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Ajouter une intrigue dans votre langueA spoiled rich girl is visited by her fairy godmother and turned into a maid.A spoiled rich girl is visited by her fairy godmother and turned into a maid.A spoiled rich girl is visited by her fairy godmother and turned into a maid.
- Réalisation
- Scénario
- Casting principal
Begonya Plaza
- Maria
- (as Begoña Plaza)
Rain Phoenix
- Brie Starkey
- (as Rainbow Phoenix)
Teddy Wilson
- Woodrow
- (as Theodore Wilson)
Avis à la une
"...and some princesses deserve to be maids."
That pretty much sums up the story behind 1987's 'Maid to Order'. Jessie Montgomery is a 20-something spoiled rich girl, the only child of her widowed father (Tom Skerritt). Jessie is an irresponsible brat who lands herself in jail one night for reckless driving and drug possession, and her frustrated father wishes on a star that he had never had a daughter (which, in retrospect, seems pretty harsh). Somewhere, someone of great power is listening, and his wish is granted. Jessie wakes up the next morning to find her record has been wiped clean. Unfortunately, so has her life.
Jessie is recognized by nobody; not even her own father. Her only companions now is a filthy party dress and a lady (Beverly D'Angelo) who calls herself Jessie's fairy godmother- she's actually the "witch" who granted Jessie's father's wish. Jessie is forced to take a job as a maid for a high-profile Beverly Hills music promoter and his wife (the late Dick Shawn and Valerie Perrine) and has to learn to love and respect people, as well as herself, all over again.
I love Ally Sheedy in this role. She plays the part of the wealthy b*tch very well. You cannot help but feel sorry for her poor, soft-spoken father. But the real stars are the goofy Starkys, the rich and cheesy family Jessie works for.
That pretty much sums up the story behind 1987's 'Maid to Order'. Jessie Montgomery is a 20-something spoiled rich girl, the only child of her widowed father (Tom Skerritt). Jessie is an irresponsible brat who lands herself in jail one night for reckless driving and drug possession, and her frustrated father wishes on a star that he had never had a daughter (which, in retrospect, seems pretty harsh). Somewhere, someone of great power is listening, and his wish is granted. Jessie wakes up the next morning to find her record has been wiped clean. Unfortunately, so has her life.
Jessie is recognized by nobody; not even her own father. Her only companions now is a filthy party dress and a lady (Beverly D'Angelo) who calls herself Jessie's fairy godmother- she's actually the "witch" who granted Jessie's father's wish. Jessie is forced to take a job as a maid for a high-profile Beverly Hills music promoter and his wife (the late Dick Shawn and Valerie Perrine) and has to learn to love and respect people, as well as herself, all over again.
I love Ally Sheedy in this role. She plays the part of the wealthy b*tch very well. You cannot help but feel sorry for her poor, soft-spoken father. But the real stars are the goofy Starkys, the rich and cheesy family Jessie works for.
Jessie Montgomery (Ally Sheedy) is a spoiled troublesome bored rich L.A. kid. After a drug arrest, her exasperated widow father Charles (Tom Skerritt) makes a wish that he never had a daughter. Her fairy godmother Stella (Beverly D'Angelo) comes to take Jessie out of jail but tells her that she is no longer Charles' daughter. She is penniless and without any connections. Stella tells her to straighten up and get a job. She stumbles into an employment agency which just happens to be looking for a white maid. She's working for the crass Starkeys (Valerie Perrine, Dick Shawn). Nick McGuire (Michael Ontkean) is the chauffeur pretending to be a mechanic who's trying to get talent agent Starkey to listen to his tape.
It's an interesting switch on the Cinderella story. I was in love with Ally Sheedy from 'The Breakfast Club' back in the day. This is one of the last starring roles before her stardom faded. She never really found her sweet spot but she continued to work. There are no big laughs in this movie but it is kind of cute. Sheedy is perfect for this role. She still has rooting interest despite being a complete brat.
It's an interesting switch on the Cinderella story. I was in love with Ally Sheedy from 'The Breakfast Club' back in the day. This is one of the last starring roles before her stardom faded. She never really found her sweet spot but she continued to work. There are no big laughs in this movie but it is kind of cute. Sheedy is perfect for this role. She still has rooting interest despite being a complete brat.
