Electric Blue

Back when I was 21, I went with a few friends to see another film (I forget which, now) that had sold out, leaving us with this film as an option that we took.

I was so pleasantly surprised that a film I would otherwise never have bothered with turned out to be so resonant with me.

I expected a teenybopper rock'n'roll picture. This film is nothing close to that. This is a gritty, hard-edged slice of life. It is full of realistic human emotion and genuine observation of actual "rock'n'roll" lifestyle, which for the vast majority of rockers means nightly sharing of a van and a motel room and splitting up a few hundred bucks five or six ways before expenses. The scene in "Motel Hell" where Fox doles out the money (after enumerating the expenses including "forty-five dollars for that tire, and eighteen for the Chinese feast") just struck such a ringingly true chord with me.

The secondary drama, which plays out as you understand that the primary drama (will the band make it?) is already moot (Fox knows that the Barbusters have no chance; Jett continues to chase the dream regardless) commences with the discovery of their mother's illness.

The interplay between Jett and her mother in the hospital as the mother lays dying and they reconcile their long-hardened differences is surprisingly well-played, especially on Joan Jett's part. I expected great acting from the superb Gena Rowlands; I expected zero from Jett and was blown away instead. I'm surprised she never got any other real roles; I found her to be extremely easy on the eyes and quite a lovely and talented actress. Whatever.

The film has a terrific ending. No, they don't make it to the big-time, but you never expect that to happen anyway. It is simply a satisfying ending that matches the size and scope of this terrific film, which was never intended to be anything more than a look at a Cleveland family who has two members who happen to play in a road band.

Catch it once in your lifetime.

This film may not be a work of genius, but it touched me deeply in 1987 and it still does. Joan Jett and Michael J. Fox touch a chord literally and figuratively as polar opposite siblings who share a passion for music. Gena Rowlands is absolutely brilliant as the desperately ill mother who clings to her faith for solace and dominates her children out of fear for them. The soundtrack is jam-packed with old-fashioned style rock n' roll. An instrumental piece (titled Elegy) underscores the leaden sadness throughout the film and is ethereal and beautiful. For anyone who has struggled with family strife, there will be familiar territory here. This film is, in my opinion, underrated and worth a second (or a first!) look.

MJ Fox may have done his best serious acting here, but jett is better. A strange thing about the 70's runaways group. One chick, the one Dakota played in the biopic of the runaways recently, Cherrie Curie, did a great job acting in the 1980 movie Foxes.....and Joan nails it in 87...go figure....

A simple, very depressing, but realistic movie....slice of life stuff. Which, as someone mentioned, is obviously why it flopped at the BO. Very good bar band stuff from Jett here.....

Paul Schrader has never made a movie without merit. Keep in mind this is the guy who wrote the script for Taxi Driver and Raging Bull, so even his least movies have something to offer. Schrader deals in some very heavy, deep human motivations and inclinations in his flicks, and never made a movie that was light fluff yet. This is the closest to that claim, and even this movie has merit and substance. Prob the worst movie he made, but even this is good....

Let's face it, the guy has never made a bad movie...

I never enjoyed the cutesy characters they always have Fox portray. Here he does a great job as a "regular", decent guy who is loyal to his family and just wants to know what his dream is. I think that Joan Jett did a fantastic job -- not too many musicians can cross over so well into movies. Fox and Jett are believable as brother and sister and Gena Rowlands is always incredible.

I think this movie was panned because people expect Mr. Fox to be silly and boyish (two things that he wasn't in this movie.) Good for you, Michael.

This was another attempt by MJF to step away from Family Ties (the other at the same time frame was Bright Lights Big City).

Bright Lights is probably a slightly better movie but this is a better character for Fox. He is helped considerably by his seriously convincing (lol) co start Joan Jett playing a musician (not much of a stretch I know!)

That co star helps Fox be convincing enough.

It has its cheesy moments but they are over come by the 2 stars :)