Kiss Daddy Goodnight

I watched this on my betamax last night again. The opening credits and music is fuzzy and lo-rez, wholly impressionistic. I am not one for expensive special effects, nor demanding of a well-crafted story or skillful acting. This movie just gives me a warm feeling, and at some level I think that's all it sets out to do. Uma is scintillatingly beautiful, ala '88 makeup trend at the time. This was the first movie I ever saw her in - before she became known - and I fell in love with her androgynous look immediately. Buscemi shows up, as well as a great cameo by east village music master Arto Lindsay (Ambitious Lovers) as a cab driver. Everything looks exactly the way it did in NYC '88, down to the horribly trashy dive clubs. If you watch movies for a certain feeling, you'll enjoy this one. If you watch movies in order to wax poetic like a fluke critic, then move on to some Oscar list.

Where to start? Extremely poor lighting-most of the time you couldn't tell what was going on. The actors' are hidden in shadow the majority of the time. It's like someone shot the movie in their unlit basement at midnight. Didn't someone at least have a snakelight or something?

The dialogue is pitiful, mundane and the movie plods along at a molasses pace. You spend most of the movie wondering "what just happened?", and trying to figure out one scene while it moves on to the next.

The editing is choppy. You'll see characters go into one location, no explanation as to why there there, and then in next scene they're at a different location. It gives the editing job done on "Plan 9 From Outer Space" a run for it's money. Finally, to top it off, Paul Dillon's unibrow is incredibly distracting.

I'd skip this movie. My roommate bought it for $1.99 and it wasn't worth that much.

This is Uma Thurman's first movie and I guess she did it only for the money as she later went on to star in great movies such as THE ADVENTURES OF BARON MUNCHAUSEN, PULP FICTION, the two KILL BILLs and more. I guess this is the proof that anyone can debut with garbage yet survive it.

Laura (Thurman) is a girl that loves to stroll around town at night wearing a different wig every night and hanging out with older and wealthy men. However she will have more than what she bargained for when one night she is chased by someone who wants to kill her, but the reason was quite forgettable.

The editing was sloppy, the acting flat and the direction lackluster. Only of interest for masochists that want to see where some actors and actresses started or for bad obscure movie fans.

This film is sloppier than a school dinner. Awfully cheap picture quality, lighting was terrible, sound even worse – the background sound most of the time drowned out the actors voices. The acting, apart from a 17-year-old Uma Thurman and a cough and a spit part from the ever-reliable Steve Buscemi, was also abysmal. Paul Dillon, obviously a relation of Matt, was a needless and very dislikable character who made me want to fast forward every time he appeared on screen. This monstrosity of a film was cheekily re released again to look as though it was a new Uma film, I have seen it floating around on DVD in second hand shops and car boot sales on numerous occasions - and now I know why. Avoid.

This film is about a young and attractive woman who lures men and then rob them. She finds her own life is in danger when she ends up in the opposite end of the game.

Even considering that "Kiss Daddy Goodnight" was made twenty years ago, it still seemed more like a college film student effort. The camera work is terrible. There is no consideration into how to make the camera angles and presentation of scenes more interesting. Lighting is terrible. Scenes are either very dark or are poorly lit. I refer to a specific scene where William and Laura talk by the entrance of Laura's apartment. The source of lighting takes no consideration into where light should come from. They just use spotlight to shine onto the two characters' faces. The end result is rather laughable.

The plot could have been promising, but it is not engagingly told. There is simply no suspense or thrill. To sum up, "Kiss Daddy Goodnight" is rather disappointing. If it was not for Uma Thurman, this film would have found no viewers at all.