and he really shines in this movie, and along with David Patrick Kelly (as "The Legionnaire") gives realistic performances.

One of the major reasons this movie didn't receive wider distribution was protests from a number of groups who thought the movie - although they probably had not seen it - glorified the Nazi regime. It doesn't - it portrays war as brutal (on all sides), with no leaders to rely on, rather only one's fellow soldiers to depend on for your life.

A side-note - Swen Hassle is still alive (at this writing) and until relatively recently, has still been writing (although not writing fiction any more). Two of the three major characters in his books (Tiny, Porta and the Legionnaire) survived the war as well.

To tell the truth, I liked this movie. It's not great, it's not even good, but it's a very entertaining piece of budget movie history, and considering that I am surprised at how good it actually became.

Basically it is a classical Dirty Dozen/Guns of Navarone mixture. Group of misfits in German penal battalion goes on impossible mission, shot lots of ruskies, loose some good men and have some strange/amusing/other encounters. The acting isn't bad, in fact it's downright good in a few spots such as Tiny and The Legionaire but generally it's pretty mediocre. What makes this movie something more than B trash is the fact that it has some pretty likable characters and some pretty funny scenes.

For example; throughout the movie we are given propaganda bulletins on the German radio talking about the heroes of Bektovka, who are holding out against all odds far behind enemy lines. One is compelled to laugh at the absurdity when our heroes accidentally end up at Bektovka and discovered that the 'heroes' are living a quiet farm life together with the Russian defenders of the village.

Another fun thing, at least for me, was how equipment and uniforms change continuously throughout the movie. At one point even the German tanks (which look suspiciously like Russian JS3s) are transformed, into Russian T-55s.

Wheels of Terror gave me a feeling of watching an episode of the 60s WW2 series 'Combat' or the old Polish series 'Four Tankers and a Dog'. If you're looking for a good war movie see Peckinpah's 'The Iron Cross' or Stone's 'Platoon', but if you're looking for a trip down nostalgia lane Wheels of Terror is the movie for you.

...my main reason for adding this review is speculating on why so many of the more positive reviews mis-spell Sven Hassel's name in the same way ('Sven Hassle').

Seems legit...

EDIT:

Aaaaanyway, so this turned up on UK TV and I watched it again after a long interval.

Back story: I was an almost fanatical fan of the books in my teens. I tracked this film down on rental in about 1989 when I was about 16, rigged two VHS players up and made a copy.

Boy was I disappointed. The book it wasn't.

Watching it again after ~33-34 years, it's nowhere near as bad as I remembered. Sure, it's no Saving Private Ryan, but it does make a decent effort with an obviously microscopic budget, the tank scene is... spirited I suppose. David Carradine and Oliver Reed chew the scenery in a satisfactory way.

And despite what the other reviews say, it actually makes a fairly good stab at capturing the atmosphere and spirit of the book. Square-jawed German heroes these are not.

Finally, I note now that the actor that plays Sven was also the young blond Russian soldier in Cross of Iron, a thematically similar - albeit far superior - film.

A slightly surprised 6/10.