Ajouter une intrigue dans votre langueA young knight intent on joining King Richard's crusaders pledges to lead a group of orphans to safety and to protect them from a notorious slaver.A young knight intent on joining King Richard's crusaders pledges to lead a group of orphans to safety and to protect them from a notorious slaver.A young knight intent on joining King Richard's crusaders pledges to lead a group of orphans to safety and to protect them from a notorious slaver.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Deborah Moore
- Mathilda
- (as Deborah Barrymore)
Avis à la une
Lionheart is a great film about what happens to everyone, particularly children, during war. As a knight makes his way to join King Richard on the Crusades, he picks up a band of children, which he must protect from the Black Knight. The Black Night wants these children as slaves. Follow the band of children and their lord as they try to beat the odds and make it to King Richard.
This shockingly obscure film, especially when considering the talent behind the camera, and the lavish production design, stands as an average fantasy adventure without any of the magic of EXCALIBUR. It oddly borrows a few of the same cast members, namely Nicholas Clay and Gabriel Byrne playing very similar character. Byrne, no surprise, snarls his way through the film while our star Eric Stoltz isn't exactly the most engaging or charismatic, but does a fine job with his character of a cowardly knight who finds his true calling protecting children after fleeing the battlefield.
The overall themes track much more closely to the lower-budget EXCALIBUR knockoff that was HEART AND ARMOR in that it focuses heavily on the battles between Moors and Christians. There's even some vague history involving the real-life Children's Crusade and the rampant child slavery of the day thrown in for good measure, though don't expect this film to enlighten you too much as it never goes beyond the surface level. The battle scenes never get too bloody, though it's a violent enough of a film to not seem aimed squarely at young viewers. There are plenty of goofy scenes sprinkled in, like the little flags on a fortress roboticly raising and lowering depending on who's in charge.
I can see why this film failed to find the legacy audience of FLESH + BLOOD or LADYHAWKE (made around the same time) as it's not as gritty and realistic as the former nor romantic and anachronistic as the latter. However I had to say I enjoyed it far more than either of those. At least there's not any sexual assault or Matthew Broderick gumming up the works.
The overall themes track much more closely to the lower-budget EXCALIBUR knockoff that was HEART AND ARMOR in that it focuses heavily on the battles between Moors and Christians. There's even some vague history involving the real-life Children's Crusade and the rampant child slavery of the day thrown in for good measure, though don't expect this film to enlighten you too much as it never goes beyond the surface level. The battle scenes never get too bloody, though it's a violent enough of a film to not seem aimed squarely at young viewers. There are plenty of goofy scenes sprinkled in, like the little flags on a fortress roboticly raising and lowering depending on who's in charge.
I can see why this film failed to find the legacy audience of FLESH + BLOOD or LADYHAWKE (made around the same time) as it's not as gritty and realistic as the former nor romantic and anachronistic as the latter. However I had to say I enjoyed it far more than either of those. At least there's not any sexual assault or Matthew Broderick gumming up the works.
This movie is perfect in almost every way, but one thing ruins it. First the good stuff: we have action, romance, evil, great locations and sets, a great Jerry Goldsmith score, and an original plot: what happens to children in war?
So how come the movie doesn't work? It's the pace. Everything in this movie happens at AN INCREDIBLY SLOW PACE. You'll get impatient and frustrated. And that ruins the wonderful feel everything else has built up.
What a shame. What a real shame.
So how come the movie doesn't work? It's the pace. Everything in this movie happens at AN INCREDIBLY SLOW PACE. You'll get impatient and frustrated. And that ruins the wonderful feel everything else has built up.
What a shame. What a real shame.
It's the end of the 12th century. The young pious Robert Narra (Eric Stoltz) sets out to join The Third Crusade with King Richard the Lionheart. On route, he runs away from a battle. He encounters two escaped performers/thieves Michael (Dexter Fletcher) and his sister Mathilda (Deborah Moore). Michael would like to go to Paris. They seek shelter at a monastery where they're told about The Black Prince (Gabriel Byrne) who captures and sells children to the Muslims. The Black Prince is a disillusioned former crusader. In Paris, they are captured by the orphans of the Underground City. The Black Prince kills the mayor of the Underground City and plans to capture the army of orphans as they go off to join the crusade.
The Children's Crusade is not a happy story. The problem is that the goal is not well conceived. In order for this to work for a modern audience, they need to find a nicer place for them to strive for. I don't know why anybody would root for the kids to get to the crusade. Also this doesn't feel real enough to be gritty or fanciful enough to be magical. It operates in a weird middle ground where neither is satisfied. Jerry Goldsmith brings an epic score to this not-so epic movie.
The Children's Crusade is not a happy story. The problem is that the goal is not well conceived. In order for this to work for a modern audience, they need to find a nicer place for them to strive for. I don't know why anybody would root for the kids to get to the crusade. Also this doesn't feel real enough to be gritty or fanciful enough to be magical. It operates in a weird middle ground where neither is satisfied. Jerry Goldsmith brings an epic score to this not-so epic movie.
This is probably the best fantasy movie set in a historical period that has been made. The story does not insult the audience by assuming they are ignorant, and requires that people actually pay attention.
Yes, the accents aren't entirely accurate. Yes, some things are not explained. Tough. The arms, armor, and tactics are accurate and properly executed. The duel between Robert and Matilda is both amusing and impressive. No Wirefu, no anachronistic eastern martial arts, nothing in the movie that doesn't belong.
Music is also excellent, and unlike LadyHawk, appropriate to the feel of the movie.
The only reason I can figure for this movie not being a bigger success is that people confused it with the Jean Clod Van-Dummie movie of the same name.
Yes, the accents aren't entirely accurate. Yes, some things are not explained. Tough. The arms, armor, and tactics are accurate and properly executed. The duel between Robert and Matilda is both amusing and impressive. No Wirefu, no anachronistic eastern martial arts, nothing in the movie that doesn't belong.
Music is also excellent, and unlike LadyHawk, appropriate to the feel of the movie.
The only reason I can figure for this movie not being a bigger success is that people confused it with the Jean Clod Van-Dummie movie of the same name.
Le saviez-vous
- AnecdotesThis is the final film that composer Jerry Goldsmith would compose for the director and his personal friend, Franklin J. Schaffner, who would direct one more film, Welcome Home (1989) before his death on July 2, 1989 at the age of 69.
- ConnexionsFeatured in Survival Scars: Franklin J. Schaffner as Auteur (2023)
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- How long is Lionheart?Alimenté par Alexa
Détails
- Durée
- 1h 44min(104 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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