La rançon mexicaine

I enjoy this movie more each time I watch it. It at it has all of the elements that make for a good romantic comedy.

The main characters - portrayed on the one hand by the inimitable Audrey Hepburn and on the other by the still sleek Robert Wagner -are as lively and believable as ever. We are given as a bonus the added abilities of Jerry Orbach as the mysterious bad - good guy.

All of the elements of the classic romantic comedy are in evidence here.

There is a great cast. There is incisive and clever dialogue. There is the element of danger without being so dramatic that one forgets that one is watching a comedy. There is the hate / love relationship that develops, with the viewers permission, into a love / hate and then a love only relationship.

Best yet it is all folded up in the course of an almost unbelievable story. Surely the mark of a good Romance.

Audrey Hepburn was in very few films in the 80's. This was the worst of the lot. At the start Audrey steals some treasures from a museum and is later inolved with a host of characters that have some interest in her loot. The acting was mediocre. The plot was predictable and boring.

The class and style of Audrey Hepburn and Robert Wagner make this an enjoyable lark. The plot and writing are weak, but Hepburn's smile and style are captivating. Wagner obviously enjoy being Hepburn's foil - and flirting with her in the process.

I really enjoyed watching this film; a made for TV movie filmed in the late 1980s. Some of the reviewers have expressed disappointment with this film; expecting some serious Audrey Hepburn classic I guess. Hey guys, that is not what this movie is about! Audrey and Robert Wagner were already proven stars when this movie was made. It was not the vehicle that made them stars nor was it meant to be. They were doing it for fun; much like an old timers baseball game. They wanted to perform for their loyal fans and enjoy themselves in the process. Nothing serious was meant for this film and it would be interesting to see the outtakes. I am sure Audrey cracked up laughing a few times when she repeated some lines in this movie that she had said in some other movie over twenty years before. This movie was more of a pleasant retrospective piece than anything meant to be serious. Much like a 55 year old Mickey Mantle at bat at an old-timers game or Dean Martin and Frank Sinatra doing some stand up comedy together in the early 1990s. Without spending much energy on their part all of these old-timers could still be fun to watch. It is a great film to watch as long as you remember that it is not serious; nor meant to be. There is one serious note to all this that I would like to conclude with. This would have been an even greater film had Audrey not died prematurely just a few years later. That is the sad part about all this. Audrey, we miss you.

LOVE AMONG THIEVES is by and large the last bonafide Audrey Hepburn film, much to the chagrin of many fans who, depending on their opinion of her later work, usually feel her swan song should have been ROBIN AND MARIAN in 1976. I myself rather liked THEY ALL LAUGHED, the film Hepburn made six years before this one, so I do not entirely agree that she made nothing worthy of her after the 70s. That being said, LOVE AMONG THIEVES does leave a lot of be desired.

The story is unabashedly light and airy. It clearly acts as a homage movie, referencing lots of Hepburn's former work, particularly CHARADE. In fact, the plot lifts a lot from CHARADE, even whole sections of dialogue, a gimmick that got old quickly. Unlike CHARADE, the movie does not balance out its romantic comedy with suspense well; the villains are never particularly threatening. Sometimes, they're downright incompetent.

However, this movie is so unpretentious and even easygoing that it's hard to dislike it. Hepburn and Robert Wagner don't have the best romantic chemistry, but they play their roles well and with tongue firmly in cheek. Had Hepburn's last film been the dreadful BLOODLINE, I would lament. In that regard, we are lucky. I would have have preferred her final film been something more clever or grand, but as far as that goes, LOVE AMONG THIEVES, slight and silly as it is, will have to do.