The Lonely Passion of Judith Hearne

Only 21 reviews? The film may be a bit flawed on some levels, but is still a masterpiece. Because of her; La Smith. I don't think Maggie Smith has ever failed in a role. And Judith Hearne is one of her finest moments, as she didn't have to rely on an sophisticated, aristocratic charism. I love the Hearne character, even as I wanted to slap her sometimes.

Dame Maggie is at the top of her career right now, due to the Downton Abby craze and it's cinema version. I guess that if Maggie kicked Elizabeth II out of Buckingham palace and sat herself down in the royal chair, no one in England would protest....everybody, EVERYBODY loves the indestructible Dowager!

This movie is very touching and Maggie is truly royalty, a delightful woman, a unique actress, and her Judith won her numerous awards, but the film is mostly forgotten these days. And I will never forget that fire red 1950's spinster coat of hers....

This is a mediocre movie containing one performance so brilliant and so powerful and so beautiful that it deserves ten stars all by itself. Obviously I'm talking about Maggie Smith as Judith Hearne. The other actors - Hoskins, Kean, McNiece and the rest - are fine, but beside Smith in THIS role they come off as amateurs.

The story is so annoyingly melodramatic and manipulative that I would have turned it off if Smith hadn't been there in almost every scene, transforming a cheap soap opera into a vehicle for the finest, smartest, rawest, most moving and most exhilarating acting performance I have ever seen in the thousands of movies I've watched in the past 60+ years.

Thank God this performance was not made tawdry and commonplace by winning an Oscar. It is much too good for so sleazy an award.

Playing an atypically quiet character for the most part, Maggie Smith is excellent in this film, and she deservedly won the BAFTA award for Best Actress for her role. As for the film itself, it is also powered by some fine acting from Marie Kean, and the motivations are interesting for each and every character - the film is a study of why different persons do what they do and what they expect in return. Sadly the snail's pacing is a bit slow for the material to have vigor, and some techniques used do not come off well, such as the melding of flashbacks and double narration with two characters each saying their thoughts. The gloom and anger in the film tend to verge on the excessive, but yet these sad emotions bring extra power to the story, and there really is not much of a story - in terms of events - to work with, but the film manages to do a satisfactory job. However, to call Smith satisfactory would not be justice at all. She is simply wonderful, in one of her last great performances, and the film is worth seeing for her work in it alone.

An unsparing portrait of a lonely spinster with nothing to go on but her own ever-weakening faith. All the performances are wonderful, but Maggie Smith in the title role is revelatory. One of the best performances by an actress that I've ever seen.

Maggie Smith is enormously affecting as Irish piano teacher Judith Hearne, whose life is plagued by Catholic guilt; painful memories of her early life with a difficult, wealthy aunt; and the less-than-genteel situation in which she now finds herself. At the shabby boarding house where she lives, Hearne meets the brother of her landlady. As they become friendlier, she seizes on the chance that this man will save her from a dismal life as a poor spinster.

The uniformly fine cast includes Bob Hoskins and Prunella Scales. I cannot recommend this movie highly enough to anyone who enjoys character-driven stories.