This is a great movie,Ally Sheedy stars as a spoiled brat that learns a valuble lesson when she gets a look at the real world.At first she lives with her rich family,but after many problems she becomes a stranger to them and has to get a job and face life.I liked the movie,warm,funny,entertaining,Ally Sheedy was great.I liked Carmine Iannaccone's small part as the habib.Has anyone seen the horror movie Slaughter High?Carmine starred in that as Skip Pollak.Well,that's all I can say for this film,but it was terrific,great 80's movie.See it if you have'nt already,you'll love it! Jacob Young
Jessie is a spoiled rich kid who finally pushes her widowed father Charles too far. After her father wishes he never had a daughter, one day Jessie wakes up with nothing and is told by "fairy godmother" Stella she will have to make it on her own. The poor girl has no idea how to do that, and the results are predictable but hilarious. The only reason she can get a job: the eccentric but loaded Starkeys want a white maid for a change, and they are amazingly patient. Stan is an agent who represents entertainers but has hit a slump; Georgette changes her hair style (and hair color) numerous times and finally gets it right. Their other servants are Audrey, a formerly popular black singer who had a drinking problem but had children to raise (she doesn't seem to be married), Maria from El Salvador, and klutzy chauffeur Nick.
Eventually, Jessie learns her lesson, and the ending is formulaic but enjoyable. This is a movie that reminds all of us we should be nice to everyone, even the servants, and not be too proud to do the dirty jobs in life.
Ally Sheedy was good most of the time. She started out spoiled but still easy to like, and ended up sweet. The one problem I had with her performance was when she begged for her old life back. Somehow that just didn't seem right. Even though her character was supposed to be a whiner, she just seemed too whiny. Overall, the good outweighed the bad by a large margin.
Most of the other acting performances were really good. I especially liked Theodore Wilson as Charles' servant, maybe because I've seen him in so many roles going back to his days as the mailman on "That's My Mama". And Tom Skerritt is always good.
This was a pleasant movie with lessons to teach us, even though the theme has been repeated many times.
Eventually, Jessie learns her lesson, and the ending is formulaic but enjoyable. This is a movie that reminds all of us we should be nice to everyone, even the servants, and not be too proud to do the dirty jobs in life.
Ally Sheedy was good most of the time. She started out spoiled but still easy to like, and ended up sweet. The one problem I had with her performance was when she begged for her old life back. Somehow that just didn't seem right. Even though her character was supposed to be a whiner, she just seemed too whiny. Overall, the good outweighed the bad by a large margin.
Most of the other acting performances were really good. I especially liked Theodore Wilson as Charles' servant, maybe because I've seen him in so many roles going back to his days as the mailman on "That's My Mama". And Tom Skerritt is always good.
This was a pleasant movie with lessons to teach us, even though the theme has been repeated many times.
I caught this movie years ago on TV. Subsequently, it seems to have disappeared from the Earth like some others have. I snagged a copy from eBay and so got to watch it again during an otherwise tedious time in an airport.
I'd say it held up just fine. The reason I enjoy this and similar shows is there's nothing bad happening. I'm uninterested in watching people torn apart or otherwise destroyed, cities laid waste to and the other disasters we're subject to now that CGI has reached a high state of excellence.
This is a terrific ensemble rather shakily directed with a few odd choices in plot details such as the choice of the comeback song performed at the charity event. Still, the whole thing goes down easily.
I've seen it compared to Tootsie and no, it's not anything of that caliber if you care about movie quality. That doesn't decrease how much I enjoy this show. Not every thing needs to be serious and this isn't.
I'd say it held up just fine. The reason I enjoy this and similar shows is there's nothing bad happening. I'm uninterested in watching people torn apart or otherwise destroyed, cities laid waste to and the other disasters we're subject to now that CGI has reached a high state of excellence.
This is a terrific ensemble rather shakily directed with a few odd choices in plot details such as the choice of the comeback song performed at the charity event. Still, the whole thing goes down easily.
I've seen it compared to Tootsie and no, it's not anything of that caliber if you care about movie quality. That doesn't decrease how much I enjoy this show. Not every thing needs to be serious and this isn't.
Le saviez-vous
- AnecdotesThe band at the party, the Loaded Blanks, are actually the hard rock band Great White.
- GaffesWhen Maria uses the vacuum cleaner after Jessie sucks up the curtains, a significant portion of the debris lands on the pink chair behind Maria. In the next shot when Maria shouts angrily in Spanish, the chair is clean.
- Citations
Jessie Montgomery: You're a witch!
Stella Winston: I'm perfectly harmless!
Jessie Montgomery: That's what they said about asbestos!
- ConnexionsFeatured in Siskel & Ebert & the Movies: They'll Do it Every Time: Part One (1989)
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- How long is Maid to Order?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Miracle à Beverly Hills
- Lieux de tournage
- 32596 Pacific Coast Hwy, Malibu, Californie, États-Unis(Starkey residence)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 9 868 521 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 162 491 $US
- 2 août 1987
- Montant brut mondial
- 9 868 521 $US
- Durée
- 1h 33min(93 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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