Kiss Daddy Goodnight

This is Uma Thurman's first movie and I guess she did it only for the money as she later went on to star in great movies such as THE ADVENTURES OF BARON MUNCHAUSEN, PULP FICTION, the two KILL BILLs and more. I guess this is the proof that anyone can debut with garbage yet survive it.

Laura (Thurman) is a girl that loves to stroll around town at night wearing a different wig every night and hanging out with older and wealthy men. However she will have more than what she bargained for when one night she is chased by someone who wants to kill her, but the reason was quite forgettable.

The editing was sloppy, the acting flat and the direction lackluster. Only of interest for masochists that want to see where some actors and actresses started or for bad obscure movie fans.

Continuing my valiant quest to watch every film Steve Buscemi has ever been in I haplessly stumbled upon this god-awful waste of 80 minutes. The plot is awful, the dialogue is poor, the acting is dreadful (even Buscemi's 3min role is pointless with no real relevance to the story)-I can only assume they needed the money-and to top it all it looks like that the whole thing was shot by a 7 year old after sneaking out in the middle of the night. It is truly one of the worst films I have ever seen. If you seriously need a Uma fix then watch Kill Bill again-hell even watch the Avengers or Batman and Robin-at least they were so bad they are laughable unlike this piece of crap.

Don't even bother-trust me.

....or "dreary thriller", maybe. You see, this flick begins like a low-key drama (some scenes, like Dillon's meeting with Buscemi, have a documentary-like feel that reminded me, believe or not, of Andy Warhol), then turns into a straight slasher thriller. Uma Thurman makes a promising acting debut, however - and am I wrong to believe that Dillon is Matt's identical twin? (He even acts like him). (*1/2)

I watched this on my betamax last night again. The opening credits and music is fuzzy and lo-rez, wholly impressionistic. I am not one for expensive special effects, nor demanding of a well-crafted story or skillful acting. This movie just gives me a warm feeling, and at some level I think that's all it sets out to do. Uma is scintillatingly beautiful, ala '88 makeup trend at the time. This was the first movie I ever saw her in - before she became known - and I fell in love with her androgynous look immediately. Buscemi shows up, as well as a great cameo by east village music master Arto Lindsay (Ambitious Lovers) as a cab driver. Everything looks exactly the way it did in NYC '88, down to the horribly trashy dive clubs. If you watch movies for a certain feeling, you'll enjoy this one. If you watch movies in order to wax poetic like a fluke critic, then move on to some Oscar list.

This film is about a young and attractive woman who lures men and then rob them. She finds her own life is in danger when she ends up in the opposite end of the game.

Even considering that "Kiss Daddy Goodnight" was made twenty years ago, it still seemed more like a college film student effort. The camera work is terrible. There is no consideration into how to make the camera angles and presentation of scenes more interesting. Lighting is terrible. Scenes are either very dark or are poorly lit. I refer to a specific scene where William and Laura talk by the entrance of Laura's apartment. The source of lighting takes no consideration into where light should come from. They just use spotlight to shine onto the two characters' faces. The end result is rather laughable.

The plot could have been promising, but it is not engagingly told. There is simply no suspense or thrill. To sum up, "Kiss Daddy Goodnight" is rather disappointing. If it was not for Uma Thurman, this film would have found no viewers at all.